MEDIA IN COMICS 010

Is the media in comics any good, do you think? Do super-heroes get to watch good movies?

Movies:

Arizona Nights is a Western being produced by King Studios when a climactic gunfight scene is used as cover for a real-life murder. Detective Sergeant Carey clears up the mystery (it was the cameraman) but we never learn if the footage of a man dying in real life was used for the added verisimilitude. (More Fun Comics 052, 1940)

Call of the North, a Mounted Police picture by Pioneer Films, is not marred by murder, but if the Quality Universe IMDb userbase is on the ball the trivia section for the movie includes the fact that several of the mountie actors were used as backup by RCMP Sergeant Reynolds in the apprehension of a kidnapper. (Feature Comics 037, 1940)

Dread Castle has a place in comic book history as the film that drove Basil Karlo over the edge and into the persona of Clayface, as he saw the attempt to remake a movie that he saw as one of his greatest roles as an insult to him personally. Both Dread Castles are medieval films about a murderous hunchback called the Terror - not a terribly exciting prospect without the excitement of all the real-life murder that went on during production of the second one. (Detective Comics v1 040, 1940)

The other Basil Karlo role that we learn about in his initial appearance is the one that he takes his criminal moniker and appearance from, a movie seemingly also called Clayface. (Detective Comics v1 040, 1940)

Music:

Is "Star Dust" Clark Kent's favourite song as he claims it is while big-dogging this club maître d'? I sure hope so. No idea what kind of song it is, but you can slow dance to it. (Superman Comics v1 007, 1940)

Newspaper Columns:

"Town Talk" is the kind of snotty gossip column that inspired a thousand murder mystery plots. In this case, columnist Walt Willard turns up dead and Steel Sterling has to comb through the wealth of suspects to figure out whodunnit. (Jackpot Comics 004, 1941)

"Around the Town with Joe E. Brown" is your standard gossip column-as-exposition-vector, though why the writer has the same name as an old-time film comedian is unknown to me. (Special Edition Comics 001, 1940)

Paul Pryer, writer of the imaginatively-titled "Paul Pryer's Column" is one of those comic book celebrities who I am certain is based on a real person, but whether it's just someone like Walt Winchell or there's a Paul Prowler out there just waiting for me to learn about him is up to chance. (All-Star Comics 003, 1940) 

Meanwhile: "Society," the most pragmatically-named society column of all time. (Batman Comics v1 001, 1940)

We don't get to actually see "Tom Peeping's Column" in this Minute Movies strip, but I like to imagine that it features a cheeky little cartoon of the writer with big binoculars at the top. (Flash Comics 004, 1940)

Newsreels:

I don't know enough about newsreels to know if they normally had titles, but the Ace Films company is trying to capitalize on their beautiful camerawoman "Dot Daring," aka Beautia Sivana and so chooses to call this one Flirting with Death. (Whiz Comics 010, 1940)

MEDIA IN COMICS 008

We're not out of the extremely crusty scan woods yet, but the media of comics must be recorded, folks. Hang in there.

Books:

When Diamond Jack defeats his early foe the Witch and transforms her book of magic into 1000 Ways to Cook Spinach, there is one big unanswered question: did this spinach cookbook already exist or did his ring magically compile 1000 recipes on its own? (Slam-Bang Comics 001, 1940)

Early Batman foe the Wolf, meanwhile, got his start after suffering a head trauma and fixating on the crime thriller he was reading, titled The Crime Master. (Batman Comics v1 002, 1940)

Human Knowledge, a book compiled by the sinister Professor Universe that contains "every fact known to man" is used by Slaughter Slade to imbue his assistant Dr Allirog with the mind of a human genius. (Special Edition Comics 001, 1940)

Usually when you hear about a reclusive scholar writing a book about how "sinister persons or forces plan to deliberately stave off the return of national prosperity" you're in for some paranoid fascist rantings, but in this case it's the early 40s, so the sinister forces discussed in Prosperity's Foe *are* the fascists. (Superman Comics 004, 1940)

Wretched Marine character Strut Warren attempts to peddle a book called The Jolly Homemakers' Manual around Bali in an attempt to win a prize, a typically tiresome adventure for the character. (Fight Comics 016, 1941)

When a mysterious virus called the Purple Plague starts ravaging Metropolis, Clark Kent and his pal Professor Henry Travers his the library to research a historical instance of the same disease, in a book also called The Purple Plague. It turns out that the Ultra Humanite had also checked out the same book and that it had given him the idea to unleash the modern plague in imitation of the original. (Action Comics v1 019, 1939)

Movies:

