ALIENS AND SO FORTH ROUND-UP 013

You wouldn't believe how many of these I have.

Unnamed Planetoid-Dwellers: 

Blast Bennett and his pal Red run into these guys on a planetoid somewhere between Venus and Mercury and exclusively refer to them as "savages" even though they fly around in their own spaceship. Get off their planetoid, weirdos. (Weird Comics 003, 1940)

the Brainmen:

The Brainmen of the planet Larz are a bunch of large-headed jerks who have conquered... Earth? some time around the Year 5000, when Whiz Wilson shows up using his Futuroscope. My uncertainty above is due to the fact that the focus of the issue is very much on the fact that Americans have been enslaved, which is probably not meant to be a deeply ironic commentary on the long history of forced labour in the Land of the Free but they can't stop me from thinking it.

Whiz manages to acquire and distribute the "N-Gas" antidote to the pacification gas used to render the Americans compliant, but even a peasants' revolt is not enough to overthrow the might of the Brainmen, and he is forced to bring Brainman King Gar back to 1940 to use the threat of being beaten to death by a crowd of angry New Yorkers to ultimately win the day. (Sure-Fire Comics 003, 1940) 

Brutes:

Lumpy, oafish humanoid encountered by Jan and Wanda when they are blasted into another dimension by Dr Doom. Has no buttcrack. (Science Comics 008, 1940)

Bugmen:

The Bugmen are a belligerent species of insect-centaurs who occupy the Jovian jungles and regularly vex Auro, Lord of Jupiter until he bests their leaders, Ogre and Agh. I enjoy their huge tusks and also wonder just how much they get in the way. (Planet Comics 006, 1940)

MINOR SUPER-VILLAIN 702: THE DRAGON MAN

(Planet Comics 003, 1940)

The work of the Lord of Jupiter is never done, as Auro (Lord of Jupiter, natch) learns one day when he receives the alarming news that a giant flame-breathing dragon has been carrying off dozens of his subjects.

And indeed, not only is there a dragon running around causing trouble but that dragon is actually a guy who can turn into a dragon and who has used his humanoid powers of reasoning to correctly identify Auro as the biggest threat to his lifestyle. Fortunately for Auro, the power of thought goes hand in hand with the ability to be fooled, and he manages to bluff the Dragon Man into fleeing from a common apple by pretending that it is a grenade.

Auro sets out to deal with the Dragon Man once and for all and upon finding him learns the reason for his actions: making a kingdom of his own, plus snacks. That really does have to be the one big perk of being an anthropophageous monster - if you're looking to establish a food supply, a group of humans will organize and try to keep themselves alive. They are more likely to periodically try to kill you than a flock of sheep, though.

Too late does the Dragon Man learn the important corollary to to plan of "seeking out and preemptively killing the greatest threat to your life," which is "and then make sure to kill them, because now they know." Having not followed through, he must perforce be stabbed.

MINOR SUPER-VILLAIN 699: AGRA

(Planet Comics 002, 1940)

We are introduced to Agra when Earth-woman Ava bursts in to Auro. Lord of Jupiter's court to warn him that Agra intends to kill him. She really talks up Agra's prowess vis-a-vis elephant- human- and tree-slaying, and hopefully takes the time to describe his outfit which for all the world looks like it was designed by Mike Grell just after he finished with Disco Era Cosmic Boy.

Auro of course does not know the meaning of the word retreat, even after suffering a particularly gruesome-sounding wound at the fangs of an escaped gorilla that he can only blame himself for having in his palace in the first place

Agra and his band of hooligans soon arrive to force the confrontation, despite the protestations of Auro's followers. The important thing to not here is the stripe of hair running down each of these guys' heads, which is the sign that they are Jovians and makes it easy to tell when someone in an Auro strip is an Earth human or not. Except when the artist forgets. Or when it's clearly a generic jungle adventure with "AURO"  and "JUPITER" written in as appropriate. Also, I think that Jovian women probably have regular-style hair because Golden Age artists could not countenance drawing a dame without some flowing locks.

