MINOR SUPER-VILLAIN 899: THE BIG SHOT

(Whiz Comics 012, 1941)

The city of Watertown is under the thumb of a mysterious crime lord known only as the Big Shot, and Edward Lucas, the Special Prosecutor in charge of tracking the Big Shot down, has been shot and killed just before a meeting with Watertown District Attorney Harper. Enter super sleuth Dan Dare and his associate Carol Clews to pick up the trail and finish Lucas' last case.

The most obvious suspect is of course DA Harper, and since Dan Dare stories are a little too short for red herrings that is exactly who it turns out to be. I wouldn't call the Big Shot the criminal mastermind of the century or even the week, but he does have the good (fashion) sense to have his minions dress in little domino masks so I must give him a small amount of credit.

MINOR SUPER-VILLAIN 870: THE CHIEF

(Zip Comics 002, 1940)

While walking down the street one day in what is almost certainly supposed to be New York City, Jim "the Scarlet Avenger" Kendal witnesses the protection racket-related bombing of a tailor shop. What's worse, the police response to the blast makes it pretty clear that they are on the take!

Using his network of operatives, the Scarlet Avenger discovers when and where the next bombing is set to take place and intervenes by way of a heat ray that blows up the bomb as well as the crooks delivering it to kingdom come.

After this and other interference in the gang's activities, the Scarlet Avenger has well and truly drawn the ire of the leader, the aptly-named Chief, who arranges for the Avenger to be captured and delivered to him for disposal. But! Not without the Scarlet Avenger hearing about it first. 

Before the Chef can execute his plan to execute the Scarlet Avenger in his homemade gas chamber, the hero reveals that he has "electrically wired myself, a million volts," and that whatever that means, it allows him to easily escape both his shackles and the glass chamber.

It also gives the Avenger a lethal touch, as both the Chief and his gang learn when they are killed by it. And just who is this mastermind of crime? Why, it's the district attorney! There are a lot of questions to be asked about the large numbers of both super-heroes and super-villains who are district attorneys in their day-to-day lives, but at this point the one I'm asking is: just where do they find the time?

MINOR SUPER-VILLAIN 590: THE SUBMARINE GANG

(Exciting Comics 005, 1940)

The Submarine Gang get dealt a very bad hand: although they are a successful and feared group of submarine pirates who have been terrorizing shipping in the New York area, they have the misfortune of being lead by corrupt City Commissioner Lupine, who is dumb enough not only to conduct gang business while hosting a large and well-attended party at his home but to do so in the context of the Sphinx operating out of the same city as them. And while you might argue that Lupine would have no reason to suspect that the Sphinx might be a guest at his high-society party... the guy wears a tuxedo all the time. You have to at least assume he's going to party.

Thus, the Submarine Gang is undone before they really get going. Sure the characters in the story talk about how they've raided this or that ship in the past, but their in-story appearance is 100% the process of them blundering into a trap set by the Sphinx and the cops.

Just a complete failure of leadership and information security. Those poor pirates deserved better.

GENERIC COSTUMED VILLAIN ROUND-UP 013

Here come the also-rans.

We've got another Leader, and this time he's not a generically-fascist spy but the head of a gang looking to extort the New York World's Fair via a series of bombings. Of course the Fantom of the Fair cannot let this stand and quickly tracks them down to a small island base.

If the first reason I included the Leader aka Relmar here is because I enjoy a monocled man with a high opinion of himself then the second is the fact that the Fantom, without ever actually saying a word, lays such complete waste to Relmar, his men and his entire island. Don't mess with the World's Fair, is the message I'm getting. (Amazing Adventure Funnies 001, 1940)

A masked saboteur of no clear allegiance, Biff Durgo aka the Masked Man is the poorly-disguised sole foe faced by Pack Morgan, Super Detective. (Detective Eye 002, 1940)

Lead by the mysterious "One", gangsters Face Greer and Shiv Scarpino are bleeding the city of Midtown dry. That's why Mayor Kurt Piersole calls in trigger-happy detective Gunner Thompson, only it's not, because when it all shakes out it turns out that Mayor Piersole was indulging in the old trick of establishing his innocence by being the one to call in the forces of order. It was a cliche in 1940 and continues to be to this day and then as now it ends one way: the One wasn't quite as clever as he thought he was and ends up on the wrong side of his own hired gun. (Exciting Comics 001, 1940)

John Blodgett kills his partner Samuel Forbes in order to make off with his claim on a lucrative gold mine but fails to reckon with the fact that Forbes' daughter Caroline might just wonder what happened to her father and so has to don a mask and engage in some truly half-assed attempts to bump both her and private eye Dan Williams off before they uncover his dumb secret. (Exciting Comics 001, 1940)

MINOR SUPER-VILLAIN 485: THE CONDOR

(Big 3 005-006, 1941)

As far as super-villains go, the Condor is a simple concept: the modern pirate. But the modern pirate is a classic character type! Murder on the high seas! Sneering braggadocio! Calling people swabs!