Air Circus is a airplane stunt-heavy film that is plagued by accidents while filming until pilot Gary Hawkes gets involved and exposes the scheming director's plot to scuttle the production and then turn a quick buck by buying up the incomplete footage. (More Fun Comics 039, 1939)

Its the same old story: a film called The General's Daughter shoots some scenes at the Army installation where Skip Schuyler works, there's a series of incidents and then Skip has to save the day. Not too sure what the movie is supposed to be about. (Adventure Comics 043, 1939)

It may be the crustiest and crunchiest lowest quality scan here, but Public Enemy #13 is a pretty fun name for a movie and I think that that makes up for it, at least a little. (More Fun Comics 040, 1939)

Newspaper Columns:

"Around the Avenue" is one of those old-school society gossip columns that they used to have in papers, and while Rennie McCavoy here is playing into Wesley Dodds' hands by writing him up as a wild party dude/ potential victim for the story's villain, it's hard to respect the journalistic effort involved in seeing a guy being quietly drunk at a nightclub and pouncing on him like this. (Adventure Comics 044, 1939)

MEDIA IN COMICS 007

We've got some real early media for you today, so get ready for the crustiest scans of microfiche you ever saw.

Movies:

Steve Rogers and Bucky almost get to the movies to see a flick called Million Dollar Robbery before being interrupted by a real, if smaller-scale, robbery. BONUS: a classic case of real movies stars barely obfuscated by having their first names swapped, in Humphrey Raft and George Bogart, aka George Raft and Humphrey Bogart. (Captain America Comics 004, 1941)

Hired to look into dirty dealings on the Stupendous Films lot, Slam Bradley and Shorty Morgan go undercover as stunt doubles. The comedy film that Shorty works on is never named, but Slam briefly works on a film called Jungle Man. (Detective Comics v1 004, 1937)

Larry Steele's own investigations into a series of high-profile kidnappings take him to the set of Too Much Money, a movie we never learn anything about. (Detective Comics v1 005, 1937)

It's just barely possible to make out that this movie that the Radio Squad boys watch is called The Fighting Cop. A bit on the nose, boys! (More Fun Comics 038, 1938)

Music:

Detective Bruce Nelson investigates a series of murders committed on stage while each victim was singing the same song. That song was originally called "The Night is Blue," but is now known as "The Song of Death." (Detective Comics 020, 1938)

In Action Comics 006, a grifter named Nick Williams falsifies some contracts and begins licensing Superman's name all over town, and one of the results of this is a song! Specifically, a big band tune called "You're a Superman!"

I wouldn't call it the greatest song ever written (no song should include the word "resistless," for example), but it's not entirely terrible. (Action Comics v1 006, 1938)

Newspaper Columns:

Written by Paul Revere Sr, ultra-patriot and father to comic book adventure kid Paul Revere Jr, "America Awake!" is one of those exciting titles that works for an anti-Nazi column in 1941 and also potentially for a pro-Nazi one in the present. (Banner Comics 003, 1941)

Jay Garson Jr, aka the Ragman, wrote his "Crime Does Not Pay" column right up until someone tried to kill him for it and he was forced to fake his own death. And then kept on writing it for a while afterward, seemingly mostly in order to give his old editor a hard time. (Cat-Man Comics 001, 1941)

Radio Shows:

In addition to "You're a Superman!" Nick Wilson's Superman-licensing deals included a Superman radio show, meaning that the DC Universe had one a full two years before we did.

Wilson also mentions having sold movie and comic book rights, but as he is beaten up and forced to stop his scheme by the real Superman not long after this conversation it's likely that those never saw the light of day. (Action Comics v1 006, 1938)

Theatre:

Slam Bradley and Shorty Morgan investigate the crimes of the Broadway Bandit by getting jobs on Broadway, specifically as tap dancers in a production called Love on Ice that despite its name seems to be a variety show rather than anything with a discernible plot. (Detective Comics v1 016, 1938)

Renick's Frolics, the show in which "The Song of Death" appears, is another of these variety productions. (Detective Comics v1 020, 1938)

 

We learn nothing about Darkest Dawn other than the fact that someone is trying to kill the lead actress and Nadir, Master of Magic, is on the case. (New Adventure Comics 028, 1938)

MINOR SUPER-VILLAIN 679: THE EXPLOSION OF KRYPTON

(Action Comics 001, 1938)

Does this first version of the explosion of Krypton really fit the category of minor super-villain? Absolutely not. "The planet got too old and blew up" is a natural disaster, albeit an extreme one.

