MINOR SUPER-VILLAIN 985: THE MAD GHOST

(Green Mask v1 008, 1941)

The tale of the Mad Ghost ("Death Deals in Diamonds!") is presented as a classic whodunnit, which happen to be one of my very favourite genres of both comic stories and of fiction in general. Sadly, this story is a prime example of how poorly this genre can be executed, and an early sign of this is in the dramatic presentation of suspects on the splash page. While it is pretty common to include the story's protagonist in such lineups for aesthetic reasons or maybe to bulk things out a bit, this batch includes both Lens "the Night Bird" Crockett and his partner Dell, rendering that fat juicy suspect pool down to a mere three guys.

As we get into the story proper we can find this same commitment to quality, as our murder mystery is in fact nothing more than a loosely connected series of action vignettes featuring the Mad Ghost. In terms of clues to the mystery of the Ghost's identity, we learn that Count Rogo is a shady customer and that the hotel manager and detective are present, and that's about all. Other than the fact that the hotel detective and the Mad Ghost wear the same colour suit, but surely that must be a red herring, yes?

No, that's really it so far as audience-friendly clues go. The Night Bird claims that he "recognized his profile" but c'mon. He's wearing a rubberoid mask when he's the Ghost! Are we using "profile" in a bold new way here? And just why was he dressing up like a creepazoid and stalking the rooms of a failing hotel? Because he is actually an escaped diamond thief who murdered and impersonated the real hotel detective while attempting to discover the location of his swag, which the detective had confiscated and hidden somewhere in the building. Was committing a series of monster murders a reasonable way to go about solving this problem? Sadly it was not.

Categorized in: Body (Sanity), Theft (Jewel Thieves), Supranormal Beings (Ghosts)

MINOR SUPER-VILLAIN 956: THE EVIL EYE

(Dynamic Comics 001, 1941)

Lucky Coyne, private detective and man with the most complicated publishing history in comics* is hired by heiress Helen Jordan to solve a ghost problem in the mansion she has just inherited. The ghost in question, called the Evil Eye, obligingly makes an appearance just as she mentions him, with his signature "Weeeee... ha ha ha!" laugh.

*Lucky Coyne appeared in comics by half a dozen publishers over the years, and operated as a police sergeant, a reporter and, as here, a private eye. And some of his adventures, including this one, were reprinted with differently-named lead characters such as Kensington Slade and Jinx Jordan.

Lucky and his associate Terry make their way to the mansion and have a second encounter with the Evil Eye in which he locks them in an attic and then sets the place on fire in an attempt to kill them. While attempting to get out of the former trap, Terry knocks down a bit of wall and discovers a cask of precious jewels, which is what the ghost was after the entire time.

There is a final confrontation between Lucky and the Evil Eye on the Jordan Mansion lawns, in which the ghost is hampered by being outside of his favoured terrains of "crumbling old manor" or "urban rooftop" and is pretty quickly laid out. The Evil Eye is unmasked, and it's a classic Scooby-Doo situation: Harms, the mansion's caretaker, was dressing up and haunting the place in an attempt to drive Helen Jordan away and claim the jewels for himself. Like so many of his fellow fake ghosts, his actions only served to make his targets aware of the valuables that he was trying to steal, alas.

The Evil Eye also employs the services of the Black Demon, a creature described as a "giant black bat" but actually clearly some sort of vulture. Is this a case of nobody in the comic knowing what a bat is, or the comic's artist (unidentified, per the Grand Comics Database) not knowing what a bat is? In either case, it's a doozy.

Categorized in: Body (Eyes), Fraud (Fake Undead - Ghosts), Language (Expressions)

MINOR SUPER-VILLAIN 932: THE GHOST OF THE DOMINO

(Silver Streak Comics 011, 1941)

The Domino is dead! All those murders he did and more importantly admitted to when he was trying to extort the NYPD have caught up to him via the electric chair, and all of New York breathes easier.

Not for long, however, as the various witnesses at the Domino's trial, and particularly the members of his own gang who turned state's evidence, begin turning up dead with a domino - that has the Domino's fingerprints on it! -  in their hands. Rumours that the ghost of the Domino has returned for revenge start flying around the underworld.

And to top it all off, the Domino's grave turns out to be empty!

Now, the seemingly dead gangster returned from the dead to get revenge is a common enough trope that we can lay out the possible ways it might have happened with ease:

1. the Domino's death was faked and the "body" smuggled out for "revival" elsewhere

2. the Domino really dies and his body was collected by an unscrupulous scientist for revival or brain transplant, etc.

3. the Domino's body was stolen and he is being impersonated, possibly by a secret identical twin

4. it's actually the Domino's ghost

Feel free to place a small bet on which of these comics-accurate options is the case here.

