MINOR SUPER-HERO ROUND-UP 056

Some hot Archie/MLJ super-hero action. 

**Hero Update** Bob Phantom:

Perhaps in honour of his making the jump from Blue Ribbon Comics to Top-Notch Comics, Bob Phantom gets two hitherto-unseen powers: super-breath powerful enough to turn aside oncoming bullets and the ability to summon cyclones by flapping his cape. (Top-Notch Comics 003, 1940) 

Bob Phantom also demonstrates super strength sufficient to tear an airplane to pieces in mid air. (Top-Notch Comics 004, 1940)

And not content with three new super powers, in Top-Notch 010, Bob is shown to be completely bulletproof.

Bob Phantom's modus operandi, to reveal crimes and taunt both police and criminals in his gossip column as Walt Whitman and then bust things up as Bob Phantom, has never been particularly kind to the police of his corner of MLJ New York, and at this point they openly hate him in both of his identities. (Top-Notch Comics 009, 1940) 

**Hero Update** the Wizard: 

The Wizard's powers also get expanded once 1940 rolls around: not only can he now hypnotically mind control people with a mere glance but he can mentally contact his thralls across distances of at least 500 miles (the above message was broadcast from somewhere in the vicinity of Dallas to somewhere in Mexico). 

1940 is also the year that the Wizard's already-formidible strength was rounded up to full-on super, seen here as he is bodily heaving an entire u-boat Bundonian submarine out of the water with only the power of his little kicking feet to hold him up.

The Wizard's arsenal of weapons and gadgets also gets a fair few additions this year, including:

- more rays guns than one would assume could fit in a suit with such clean lines: death rays, two different engine-killing rays (the vibra-ray gun and the neutronic ray gun), an explosive ray (the destructo-ray), a metal-melting ray (the VB-ray gun), a paralysis ray (the electrolysis ray), a rainmaking ray (the H2-VX-0 ray), fire-extinguishing ray (the Hydra Gun), and the dynamagno saw ray projector, a cutting ray which can be tuned to selectively destroy mechanical parts such as the wires that hold a plane together.

- secret chemicals including: Secret Chemical L-77 (solidifies liquids), Ethyl Formula 2X-Y-BZ (superfuel additive) and Super-Caloric Capsules and Secret Formula Ho Mg 4, which put pep back in a weary Wizard's step.

- special vehicles, the greatest of which is the Contra-Gravity Flask, pictured above, which allows the Wizard to float harmlessly to the ground from a height or run through the air, merely by virtue of being in his pocket.

(Top-Notch Comics 002, 1940) 

I somehow also failed to note in the original Wizard entry that he is not only a calling card guy but an obnoxiously patriotic one. (Top-Notch Comics 001, 1939) 

After being blinded by his enemies the Mosconians, the Wizard changes out his tuxedo costume for a more super-heroic one with even less room for ray guns. This is supposedly to protect him from getting acid splashed in his eyes again, but since the Mosconians don't actually get a chance for a second try the actual mechanism by which the same mask but a different shirt might help in that situation is not explored. (Top-Notch Comics 007, 1940)

Finally, Blane Whitney abandons the life of the wealthy playboy to become a crusading newspaper publisher with ex-fiance Jane Barlowe as his star reporter, though he of course does not get a break for this. (Top-Notch Comics 008, 1940)

Roy the Super-Boy: 

He's not quite the Sensational Character Find of 1940, but Roy the Super-Boy is the Marvel of 1940 and that has to count for something. He's also our first Archie/MLJ sidekick (yes, yes, Tommy the Super-Boy, but he was a reference to Roy and we only covered him first because of the alphabet and its tricks). Does he suffer the "just running around without a mask calling yourself by your own name" problem common to a lot of Golden Age sidekicks? Sure he does, but at least he has a partial code name. And I was wrong: he totally wears a mask most of the time! 

As is often the case, Roy is just a scrappy young orphan making his way in the world as a bootblack, when he ends up in a fight with some grown-ass men and impresses the Wizard with his sweet moves and devotion to justice. He soon finds himself with an invite to a rich man's private gymnasium!

Thanks to an intensive training regimen, Roy is quickly developed into an impressive physical specimen. The Wizard claims that they are equivalent barring the Wizard's mind-powers, but I haven't seen Roy bench-press a submarine yet. (Top-Notch Comics 008, 1940) 

Kardak the Mystic: 

There is a general consensus online that Kardak the Mystic is the same character as the Mystic, who appeared in Top-Notch Comics 001 and 002, but I ain't buying it. For one, where the Mystic was an ordinary stage magician who used his skills at slight-of-hand to battle crime, Kardak has actual magical power. For another, where the Mystic was already engaged to an unnamed woman in his first adventure, Kardak's adventures are all set in motion when a girl he just met on a cruise to India is kidnapped by undersea creatures. Certainly, relationships break up all the time, but not the Mystic and Unnamed Woman! Their love is forever!