The second appearance of the Explosion of Krypton, in Superman v1 001, 1939, doesn't even blame the explosion on old age. It just happens. So why categorize it such? Because basically every time it shows up going forward (and it's going to be a while - we're currently reading comics from 1940-41 and the next appearance of Krypton is in 1948) the blame rests squarely on someone's shoulders, whether it be the Kryptonian Science Council's bureaucratic stultification and/or short-sighted self interest dooming their own citizens or the latest villain-of-the-week getting an unearned boost to their C.V., someone takes the heat for this disaster. And when they do, I'll be there to take note of it.

FASCIST GOON CLEARING HOUSE 005

Fascist, Smascist

The Volunteers for Peace are another group that advocates for the US not to get involved in WWII as shorthand for them being full-on fascist fifth columnists setting the country up for an invasion by the evocatively-named Nation X. Don't worry, not even Golden Age Superman has any trouble beating down a bunch of pseudo-Nazis (Action Comics 036, 1941)

Another batch of Yellow Shirts, this time with a space! This bunch are some more bundists and they have the misfortune to tangle with ultranationalist adventurer Don Glory (Hit Comics 013, 1941)

The Grey-Shirts were the personal army of early Justice Society villain the Leader. They were a diverse group - most cells were bundists but some were imported from the non-German Teutonic Fatherland that the Leader himself called home. (All-Star Comics 004, 1941)

The Peace Clan are willing to kill for their ideals of US non involvement in foreign wars, and Doc Savage is willing to kill them to keep them from doing so. Also they dress and act a lot like the KKK. Also they're actually literal Nazis. (Doc Savage Comics v1 006, 1940)

MINOR SUPER-VILLAIN 134: THE GHOST

(Action Comics v1 039, 1941)

The Ghost is one of Superman's earliest superpowered foes, being Brett Bryson, a chemist who was accidentally irradiated while conducting an experiment and, having found himself with both a burning radium touch and a short time left to live, set out to steal enough in the time he had left to provide for his family once he was finally gone.

But there is a twist to the Ghost's story! The lab accident? Planned by Bryson's greedy partners! The stolen money? Was never going to be delivered to Bryson's family! I like this because this is the earliest example of the On Purpose Lab Accident Origin that I'm aware of in comics and that's a reasonably common origin! (Brett Bryson does not like it and murders his partner before dying himself)

MINOR SUPER-VILLAIN 067: ZOLAR

(Action Comics 030, 1940)

In thinking about Zolar I realized that he engages in a surprisingly common plot-expedient activity which I, unwilling to root around on TVTropes for whatever twee thing they might dub it, am hereby going to call "the Reel": the villain sends a minion from their exotically-located HQ to wherever the hero is located to accomplish some sort of McGuffin task - collect an item, kill or kidnap someone, etc - thereby alerting the hero to the threat and drawing them to the exotic location. As soon as I thought about this I realized that many of the minor super-villains on our list employ the Reel: the Gorilla King sends a squad of gorilla-assassins to kill his enemy, thereby alerting Zatara, for instance.

In Zolar's case, he sends some of his men (mind controlled desert tribespeople, natch) to Metropolis to eliminate an impediment to his plans, which involves first Lois Lane and then Superman. Cut to the Sahara Desert, where Zolar is trying to conquer the lost city of Ulonda using a combination of mind control, rocket planes and flesh-destroying death orbs.

The whole thing ends in bloodshed: Zolar and his lieutenant attempt to death orb Superman only to have it bounce back on themselves, while his fleet of mind controlled rocket pilots are caused to crash by a slightly-pre-anti-killing-code Superman. The lost city of Ulonda, though battered, survives.

MINOR SUPER-VILLAIN 066: MR LEOPARD SKIN

(Action Comics 028, 1940)

AKA the Leopard Skin Thief AKA the Strongarm Bandit - this is our first example of a clear super-villainous character who has not bothered to give themself a name and so we must take one from the text boxes or (as in this case) from the names given to them by the other characters.

Mr Leopard Skin is fun because he is obviously dressed as a circus strongman, and that is because his crime career is an attempt to frame a circus strongman. The actual culprit, the circus clown, has to basically be caught before anyone else at the circus thinks to mention that the clown used to be the old strongman before a stronger strongman showed up and he got demoted and maybe might want revenge.

MINOR SUPER-VILLAIN 064: MEDINI

(Action Comics 025, 1940)

The "World's Greatest Hypnotist," Medini embarks on a life of crime using his gifts. He's so good at hypnosis, in fact, that he is able to put Superman himself out of commission with the power of his mind, which might be why his story ends with Superman throwing an entire plane at his head.