MINOR SUPER-VILLAIN 548 UPDATE: MADAME DOOM (1940)

When we last saw Madame Doom, she had been bested at the game of espionage by the Black X and was fleeing the US for friendlier shores at the end of Smash Comics 004.

Madame Doom returns with a fresh new attitude for 1940 in Smash Comics 008, as now she is not just working for an analog of the Axis powers but explicitly for the Nazis. It's a lateral move at best but an important one nonetheless. She only actually appears for a page or so and acts as an obstacle to Black X's escape from Germany rather than a full-fledged villain, and is then left in his dust as he takes off into France.

In Smash Comics 012, Black X accompanies US Ambassador Blank to Paris as part of an attempt to initiate peace talks in Europe. Madame Doom is there too, attempting to disrupt the process by manipulating the Hunchback of Notre Dame into assassinating Blank. It's not explicit that she is still working for the Nazis on this, but c'mon. 

This issue also marks the zenith of Madame Doom's investment in the will they/won't they relationship with Black X, but her plea to him to run away with her is an interrupted first by the Hunchback and then by the French authorities and so it is not to be.

Madame Doom returns in Smash Comics 014 with some snappy new henchmen, the Legion of Living Bombs, who have: a. very cool costumes (that they don't actually wear while they're outside of the house), b. a very cool name (as long as you don't think too hard about it in any context other than aesthetic).

More importantly, this story features the zenith of Black X's investment in the relationship between himself and Madame Doom, to the extent that he resigns from the Espionage for her.

This proves to be what's known as a Bad Decision, as Black X soon learns that while Madame Doom is not working for the Nazis this time around (that's good), that is because she has teamed up with a fellow named Count Mirov in a bid to conquer South America (that's bad), and that to that end she is dosing her fanatical minions with a fluid that eventually causes them to explode and sending them out to disrupt the Pan-American diplomatic talks (that's even worse). If there's a positive to this dastardly plot, it's that it seems to kill the romantic tension between the two once and for all.

(Madame Doom's height, hair colour and general appearance are fairly mutable during these appearances, as is not unusual for reoccurring female villains. I mention that here because in order to say that her height had fluctuated I felt compelled to comb through this issue like a foot pervert to see if she was wearing anachronistic 90s stiletto heels, but as you can see above she is not)

After some hijinks involving Black X's aide Batu stealing back his letter of resignation so that his boss can get back on the case, Black X returns to Madame Doom's underground HQ and proceeds to beat ass, and the ease with which he does so to an entire roomful of guys might just be another indictment of selecting your minions for their willingness to die over any other useful quality.

Defeated, Madame Doom decides to take what I would call "the cool way out" and guzzles some of her own explosive brew rather than be captured. It's a heck of a way to leave a final impression.

SPOILER: Madame Doom will return!

MINOR SUPER-VILLAIN 748: THE HUNCHBACK OF NOTRE DAME

(Smash Comics 012, 1940)

The Hunchback of Notre Dame is just that, a modern version of the fictional character, and seemingly just as damaged by society as his predecessor. He is manipulated into working as an assassin for Madame Doom, who is in Paris (presumably on behalf of the Nazis) to disrupt peace talks helmed by US Ambassador Blank but is being effectively countered by the Black X and so must operate through a deniable dupe asset.

Just what the deal is with the Hunchback is down to three distinct possibilities, all fairly equally outlandish, but all are predicated on the fact that Notre Dame has a hunchbacked bellringer in 1940, like it's a prerequisite for the job. The possibilities:

1. That the people of Paris are correct in their belief that this Hunchback of Notre Dame is a direct descendant of Quasimodo, the original, which would imply not only that Quasimodo had a child at some point but that his physical condition was one which was passed down through a line of bellringers for almost 500 years.

2. Similar to Possibility 1. Quasimodo has a child, but in this case, the Hunchback of Notre Dame Gene is recessive and his descendants are not generationally indentured cathedral slaves. This latest member of the family would thus be reviving an old tradition by being a delusional misfit urban legend.

3. The citizens of Paris are credulous fools and all hunchbacked bellringers are not, in fact, related. In this scenario we must assume that it's the job that is so terrible that it drives these poor men mad.

Regardless of his actual origin, the Hunchback meets his end after attacking Black X in a jealous rage over Madame Doom's affections. Riddled with bullets, he falls to his death. Black X is still horny for Madame Doom at this point, so she is allowed to leave.

MINOR SUPER-VILLAIN 548: MADAME DOOM

(Smash Comics 004, 1939)

We will be seeing more of Madame Doom, as she is Black X's only real recurring foe (I think), but as far as 1939 goes she made one appearance and this is it. 

Madame Doom, a freelance spy, is working for "the dictators" in an attempt to steal US defense plans and prevent the signing of a pretty vague treaty that acts as a deus ex machina reason for war not to have broken out yet (war with the US, that is).

In this first appearance Madam Doom is a very by-the-book Will Eisner femme fatale: a ruthless lady with the hots for the hero (reciprocated).

Black X doesn't quite let her go on purpose but he certainly doesn't try very hard to catch her. This is a mistake! The bloom definitely wears off the rose in this relationship later on.

UPDATE: Madame Doom 1940