CATALOGUE OF WOUNDS 011

We regret to inform you that more super-heroes have been wounded.

the Blue Beetle: 

The very first thing that happens in the very first Blue Beetle comic: Dan "the Blue Beetle" Garret gets shot in the left arm. (Mystery Men Comics 001, 1939)

Domino the Miracle Boy:

It's a miracle (a boy miracle?) that Domino survives 1941, because he gets hit by a dang car. (Green Mask v1 006, 1941)

Not two issues later, Domino gets shot in the ever-popular left shoulder (Green Mask v1 008, 1941)

the Green Mask:

I've been going through some old Fox Features comics for head traumas at the same time as reading The Green Mask v1 for the first time, which means that I've hit a real rich seam of injuries to the Green Mask in particular. Let's review:

The Green Mask gets shot in an unspecified place while swinging across a gorge and seemingly falls to his doom. Don't worry though: he's okay. (Green Mask v1 004, 1941)

The Green Mask continues this trend of getting shot in an indeterminate location from close range in his next appearance, first at the hands of freelance spy Dr Tsu...

And then by fascist spy chief Kurt Ebler. Despite Ebler's assertion that the Green Mask is not bulletproof, I am beginning to suspect that he is at the very least bullet resistant. (Green Mask v1 005, 1941)

Stepping back a bit: the Green Mask gets stabbed in the left shoulder. (Mystery Men Comics 013, 1940)

One issue later: shot in the left shoulder. (Mystery Men Comics 014, 1941)

Lest he be accused of neglecting the classics, the Green Mask sustains a textbook skull crease late in 1941. (Mystery Men Comics 022, 1941)

And finally: the Green Mask's left shoulder is "grazed by a bullet" hard enough to knock him off a car. (Green Mask v1 007, 1941)

MINOR SUPER-VILLAIN 981: IVAN SHARK

(The Funnies 057, 1941)

Ivan Shark is the arch-enemy of Captain Midnight, direct from the Captain Midnight radio show. He is the head of a nationwide network of spies and gangsters dedicated to overthrowing the US government.

The threat of Shark and his organization is so great, in fact, that it is the impetus for the formation of Captain Midnight's Secret Squadron, and so efficient that he is aware of the clandestine meeting between Midnight and a heavily-disguised FDR that marks the Squadron's beginning and is able to get there in time to attempt a presidential kidnapping. 

Like Captain Midnight, Ivan Shark has an extensive supporting cast that has been sourced from the radio show and appear as shorthand versions of themselves in the comic, including henchmen Wolf, Fang and Gardo, the latter of whom finally appears in The Funnies 061 after being mentioned in every previous issue.

The greatest of Shark's minions is his daughter, the amazingly-named Fury Shark. In practice she is just a standard femme fatale espionage type, but she and her father make for a very entertaining evil scheming duo.

Like his foe Captain Midnight, this version of Ivan Shark is but a pale shadow of his radio counterpart, doomed to live out an incomplete story due to the brief duration of the Dell adaptation.

REAL PERSON ROUND-UP 027

Real people? In comic books? Now I've seen everything.

Abu Khan:

I sincerely cannot tell if this Black Knight foe is supposed to be Abu Sa'id Bahadur Khan, last ruler of the Mongol Ilkhanate, or if they just pulled a couple of syllables out of the air and added "Khan" to the end and called it a day. On the one hand, the real Abu Khan never tried to invade Egypt, as the Black Knight is trying to prevent him from doing, but on the other he is from about the right time to be a Black Knight character, i.e., within about two hundred years of all the other elements of the comic. (The Funnies 059, 1941)

Adolf Hitler:

Pays for the services of super-villain the Artist to facilitate the invasion of Tomania with his soul-stealing powers. (Jackpot Comics 004, 1941)

Al Capone:

"Scar Lapone," used as a generic gangster name. (Green Mask v1 005, 1941)

Jean Lafitte:

A false vision of Lafitte is summoned by a fake medium. (Green Mask v1 007, 1941)

Napoleon Bonaparte:

Viewed through a time machine's viewscreen by the Black Hood. (Jackpot Comics 003, 1941)

Nero:

Kim Hale and the Purple Zombie, blasted back in time, are condemned to death by Emperor Nero for telling him about things that he hadn't heard of before. (Reg'lar Fellers Heroic Comics 008, 1941)

Though the duo make it out of the gladiatorial arena okay, they almost get caught up in the Great Fire of Rome before being shunted to another time zone by their allies. Unusually, Nero is not shown fiddling at all. (Reg'lar Fellers Heroic Comics 009, 1941)

Nero, or at least his ghost, appears in a very different form after being summoned by the would-be necromancer Ford. Is this barbaric Nero a reflection of how the Emperor saw himself, or did the artist just kind of wing it? (Jackpot Comics 003, 1941)

Paul Revere:

Minor comic book protagonist Paul Revere Jr is awfully smug for someone who just has the name of a famous patriot, and that goes double for his friends Betsy Ross and Patrick Henry.

