Tuesday, July 8, 2025

DIVINE ROUND-UP 005

Once again we add to the scriptures. 

the Shadowman

 

Like his predecessor/inspiration Yarko the Great, Mr Mystic also has a semi-friendly/ semi-adversarial relationship with the personification of death. In this case, Death is a guy in a cool suit with a half-cape, and he is called the Shadowman, presumably because of his perpetually-in shadow face.

The Shadowman's first couple of appearances cast him as a mysterious stranger who helps Mr Mystic in his battle against various evils (including scientist Ghantse, who the Shadowman seems to work for in his initial appearance). At this point the Shadowman is merely a mysterious man who has a miraculous ability to survive the most deadly of situations.


In the 17 November 1940 Spirit Section, Mr Mystic ventures into the Land of Mythology on a quest for the Ring of the Gods, which turns out to be held by Death. This version of Death is a traditional Grim Reaper style skeleton in a robe, and he swears vengeance on Mr Mystic for the theft of the ring. 



The Grim Reaper version of Death is never explicitly tied to the Shadowman, and it's possible that they were intended to be different in some fundamental way - different aspects of death, perhaps. The Whole Ring of the Gods incident is not brought up by the Shadowman the next time he meets Mr Mystic (1 December 1940), so Mystic might be off the hook for that. It's a bit of a moot point, however, as this installment of "Mr Mystic" is all about him saving the life of a little girl named Joan Barton, and it allows us to get more of a grip on the Shadowman's code: he objects to bot murder and life-saving interventions as equally disruptive to the natural order. Mr Mystic now has two threats from Death hanging over him. 

(this episode also establishes the deal with the Shadowman's shadowy face: if you look at it sans shadow, you die) 



The final Mr Mystic comic of the year (29 December 1940) features the Shadowman's revenge on Mystic: he is going to seduce/kill his fiance Elena.

While the Shadowman seems to have access to some sort of primordial seductive power relating to the inevitable entropic march toward the grave, he is not above employing cheap romantic comedy plot devices to drive a wedge between the lovers.



Death is the inevitable winner of the contest, of course, and Elena goes off with him to... the afterlife? His home? Are they married now or is she just dead? We shall never know, alas, though we will see the Shadowman again.

God Style: real anthropomorphic personification (The Spirit Section, 22 September, 1940)

Jwang Tyoy:


We don't get a lot of the teachings of Jwang Tyoy beyond the fact that he is the god of a South American "anti-civilization" cult. The focus of the comic is much more focused on the very off-model pterodactyls that the cult leader uses to do he bidding, and for good reason!

God Style: idol (Shadow Comics v1 004, 1940) 

Kutu

Kutu, aka Tuku, is possibly a moon god, definitely South American, and has the traditional jewel socketed into his idol for adventurers to steal and get into Big Trouble. 

God Style: idol (Comics Magazine 002, 1936)  

Nahapatan


Nahapatan, the Golden Idol, is housed in a hidden Aztec city, where it is the subject of active worship. Does this stop Professor Roberts, his nephew Tim and adventurer Ken Masters from barging in and stealing it to put in Robert's museum? It does not.

God Style: idol (Masked Marvel 001, 1940)

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