Answer: it's option 3! The Ghost of the Domino is in fact Pete Poulos, one of the Domino's former lieutenants, who has faked his old boss' return and done all of the seeming revenge killings as a smokescreen for his true goal: to eliminate all the other former members of the Domino gang who know where their old boss' money is hidden.

As per usual, a combination of facial disguises and a bulletproof vest carries the day for Presto Martin, and the Ghost of the Domino is sent to replace the original in prison (and possibly the grave).

Categorized in: Accessories (Calling Cards), Activities (Dominoes), Fraud (Fake Ghosts)

MINOR SUPER-VILLAIN 917: THE GHOST

(Cat-Man Comics 004, 1941)

The Upper New York Castle District appears to also exist in the Temerson/Helnit universe, because when NYC-based vigilante the Ragman is hired to investigate a supposed haunting at a place called Glascow Castle he hops in his car and drives there. Glascow Castle's owner, Sir Wilkens Sidney, claims to have seen the ghost of 18th Century murder victim Duke Edgeroy wandering the halls of his home and believes that the Ragman is the man to get to the bottom of things before he flees into the night screaming.

And it turns out that Sir Sidney is correct, because the Ragman isn't in the castle for five minutes before he discovers a secret basement full of counterfeiting equipment and finds himself battling a very solid Ghost and his even less ghostly henchmen.

After a bit of back and forth involving swordplay, deathtraps and a trained attack dog the Ghost is finally unmasked and revealed to be racketeer Marty Vance, who was so invested in the castle as a perfect location for his operation that he moved in despite the fact that Sir Sidney was already living there. Perhaps he was in it for the love of the haunting game as much as the counterfeiting, who knows.

One thing I'll say about this particular Ghost: he's got one of the more horrifying masks that I've seen on one of his ilk.

Categorized under: Accessories (Headquarters (Castle)), Extortion & Fraud (Counterfeiting/ Fake Ghost), Supranormal Beings (Ghosts) 

MINOR SUPER-VILLAIN 885: THE GHOST

(Wow Comics 002, 1941) 

After a particularly fraught meeting of the Orphan Society, at which the charity's president Henry Suffridge accuses everyone present of potentially being responsible for some recent embezzlement, board member Jones is accosted by some spooky scary ghosts and skeletons while muttering to himself on his way home. They warn him in no uncertain terms to leave town - is he the embezzler, being punished for his misdeeds by the spirits of the dead?

No he is not, as it turns out, because Mr Scarlet is on hand to demonstrate that these are in fact fully tangible, fully punchable goons in sheets and skeleton costumes with a layer of phosphorescent paint over top (specifically radium paint, in fact. Woof, as if being a costumed henchman wasn't enough, now there's an increased cancer risk?)

The point of the whole charade is to scare Jones into leaving town because he knows who is responsible for the embezzlement. Are ghosts and skeletons better at doing that than a dozen large men with guns? The Ghost is betting that they are!

And just who is this Ghost? Why, it's Henry Suffridge, literally the only other named character in the story! Well, I guess there were fellow Orphan Society board members Crane and Petrie but considering that they each showed up for about one and a half panels I think that we can safely say that they were outside of the suspect pool. Ultimately, it's a lot of grandiose window-dressing for a grubby little crime, done poorly. For shame, Ghost.

GENERIC COSTUMED VILLAIN ROUND-UP 029

You'll never believe how close these guys get to being name-brand super-villains! 

The Great-Great-Grandson of Lafitte is a flamboyant character who runs a protection racket on coconut plantations on the US Virgin Islands. Is he really a descendant of the great pirate captain? Who can say, but what is certain is that he puts on a good show before getting his block absolutely knocked off by US Navy goofs Spark Stevens and Chuck Lawson. (Wonderworld Comics 009, 1940)

Some classic fake haunting shenanigans by a group of spies assigned to disrupt the work of US government scientist Dr Sloan. Punched and apprehended by K-51. (Wonderworld Comics 013, 1940)

The Killer is head of a gang of extortionists and kidnappers who target rich men around an indeterminate US metropolis. True to his name, the Killer murders his targets whether they pay up or not, which I personally think might be a poor long-term strategy. We shall never know, because in the short term the Flame gets involved and roasts the entire gang before delivering the Killer to the authorities. (Wonderworld Comics 014, 1940)

Professor Z has so many villainous accessories - an eye patch, a castle, a tiger, terrible hair, henchmen dressed in colour-coded, vaguely sci-fi uniforms - that it may surprise you to learn that his entire operation is set up so that he can commit insurance fraud. Perhaps the out-of scale trappings are what attracts the attention of the Phantom Rider.