His father Paul Revere Sr is at least out there writing a column called "America, Awake!" and putting himself in the crosshairs of local fascists. (Banner Comics 003, 1941)

Sherlock Holmes:

Yet another comedy Holmes analog with a terrible if intriguing name. Foreclose is just close enough to a play on Sherlock to be particularly maddening. Featuring: a Watson analog named Batsin Belfry. (Great Comics 001, 1941)

Walter Winchell:

He only appears as a corpse, but gossip columnist Walt Willard is a clear play on Walt Winchell. (Jackpot Comics 004, 1941)

MINOR SUPER-VILLAIN 980: THE WERE-WOLF

(Four Favorites 001, 1941)

Lash Lightning is one of those characters who is so very powerful that he outclasses all regular human opposition, barring some extraordinary circumstance. That's why a movie-style, immune-to-all-harm werewolf is a perfect foil for him!

The story of the Were-Wolf begins c.1921 (or possibly 1911 - accounts vary!), when Sumter Military Academy student Adolph Krimetz, sick of being bullied and nicknamed "Wolf" because of his unusual appearance, attacks a fellow student and accidentally kills him. Fearing official reprisals, Krimetz flees into the wilderness, where he remains for the next twenty (or thirty!) years. 

Eventually, Krimetz decides to get revenge on the men who bullied him at school, as he blames them for his exile from society. He is emboldened in his quest by the fact that at some point in the intervening years he discovered that his childhood nickname was ironically close to the truth, because he is in fact an actual werewolf!

Krimetz's particular style of lycanthropy is worth noting here: he transforms into something approaching a fully canine form, but only in his upper body, meaning that he technically remains humanoid. It's a wild look, particularly when paired with his homemade fur kilt and footwraps. As the Were-Wolf, Krimetz is super strong, able to travel long distances in a series of super-jumps and is completely immune to all harm - presumably excepting harm caused by silver, but this is never really brought up.

Starting with his old classmates Generals Andrews and Johnson (and Johnson's daughter Joan, filling the role of damsel in distress), Krimetz proceeds to kidnap at least sixteen people. Like fellow revenge-seeker the Master, he seems to be compelled to assemble all of his potential victims before killing any of them, and like the Master this ultimately backfires on him. Krimetz, at least, has a motive beyond revenge for doing so, as he plans on torturing military secrets out of his enemies so that he can sell them to the highest bidder.

Before doing any of that, however, Krimetz sets out to destroy Sumter Military Academy, the scene of his childhood humiliations. Since he has captured Lash Lightning and is thus leaving him alone with all of his prisoners, this is effectively a recipe for their escape. Having freed everyone, Lash rushes off to prevent the bombing.

While Lash might be incapable of harming the Were-Wolf, it turns out that a big old lightning bolt can compel him to turn back into a human, and a human is very vulnerable to, for instance, being punched headlong onto a barrel of TNT and exploding.

REVENGE KILLER SCORE: either 0/16 or 0/216+ if we're including all of the military school kids he also failed to murder.

BUT WAIT:

Even though the Were-Wolf is clearly exploded at the end of his first appearance, he does not in fact die. He returns in Four Favorites 002, still obsessed with revenge but directed against the US military in general, rather than the specific people and institutions who harmed him in his youth. To that end, he derails a troop train that is travelling across the Midwest, and goes on to attempt similar acts against an army convoy and some troop-transporting aircraft

A lot of the dramatic focus of this issue is taken up by the plight of Old Mike Jasper, the railway switchman who Krimetz frames for the derailment and who is almost convicted for the crime a mere one day later despite the fact that a) the case against him is extremely circumstantial and b) much of it is based around a general skepticism of his claim that a werewolf did it, never mind that a werewolf just kidnapped more than a dozen high-level army officers and is currently out there sabotaging military transports. Old Mike has a terrible lawyer, is what I'm implying.