All this build up of Agra was of course just just to build up how mighty Auro is for not only defeating him one handed but doing it with a single punch. An effective narrative technique, albeit one that ends up in a high mortality rate for third-string super-villains in later years.

MINOR SUPER-HERO ROUND-UP 034

Here they are! Some guys you've never heard of!

the Press Guardian: 

In the Press Guardian's first outing he is known as the Falcon, but he has the same core mission as he will throughout his career: to clean up crime in Central City via the free press, even if he must do so in a pretty bad costume. A fair few places online list reporter Flash Calvert as the Falcon's secret identity but this is one of your classic reading comprehension/ research tests: it certainly seems like Calvert is the Falcon right up to the last third of the story, in which they start appearing in the same panels as one another. Thus, a claim that Calvert is the Falcon mean that the claimant either skimmed the story in question or is taking the word of another who did so.

By Pep Comics 002, the Falcon has officially changed his name to the Press Guardian and traded in his Victorian daredevil costume for a classic suit-and-mask combo. His identity is also revealed as Perry Chase, society columnist and universally derided failson of the publisher of the Daily Express. As with a lot of Golden Age heroes the necessity for your secret identity to be the subject of scorn is not really explained - surely the same effect could be achieved by faking a limp or something and then people wouldn't constantly be insulting you to your face.

But the papes must go through, and the majority of the Press Guardians adventures have a hand in ensuring that they do, if only tangentially. (Pep Comics 001, 1940)

Auro, Lord of Jupiter:

Before Auro was lord of anything he was just some kid with the last name Hardwich who was out on a Sunday space drive with his family, when all of a sudden things went wrong and the family space car crashed into the solid, non-gaseous, habitable planet Jupiter. There, the now-orphaned boy is raised by a Jovian tiger, becomes extra beefy in the high gravity environment, and rises to a position of leadership in the nearby tribe of "Jupiter Brutes," who name him Auro, meaning "Unconquerable".

All this is pretty standard jungle orphan, white guy exceptionalism stuff and I'm sure that one could make a pretty good case for it being just as unpleasant a series of tropes even when divorced from any real-world peoples etc, but what I must focus on is the fact that when you put a jungle guy in space he becomes a space barbarian and is actually pretty entertaining to read. (Planet Comics 001, 1940)

the Red Comet:

Speaking of taking character tropes from one comic genre and putting them in another, here's the Red Comet! Like his fellow Fiction House hero the Red Panther, the Red Comet brings super-hero style to a non-super-heroic world, or worlds in this case, as he beetles around the cosmos righting wrongs.

The Red Comet's main trick involves shrinking and growing at will, but over time he demonstrates a wide range of situationally useful abilities including but not limited to: a crime-in-progress sense, insect communication, invisibility, super strength, the ability to survive in space without PPE, flight and the ability to change the size of others.

The Red Comet's ability to change size is initially attributed to advanced technology (an "intra-atomic space adjuster," natch), while his expanded ability set is generally described as "magic." Then, in Planet Comics 009, he is on a dinner date and explains that he got his size control abilities when he was struck by "some outer space force," giving him a more traditional super-hero origin. No word on whether his ability to talk to termites is still magic or as a result of another jolt of cosmic energy. (Planet Comics 001, 1940)

Tiger Hart of Crossbone Castle:

Tiger Hart is one of the more obscure Fletcher Hanks characters, a medieval warrior who spends his sole recorded adventure seeking the Great Solinoor Diamond (time for a Real Folk entry for the Koh-i-noor, I suppose) in order to free Queen Hilda from the clutches of the bandit chieftain Turk-the-Terrible. 

All pretty standard sword and sorcery stuff but, presumably in deference to the fact that the story was being published in Planet Comics, it all takes place on the planet Saturn. This raises many questions! Are Tiger Hart et al Saturnians? Are they from a far enough future that humans have colonized Saturn (and the habitability of Saturn must be taken as a given, alas) and then gone through a societal collapse of some kind, a Dark Age and now a medieval-style era? Or, as the only real reference to Saturn is that the Solinoor is from Saturn, is the story set on a far-future retromedieval Earth? Many things to ponder. (Planet Comics 002, 1940)