This adventure is personally annoying to me because while the Phantom Rider was previously absolutely set in the Old West, at the end of this one he calls for the authorities and two regular cops rock up. It's yet another time that the line between the past and present in a Western comic is so blurry that you could ride a horse through it and I will never stop grumbling about this when it happens. (Wonderworld Comics 015, 1940)

MINOR SUPER-VILLAIN 824: THE SPIRIT KILLER

(Thrilling Comics 004, 1940) 

Things get hairy when businessman Ogden Phillips invites a selection of acquaintances to his country home for a seance, only to immediately be kidnapped by a terrifyingly earless phantasm once the lights go out. Bad news for Phillips (victim) and his guests (suspects) and even Police Inspector Dougherty (keeps getting bonked on the head), but great for me because these early Woman in Red comics are structured like whodunnit mysteries (which I love) but the first couple were a bit shy on suspects and thus fell a bit short of the mark.

Our suspect list is shortened slightly by the murder of Phillips' former fiance Gladys Arnold, followed by the kidnapping of guest Myra Loomis. At this point the only party guests left walking around are Messrs. Breen and Caswell.

The Woman in Red is also present, of course, having been sent in under cover as Peggy Allen. And for a change of pace, this time she's not a nurse but a maid! 

The Woman in Red of course ultimately triumphs, despite briefly being captured and held in the secret tunnels that run throughout the estate, and reveals that the Spirit Killer is actually... Ogden Phillips! It turns out that he had fallen in love with Myra Loomis and that they had planned to take the ransom money and run away together. This is a wild plan, but even assuming that it is the only way for them to get the money (house already mortgaged, bank account near empty, etc) the fact that Phillips is so quick to murder and attempt to murder is such an unnecessary escalation - Gladys Arnold is killed because she knows about the romance between Phillips and Loomis and thus might put two and two together, but a simpler solution would have been to not invite her to the kidnapping - really cratered his chances of getting away with it.

MINOR SUPER-HERO ROUND-UP 055

Some more super-folk for your delectation. 

Doc Strange:

Doc Strange (called "Dr Strange" for the first half dozen or so of his appearances, but why cause unnecessary confusion) is an almost prototypical scientist-hero: no real origin beyond being a well-known brilliant scientist who is primed and ready for adventure having just perfected Alosun, a "formula distilled from sun-atoms." After taking his first dose of Alosun in his initial adventure, Strange has super-strength and invulnerability sufficient to take on an entire gang single-handed, and if he takes a supplemental dose he becomes exponentially more powerful.

Doc's sidekick Mike won't be showing up until 1942, but in the meantime his fiance Virginia Thompson (as so often is the case, the woman he rescues during his first super-heroic adventure) acts as his adventuring companion/frequent kidnap victim in the meantime.

 

In Thrilling Comics 007 Doc Strange mixes up a new formulation of Alosun that completes his powerset by allowing him to fly while under its effects. This is also the issue in which he stops fighting crime in suits and adopts his classic red t-shirt/blue jodhpurs/brown boots look. 

Finally, I've noticed a lot of sites listing his name as "Hugo Strange" or "Thomas Hugo Strange" and while the Thomas is definitely an Alan Moore addition from Tom Strong I can only report that the Hugo has not yet appeared in the 1940 issues of Thrilling. (Thrilling Comics 001, 1940) 

the Ghost:

Young George Chance is orphaned in India and so is of course raised by yogis. He learns all of their magical secrets and is eventually sent out into the world to fight crime, as I assume all yogis are. I must say that it is something of a change of pace to see a magic-man come into his powers in India after such a long string of Tibetan origins.

Like most magical heroes, the Ghost is a nigh-omnipotent force of nature who can be stopped only by a sneaky blow to the head, and even then only temporarily. His adventures are distinguished by the fact that his long-time foe is Professor Fenton, a scientist who has developed time travel technology, so the Ghost's adventures are distinguished by the sheer variety of times and places he ends up.

The Ghost takes his name from his early habit of painting his face (all the way to the back of his neck!) so as to resemble a skeleton while he is fighting crime. Sadly though the name sticks the look doesn't. 

In Thrilling Comics 008, the Ghost travels back to Revolutionary America and meets a patriotic woman named Betty Morris who ends up coming back to the 20th Century with him as his companion/love interest. I keep seeing claims online that she is his wife, but strongly suspect that that is another swipe from Alan Moore's version of the characters. (Thrilling Comics 003, 1940)

the Lone Eagle: 

Another classic example of a pilot-hero-with-a-cool-name and not much else going on. The Lone Eagle does seem to have been a World War I veteran, which I always like to note. (Thrilling Comics 003, 1940)

the Woman in Red: 

The Woman in Red (an extremely good name) has what just might be the simplest origin story in comics: she is really Peggy Allen, undercover police officer, and the Woman in Red disguise is her way of investigating crimes without blowing her cover if she is caught snooping around. See? Simple! 

Woman in Red mysteries tend to be structured as whodunnit murder mysteries, which I obviously like, and so Peggy is also frequently wanted by her comic foil, the bumbling Inspector Cavanaugh, as a suspect because he sees her creeping around the crime scene and doesn't have a lot of critical thinking skills. (Thrilling Comics 002, 1940)