MEDIA IN COMICS 002

Fictional books, fictional movies, fictional stage shows: it's media in comics time! 

Books:

Dexter, a friend of Ellsworth "the Sphinx" Forrester, has written a book titled Who's Who in Murder which is one of those grand exposes that causes everyone in crimedom to attempt to kill the author before they can publish. That's gotta be great publicity. (Exciting Comics 010, 1941)

While Guns Make Dust is very plot relevant in this Ellery Queen mystery, as a doped-up stamp thief hides his prize in one of three copies in a local bookstore and subsequently murders several people in search of the right one, we never learn much about the book itself. I think it's a Western, personally. (Crackajack Funnies 024, 1940)

We learn even less about Life of Lee, the book that gives DA Tom Kerry the idea that solves a big murder case. Could this be a biography perhaps? Of Robert E. Lee? (Big Shot Comics 007, 1940)

As we have established, there are many faux Hitlers in comics. Much more rare is the Hitler-alike who has written his own Mein Kampf analog, but such a one is Nargoff, aka the Leader, whose book The New Order is ultimately weaponized against him by the Spirit. (The Spirit, "The Leader," 29 December, 1940)

Magazines:

Roving photographer Fran Frazer works for Strife magazine, an obvious play on LIFE but one which neatly justifies the action-packed lifestyle of the comic book photog. (Top-Notch Comics 009, 1940)

Movies:

Real-life animal trainer Clyde Beatty plays some role in the fictional film Jungle Drama, but what it is we cannot say, other than the fact that it involves a lion. (Crackajack Funnies 023, 1940)

"Gabby Scoops" was a short-lived strip that was an awkward hybrid of goofy humour and crime action that ended after the titular hero went Hollywood and starred in the movie It's a Scoop! (Crackajack Funnies 030, 1940)

Shadow Devils, an espionage thriller with an unusual name, is one of those comic book movies that goes on shooting even after female lead Norda Noll is shot dead on-camera. Detective Charlie Chan eventually sorts it all out: it's all about horse racing somehow. (Big Shot Comics 001, 1940)

Dick Cole, aka the Wonder Boy, is roped into doing the stunts for a movie called Shining Star over his summer vacation. Interpersonal conflicts and murder attempts stretch the filming over a couple of issues, but it does eventually get made. It's even well received, despite being an incoherent hodgepodge of action setpieces! (Blue Bolt v1 005, 1940)

Theatre:

Like the movie that finishes production despite death an calamity, the play that continues its run while actor after actor is killed on stage is a real staple of the Golden Age mystery comic. Espionage is such a play, albeit with only one murder and a series of near-misses as the show's conductor fires poisoned darts out of his baton at those who he sees as standing between him and his love of the female lead. (Keen Detective Funnies v2 007, 1939)

MINOR SUPER-VILLAIN 494: THE INVENTOR

(Big Shot Comics 008, 1940) 

It's a very big stretch, even by the standards of my own Unofficial Name convention, to call this guy the Inventor but it's literally the only thing he's referred to as other than "the man" and I just can't keep calling these guys "Unnamed Scientist." I just can't.

So! The Inventor has invented a very cool remote-controlled humanoid robot with a special poison-spraying device in the chest. We'll skip my usual speculation into the potential value that could be reaped by selling this design for industrial purposes rather than using it for mere bank robbery because the Inventor is in fact a mad scientist and thus cannot be held to the same fiscal standards as his more rational colleagues.

Let's take a second to appreciate the classic stylings of this robot: cylinder head, pincer claws, speaker ears... all the great robot features in one cool guy.

This might be a Tom Kerry story but the real hero of the piece is this night watchman who chooses not to pointlessly die in an attempt to protect the bank he works at and instead lives to clue the two-fisted District Attorney in on the culprit's identity as a robot. I appreciate you, fella.

Tom Kerry tracks the robot back to its lair by the simple expedient of clinging to the underside of the remote-controlled auto-gyro used to ferry both it and the money back to the Inventor. There he takes advantage of the fact that like a surprising percentage of Golden and Silver Age robots, this one's exterior shell is easily removed and repurposed as a costume.

The Inventor is essentially epically pranked into signing a confession, Tom Kerry battles a knife-wielding maniac in his boxer shorts and the whole thing wraps up with a sock to the jaw. No word on what became of that poor nude robot, though.

MINOR SUPER-VILLAIN 492: THE BLUE DEATH KILLER

(Big Shot Comics 006, 1940)

Someone is killing old policemen! And furthermore, they're doing it in such a way that their skin is tinted blue as they die! Unsurprisingly, this ends up being called the Blue Death. But Who is administering it, and why?

It's a short story, so we find out pretty quickly that the culprit is one Doctor Swanson and he's getting revenge on the eight police officers who arrested him twenty-three years earlier, using special arsenic/ phosphorous/ radium darts. What was he arrested for? What is he a doctor of? These questions are not answered before he is killed in a shootout with gunslinging District Attorney Tom Kerry.

Spotlight On: the article on Swanson's initial arrest including the partial text "... throat cut... eyes... gouged out... tongue... pulled out..." It really was a heck of an arrest.

JUDGE AND JURY ARRESTING OFFICER REVENGE KILLING SCORE: 3/8

MINOR SUPER-VILLAIN 491: THE WEASEL

(Big Shot Comics 001, 1940)

Just a simple head of a gang that specializes in stealing furs (and I would call that over-specialized but we're just a couple of years off from wartime rationing and with it gangs that specialize in meat, tires and scrap metal theft) but he has a number of super-villainous aspects:

-the biggest one has to go first and it's that he has the chutzpah to track a police informant through the streets of New York with a pack of bloodhounds. It's a real power move!

-the name and the cape don't hurt

Okay, that's actually about it. Those bloodhounds are doing a lot of heavy lifting. The Weasel eventually decides to push his luck re: the cops and their willingness to use deadly force in defense of property and meets his end in a burning fur warehouse.