MINOR SUPER-VILLAIN 908: THE RATTLER

(Whiz Comics 022, 1941)

As we join the action, a passing stranger informs us and also Golden Arrow that the Rattler has broken jail! And he's handing out calling cards! 

Turns out that the Rattler, notorious outlaw of the West, is out to get the men who served on the jury at his trial (and, we must assume, the judge and prosecutor as well), and he's being impressively proactive about it: the above scene takes place the morning after he breaks jail and he has already killed nine members of the jury.

After the unnamed sheriff's deputy quits in the face of the Rattler's murderous machinations, Golden Arrow signs up for the job and is immediately pinned down by a hail of bullets. Bullets which are then revealed to be yet another calling card-type image! For an Old West character, the Rattler is surprisingly brand-conscious.

The Rattler's industriousness turns out to include planning super-hero contingency plans: by the time Golden Arrow gets ready to pursue and apprehend him, the villain's men have already made off not only with Golden Arrow's horse White Wind but his ladyfriend Carol Braddock. And he arranges for Golden Arrow to be attacked by a (jumping!) rattlesnake - more brand consciousness.

I'm almost sad that the Rattler falls for Golden Arrow's subsequent trap. He was doing so well! There's a lesson here that I can't quite articulate - perhaps something about the path of revenge laying even the most clever among us low. In any case, it's back to jail for the Rattler, which will give him more time to come up with an even more extensive revenge list.

JUDGE AND JURY REVENGE KILLER SCORE: 9/15+

MINOR SUPER-VILLAIN 884: DOCTOR DEATH

(Wow Comics 002, 1941)

We open as concert pianist Campani plays the "Symphony of Death," a piece of music anonymously dedicated to him, only to die at its conclusion. What will eventually become clear is that the sheet music he was reading from was coated in poison and slightly stuck together so that Campani would need to lick his finger in order to turn the pages, thus poisoning himself in the process.

This is a pretty good plan! If pulled off carefully, it might even be done so anonymously that the perpetrator would be effectively untraceable. There's no chance of that, however, because said perpetrator is in fact a comic book super-villain who calls himself Doctor Death and who has all of the subtlety of his kind. Not only does he have a goon conspicuously parked outside Campani's apartment to report back on the whether the scheme has worked, but the day before he sent a threatening note to Campani, complete with signature and little skull and coffin illustrations.

(as can be seen in the note above, even though Doctor Death does music-based crimes and is kind of dressed like a concert musician his actual theme is that of a medical doctor. It's a bit of a muddle)

Doctor Death's next stated target is another musician, Ravelle, and though Mr Scarlet prevents Ravelle's copy of the "Symphony of Death" from being mailed to him this doesn't stop Doctor Death; he just goes to Ravelle's house, and when Mr Scarlet shows up there he gets captured and slated to die as well.

Doctor Death of course does not contend with the fact that while Mr Scarlet is technically not a super-human he is nonetheless a super-hero and thus able to, for instance, lift a grand piano over his head and throw it at Doctor Death's body. Among other things, this splits the Doctor Death mask asunder, revealing that the villain is in fact... Ravelle! 

It turns out that Ravelle was recently fired and presumably replaced by Campani and his response to this insult was to turn to elaborate murder plots for solace. The attempt on Ravelle's own life was a bluff designed to draw suspicion away from himself that was repurposed into a trap for Mr Scarlet. But what of Sigowitz, the third name on the revenge list? Alas, we shall never know.

MINOR SUPER-VILLAIN 791: CATS ROMELT

(Lightning Comics 004, 1940)

Though Cats Romelt is the head of a gang of river pirates who organizes a fake warehouse guard union in order to call a general strike and leave the dock warehouses easy pickings, none of this is the reason for his being here. No, it is his sheer bloody-minded commitment to using starved alley cats with poisoned claws as weapons of terror and mass destruction that tipped him over into the category of super-villain. It's an idea that certainly works better on paper than in practice, but the real question is: is he constantly doing it because his nickname is "Cats" or is that his nickname because he breaks out a poison-clawed alley cat as the solution to any problem?

MINOR SUPER-VILLAIN 401: THE MASKED MAN

(More Fun Comics 073, 1941)

This is not a new development but having Johnny Quick and Green Arrow's debuts so close together made me realize that a minor sea change had happened some time in 1941: whereas the earliest super-heroes would start out collaring regular crooks we're entering an era in which super-villains are the norm! (that said, Aquaman's debut is in this issue as well and he just blows up a few Nazis).

As for the Masked Man (our fifth! Even if more than half of them are unofficial), he's another themed deathtraps guy, killing members of the extremely tryhard History Club (members must have the same last name as a famous historical or mythological figure, but sometimes it's the figure's first name as their last name and also there's a member named Frank d'Arcy who is a member under the extremely slim pretext of sharing a name with Joan of Arc AKA Jean d'Arc. Maybe it's a club for guys too uninteresting to belong to any of the other weird themed organizations in comics). Needless to say my interest was piqued: themed deathtraps are a classic villain trope! These, however, are extremely perfunctory - shooting a guy named Lincoln but not in a theatre, stabbing a Caesar in his sleep... a little more theatricality would have gone a long way.

More halfassed deathtraps: Ezra Samson is tied up next to a bomb that will collapse a building on him, Frank d'Arcy is tied up in a burning building, Amos Socrates is forced to drink poison at gunpoint and Leonard Achilles (great name!) is warned about his heel being targeted so he wears metal boots and is then killed via electrified mat. It's all moderately thematic but feels perfunctory.

And it is, in fact, perfunctory! The Masked Man is not killing the members of the History Club out of hatred or because of a weird compulsion but as a distraction! He's actually club treasurer Ezra Samson attempting to cover up his long-term embezzlement of club funds by murdering everyone who would care, culminating in a fake attempt on his own life and a staging of Amos Socrates' poisoning so that he would look like a guilty suicide. And he might have gotten away with it if Green Arrow and Speedy hadn't been there to kill him with a car wreck at the end of the story.

BONUS TROPHY ROOM

Green Arrow and Speedy add the Masked Man's fake round bomb to their already overstuffed trophy case.

MINOR SUPER-VILLAIN 399: THE MURDER MAESTRO

(More Fun Comics 072, 1941) 

The Murder Maestro comes out swinging with a rapid-fire campaign of musical murder. Over the course of two days he delivers five musical warnings followed by song-inspired deathtraps to members of the Tin Pan Alley Club, e.g., "I'm Walking on Air" delivered via singing telegram followed by an attempt to hang the recipient from a light aircraft.

This of course leads to one of my favourite setups: a collection of possible suspects. Not as much as could be is done with this bunch - two are almost immediately targeted by the Murder Maestro, leaving only two actual suspects - but I still appreciate the effort.

The Murder Maestro of course is Blind Harry Thorpe, the least likely of the suspects, who turns out to have Dr Mid-Nite-style "can only see in complete darkness" blindness. His murder spree was inspired by the fact that the Tin Pan Alley Club was a collective enterprise in which royalties were pooled and shared among the songwriter members, and of course fewer members meant more royalties for the survivors. Whether Thorpe had an excuse ready for when he was the only one left alive was left unexplored.