Krimetz is jailed for the mass murdering, but he will return for a further two appearances in 1942! 

MINOR SUPER-HERO ROUND-UP 099

Super-heroes. Like heroes, but super.

Captain Midnight:

Like the second, more popular (though still pretty obscure) Captain Midnight that will be published by Fawcett starting in 1942, this fellow is an adaptation of the radio character, and unlike the second Captain Midnight, this one is a pretty direct adaptation. It's a bit abbreviated and you kind of have to keep referring to the Captain Midnight Wikipedia page to fill in the gaps where your assumed familiarity with the radio show lies, but it's all there:

Captain Midnight is an otherwise-unnamed pilot who gets his nickname after returning on the stroke of 12 after completing a secret mission to prevent Paris from being captured by the Germans during World War One. In the present day (1941) he is recruited to head a secret counter-espionage unit called the Secret Squadron by a mysterious government official who is implicitly Franklin Delano Roosevelt in disguise. 

The Secret Squadron has hidden airbases and headquarters all over the United States and is comprised of a horde of agents referred to by alphanumeric designations starting at SS-1 (Captain Midnight) up to at least SS-85 (the guy who runs the elevator in one of the bases). The "SS" part of the names is quietly changed to "SQ" once the US enters WWII, but I don't think that this comic book adaptation goes on long enough for that to be a concern.

Finally, Captain Midnight's flying clock insignia is very fun. (The Funnies 057, 1941)

Categorized in: Generica (Captains), Locations (Temporal Locations), Origins (WWI Vets)

the Great Zarro:

The Great Zarro is otherwise nameless adventurer with the power of flight. He is also one of the most bland super-heroes in the history of the medium, personality-wise.

A former circus acrobat, the Great Zarro lost his job, fiance and friends when a gang of extortionists burned the whole circus down and killed everyone but Rags, his lover's kid brother. The two swear an eternal war on crime and Zarro gains his ability to fly by consuming some magical herbs given to him by the circus fortune teller, who was just good enough to fortell that he would need them but evidently failed to see why. 

There are precisely two interesting things about this character: Firstly, that as a circus acrobat he was known as Eagle Man, while as a flying super-hero he goes by the Great Zarro. That's a fun little inversion of naming conventions!

Secondly, there's Rags. Rags is an example of something that you occasionally get with comic relief characters, where they and only they are rendered as a full cartoon while everyone else is in a comic book. This is a particularly egregious clash of styles in a comic as full of stiff, human-proportioned figures as "The Great Zarro," rendering Rags more of a figure of horror than comedy. Rags finally becomes a real boy in the third and final Zarro adventure, but it's too little too late. (Great Comics 001, 1941)

Categorized in: Day Jobs (Circus Acrobats), Language (Superlatives (Greats)), Powers (Flight)

Madame Strange:

On the one hand, Madame Strange is pretty great: she's at least somewhat super fast and super strong, will throw a knife at the drop of a hat and prevents the Japanese destruction of Pearl Harbor in November 1941 (though not the one in December). Just like Ripley in Alien, she is an example of a character not being written as a "girl-version" of a default-male archetype but simply as that archetype, which is basically always the more entertaining option.

On the other hand, Madam Strange suffers from the same lack of depth - including any sort of backstory - as so many of her peers. Sure she can throw a knife into a goon from a city block away, but is that enough? I also do not care for the combination of red top, pale blue bottoms, aesthetically.  (Great Comics 001, 1941)

Categorized in: Abstract Concepts (Strangeness), Genrica (Madames), Powers (Enhanced Strength and Speed) 

the Green Mask and Domino the Miracle Boy **Update**:

I am reasonably certain that this is the first time that Domino is given a first name. Don! He's Don! (Green Mask v1 006, 1941)

The same issue that Don gets his name also marks the introduction of the Green Mask's expanded supporting cast. Joining his reporter pal News Blake are heiress/ love interest Olivia Tracey and her chauffeur Peters, who serves as comic relief thanks to his two character traits of "enthusiastic tinkerer" and "very clumsy and hapless." (Green Mask v1 006, 1941)

I can't find anywhere that it's explicitly stated (which may be exacerbated by the fact that the only copy of this issue that I can find is missing 8 pages or so) but by Green Mask v1 008 Olivia Tracey seems to explicitly know that Michael Shelby and the Green Mask - and by extension Don and Domino - are the same.