And the Condor himself fits the role to a T. It doesn't hurt that he's such a well-designed character: who knew that a guy in a black suit would look so good as a pirate with the simple addition of a cape and tricorn hat? I couldn't find a good picture of his face in profile but it is similarly well-designed, with a combination of intense eyes, beaklike nose and slight overbite really giving the predatory bird vibe.

It's not quite as on-theme, but the Condor's plan to loot NYC York City is suitably villainous. Plus:

... he has crooked politicians on his side! Including the mayor! (and here we must indulge in a brief aside: the Blue Beetle, like many super-heroes, operates out of a nonspecific urban landscape strongly influenced by New York City. It gets referred to as York City once or twice early on but for the most part goes nameless. But the thing is, it's near a lot of places like Westchester and New Jersey that place it in the NYC neighbourhood, so I've been saying that it's New York for a while now. Mayor Dorth here is just one too many anomalous mayors for me to ignore - I'm forced to conclude that the Blue Beetle operates out of a metropolis that may or may not be called York City and like Golden Age Gotham City essentially occupies the same geography as New York without being New York)

And while many criminal mayors in comics are merely corrupt, Mayor Dorth is a proper wrongun - not only does he cover up the murder of Councilman Hals here by framing Joan Mason but he both helps set up the Condor's raid on the city and attempts to betray him and make off with the loot himself. This of course only gets him killed but you have to appreciate the dynamism.

The Condor is seemingly drowned by the Blue Beetle at the end of his first appearance but pops right back up again in the next issue to attack Dr Lane of the city museum. It's a bit low-stakes after looting the entire city but the Condor still gives it his all.

It's all rather tawdry at the end: Dr Lane and the Condor have been smuggling uncut diamonds and Lane is for some reason attempting to double-cross a notably murderous pirate. There's a lot of running around and attempted murder before the Condor is once again seemingly killed by the Blue Beetle, this time via a sock to the kisser that sends him into a ship's boiler.

Like Countess Belladonna before him, the Condor has all the hallmarks of a villain who would continue to return to plague the Blue Beetle if only Fox Features hadn't had that unfortunate financial trouble and lost control of the character for a couple of years. Alas, he was forgotten during the Beetle's time at Holyoke.

MINOR SUPER-VILLAIN 294: THE WAX MAN

(Captain America Comics 002, 1941)

The Wax Man is a bit of  an oddball. For one thing, he's not explicitly a Nazi, just "in the pay of a hostile foreign power," which is only strange in that this is Marvel Comics, the only big publisher not hedging their bets about calling bad guys Nazis - the story previous to this featured Captain America and Bucky punching out Hitler and Goering and leaving them in trash cans, for heavens sake. But not the Wax Man, he just has a bunch of nonspecific guys working for him who shout "ach du lieber!" when you surprise them.

He's also a combo of two kinds of foreign agent character types. As seen above he's a ruthless and feared killer who gruesomely slays even his own men via suffocation in wax masks (and collects the heads of his enemies, natch), but also...

He's a guy with a squadron of super tanks and a plan to topple the US Government via their mechanized might backed up with barrages of guided missiles. These aren't incompatible character traits per se (and in fact describe quite a few classic villains including Captain America's very own Red Skull) but they are quite a lot to cram into a 15-page story without losing focus.

The Wax Man manages to stick the landing by reverting to the "feared killer" aspect of his persona after his super tanks take a bath. Somewhat predictably/ extremely delightfully, he lairs in a wax museum, where we get some classic bits including The Real Guy Hiding Among the Statues and That's Not Wax, That's a Dead Person Covered in Wax.

And finally, the Wax Man turns out to be a Chekov's Mayor as his real identity is revealed to be Mayor Dobbs, who only showed up for half a page to demand that somebody do something about that terrible Wax Man.

MINOR SUPER-VILLAIN 182: THE BIG SHOT

(Crack Comics 001, 1940)

A series of facts about Golden Age super-hero comics:

-most of them take place in cities

-they are either set in a specific location (e.g. Wonder Woman being in Washington DC or the Red Bee in Superior City) or an unidentified large city

-in the latter case, over time the city acquires characteristics that either lead to it becoming its own thing (e.g. Batman's unidentified large city becomes Gotham) or being identified as New York City

Now there are plenty of exceptions to this (Superman starts out in Cleveland which quickly becomes Metropolis; plenty of Golden Age heroes didn't stick around for their location to gel, etc etc) but it does happen a fair amount and it leads to situations like the above, wherein the Clock, who lives in an unidentified large city clearly based on NYC, arrests crimelord the Big Shot and learns that he is in fact Mayor Kozer! And then over the years it becomes more and more clear that Clock stories are set in New York and you end up with an alternate history of the office of Mayor of New York City in which Fiorello la Guardia is presumably repeatedly ousted from office only to be reelected following the various Evil Mayor Arrested by Vigilante scandals. This is the sort of thing that really gets my heartrate up!

Anyway: the Big Shot, folks.

EDIT TO ADD:

This isn't even the first Mayor of NYC that the Clock is responsible for the arrest of: one year earlier he helped send Mayor Tull up the river! (Feature Comics 022, 1939)