Kardak's adventures take him and his gal-pal Lorna from the bottom of the Indian Ocean to Louisiana, where they enter a series of extra-dimensional lands populated by hostile weirdos. It's a pretty good setup to showcase the power of a magical hero without having story after story of him just destroying regular gangsters.

Kardak also acquires the services of Balthar, a huge dude with a magic turban, and he's just as annoying as Tong and the other members of the Shirtless Broken English Magicians' Assistants Collective. (Top-Notch Comics 004, 1940) 

MINOR SUPER-HERO ROUND-UP 053

They really do just keep coming. 

**Update** The Arrow:

While the Arrow has always been portrayed as a mysterious seven-foot-tall physical prodigy, this particular adventure really goes all in on his being super-humanly strong. This seems significant somehow, even if it is is second-to-last appearance, by my reckoning. (The Arrow 002, 1940)

**UPDATE** the Flame: 

This is the first actual version of the Flame's origin that I've encountered in a comic book, so here it is. This is actually the first time that I've encountered the notion of baby the Flame being proclaimed as the Grand High Lama. It's a weird detail! (The Flame 001, 1940)

Phantasmo: 

And speaking of the ancient secrets of Tibet...

Phantasmo! He spent 25 years in Tibet learning mystic secrets and now he's returned to the US to mete out supernatural justice! Phantasmo! His main deal is that he can project his astral body and that in that form he is basically omnipotent! Phantasmo! He can grow, shrink, heal, kill, he is an invulnerable and infinitely strong magic man! Phantasmo! He does have one key weakness: while his astral form is out and about, his physical body is vulnerable, so teenaged Whizzer McGee tags along on his adventures to watch over it! Phantasmo!

Thanks to a combination of an already fairly minimal costume combined with his transparent nature and some odd colour choices, Phantasmo is possibly also the nudest Golden Age super-hero, at least in his cover appearances. (The Funnies 045, 1940)

the Black Knight: 

A young village blacksmith who first helps the Good King Victor of England when his leg is broken in a boar hunt and then goes on to foil several simultaneous attempts on the monarch's life, the unnamed youth receives the customary reward for doing an excellent job: additional responsibilities. The Black Knight acts as a sort of state-sanctioned vigilante, rooting out evil among the chivalry of England.

And speaking of England, the more history-minded of you might have noted that "Good King Victor of England" I mentioned as being very much not an actual British monarch. This raises the question of just when the Black Knight stories are set: it's broadly Medieval (5th to 15th Centuries), operating under the Chivalric Code (12th to 15th Centuries), the King has a Damascus steel sword (post 10th to 11th Century), there is talk of doctors being fairly available (13th Century at earliest)... so what does all this add up to? Absolutely nothing. The Black Knight exists in a pastiche of knight-haunted England that is as historical as your average retelling of the Arthurian mythos, and in fact the whole thing would be a lot neater is Victor were actually Arthur. We must work with what we have, I suppose. (The Funnies 046, 1940) 

ADDENDUM: I wrote this before I had read the last couple of Black Knight stories for 1940, and immediately after posting it I cracked open The Funnies 049, featuring a tale in which the Black Knight helps defend Cornwall (becomes part of England proper around the 10th to 11th Century) from a force of Huns (4th to 6th Centuries) and their enslaved Viking (8th to 11th Centuries) crew, and let me tell you I was relieved. 

MINOR SUPER-HERO ROUND-UP 051

It's Day Three of Round-Up Week here at the Curse of Skeleton Munroe. 

**UPDATE** the White Streak:

Novelty Press is back at it again, exercising their compulsion to tone down the "fantastic" in their comic book stories. The White Streak has gotten a job as an FBI agent, and so he gets plastic surgery in order to make his inhuman face into that of a square-jawed white guy. Now instead of being the utterly fantastical ancient android in a bright costume running around blasting people with electron vision and zooming through the skies on an electric ladder, he's... the same thing but he looks like a normal guy. Plus he tries to limit his power usage so as to stay inconspicuous, so he sticks to x-ray vision and electrified punches. Very realistic stuff. 

If this move was in the cards for the White Streak, this might also be the explanation we were looking for for why Dr Simms went off the rails and blew up his entire life as Dr Death: it was a good old-fashioned slash-and-burn of a comic book's supporting cast before a change to the status quo. Feels like I'm in the Nineties again! (Target Comics v1 010, 1940)

Galar: 

A childhood friend of Spacehawk's from the same near-human species as him, Galar is turned from his six hundred year-long career as a space pirate by the intervention of his old friend and sent out into the galaxy to act as the protector of some random solar system, which it turns out is the reason that Spacehawk is protecting our solar system: he just arbitrarily chose it. (Target Comics v1 011, 1940)

the Stratosphere Patrol: 

Speaking of Spacehawk, here's "Spacehawks," a Basil Wolverton strip that didn't really get the room to shine before its home comic was given the axe. While "stratosphere" in the context of 1940s comics is often a flowery way to describe everything up to and including interplanetary space, the meaning here is quite literal: Steve Grover and Bart Bixby and their colleagues are charged with policing the vast array of air traffic that is constantly whizzing around in the near-future, and their greatest challenge occurs when they encounter an evil scientist who can go into the upper, upper atmosphere! Heady stuff. (Circus, the Comics Riot 001, 1938)

the Ghost Rider: 

There are a seemingly infinite number of masked cowboy vigilantes roaming the various Wests of assorted comic book universes, and the Ghost Rider is one of them. In his one recorded adventure he stops the wretched gambler and crime boss of the town of Last Chance, Poker Slade, from murdering miner Robert Burton and his daughter Rose and stealing their gold claim. Also, though it's not particularly visible in the image above, this particular Ghost Rider is the only one to have a mustache.

As always, there are no new super-hero names under the sun, and "Ghost Rider" might just be one of the ones to unexpectedly crop up the most times. (Amazing Mystery Funnies v2 004, 1939)

MINOR SUPER-HERO ROUND-UP 043

A grab bag of old characters I skipped over back in the early days when I thought that this blog wasn't going to be completely self-indulgent. 

Mr Clue: 

He only had one adventure in which he solves the murder of a mayor by a police chief, but Mr Clue is too great a name not to take note of. (Master Comics 001, 1940)

the Red Gaucho: 

A swashbuckling hero in the Zorro mode, the Red Gaucho protects the South American nation of Santa Palos from threats both foreign and domestic before eventually just kind of wandering North to have adventures in a sort of generic Central America. He's a fun character! He has one of the biggest hats in comics!

The Red Gaucho is also a character I think about whenever the topic of white supremacy comes up. White supremacy is one of those topics that gets a lot of people very angry, but at its base it's simply the belief that the world consists of white people and everyone else and more specifically that it's white people versus everyone else in a competition to keep white people on top, where they belong. And the further back you go, the less people felt the need to hide the fact that that was their worldview, and possibly the place that that attitude is most on display is in early Golden Age comics - just read any set outside North America and you'll catch on to it pretty quickly.

Anyway, that is all to say that even though it's more subtle than a lot of other examples of this worldview in comics, ever since I noticed that every single appearance of the Red Gaucho includes a disclaimer assuring readers that he was in fact the child of two Americans and not some horrible South American - heavens forfend! - his smiling face pops into my head whenever the subject comes up.(Nickel Comics 004, 1940)

the Hawk:

On a less heavy note, here's the Hawk! Created by George Brenner, who also created the Clock, the Hawk has the distinction of being the first masked crimefighter to appear in a comic that would eventually be amalgamated into the DC Comics fold (the Clock had only appeared in Centaur comics up until this point and wouldn't make his way into a Quality book for a few months yet). A heady and heavily qualified distinction!

The Hawk is secretly T. James Harrington II, wealthy and useless playboy who hangs around looking bored until some crime happens and it's time for the Hawk to hit the streets. It's a bit Bruce Wayne/Batman only without the parental murder.

Unlike Batman, the Hawk leans pretty minimal on the costume front, with his major identifying feature being a set of slip-on claws. 

The Hawk also has a couple of assistants named Link and Rollo who are touted as the only people who know the Hawk's identity but who don't get much time to show their stuff in this, their one-panel appearance. Astute readers might note that the crook that the Hawk has just captured likely also knows his secret identity at this point but please note that Link and Rollo are identified as the only living people to know the secret. Sinister stuff!

DC has already gone with the Crimson Avenger as the Official First Golden Age Super-Hero but I reckon that the Hawk would be a fun guy to be brung back for some future story involving early mystery men antics. (Feature Funnies 002, 1937)

*Hero Update* Shock Gibson:

It had to happen someday: Shock Gibson disguises himself as a cowboy and in the process abandons his iconic helmet forever. Fare the well, helmet. (Speed Comics 007, 1940)