MEDIA IN COMICS 009

I hope you like media from comics, because I certainly do and I am going to keep doing these.

Comics:

Bullied bootblack Timothy Smith just wants to buy a comic book with his last nickel and he has a whole selection of Fox Features titles to choose from, but what draws his eye is a book called The Land of Magic, a comic so fantastical and majestical that he wishes himself away to live inside its pages the next time he gets beaten up. (Green Mask v1 007, 1941)

We never actually see the Colossal Guy comic book, but this Colossal Guy superfan is evidence enough that he is a character with get-up and go. Enough to inspire Captain Bruce Blackburn to invent his alter ego of the Destroying Demon, in fact. (Feature Comics 039, 1940)

"Ripley's Believe it or Not" had enough cultural caché in its time that there are innumerable plays on it in comics, just as there were imitators in real life. These mostly differ by how successful a play on the name they have: "Don't You Doubt It," as consulted by Eve Colby as part of one of Spy Smasher's cases, is about average. (Whiz Comics 005, 1940)

Magazines:

I have a lot of affection for the concept behind Jim Dolan, two-fisted magazine editor, who solves crimes and then writes about them for Daring Detective Magazine. The magazine itself is fine. (Slam-Bang Comics 001, 1940)

Movies:

We never learn more about The Big Snatch other than that it is a mystery thriller. The big joke here is of course that the star of the film is comics creator Joe Devlin. (Smash Comics 014, 1940)

Likewise, we never learn much about the Western Hearts of the Range other than the fact that it starred the blowhard Sheriff O'Toole. (All-American Comics 021, 1940)

Melody of 1941 here is likely a play on Broadway Melody of 1940 and as such a musical, and stars a couple of classic mixed-up name actors in Tyrone Taylor (Tyrone Power/ Robert Taylor) and Myrna Rogers (Myrna Loy/ Ginger Rogers). (Detective Comics v1 046 1940)

We have no information at all about Old Bill. It has a pretty big premiere for a movie with such a drab name, so it must have something going for it. (Action Comics v1 028, 1940)

Oriental Horror is the name of the hit movie that made Barry Moore's name just before he quit acting, moved back to Center City to become a police scientist and adopted the identity of the Scarlet Seal based on the yellowface character he played in the movie. I would venture a guess that the film is not considered an enduring classic in the present day DC Universe. (Smash Comics 016, 1940)

She Made Him Love Her! is the name of a romantic movie attended by Sisty and Dinky, aka the daughter of the future Red Tornado and the brother of teen cartoonist Scribbly, aka the future Cyclone Kids, after the former falls in undying love with the latter. And to be fair to her the duo are canonicall later married, so this is a proven tactic. Eventually.

The movie itself might be loosely based on the film They Knew What They Wanted, or I might be grasping at straws. (All-American Comics 012, 1940)

MEDIA IN COMICS 008

We're not out of the extremely crusty scan woods yet, but the media of comics must be recorded, folks. Hang in there.

Books:

When Diamond Jack defeats his early foe the Witch and transforms her book of magic into 1000 Ways to Cook Spinach, there is one big unanswered question: did this spinach cookbook already exist or did his ring magically compile 1000 recipes on its own? (Slam-Bang Comics 001, 1940)

Early Batman foe the Wolf, meanwhile, got his start after suffering a head trauma and fixating on the crime thriller he was reading, titled The Crime Master. (Batman Comics v1 002, 1940)

Human Knowledge, a book compiled by the sinister Professor Universe that contains "every fact known to man" is used by Slaughter Slade to imbue his assistant Dr Allirog with the mind of a human genius. (Special Edition Comics 001, 1940)

Usually when you hear about a reclusive scholar writing a book about how "sinister persons or forces plan to deliberately stave off the return of national prosperity" you're in for some paranoid fascist rantings, but in this case it's the early 40s, so the sinister forces discussed in Prosperity's Foe *are* the fascists. (Superman Comics 004, 1940)

Wretched Marine character Strut Warren attempts to peddle a book called The Jolly Homemakers' Manual around Bali in an attempt to win a prize, a typically tiresome adventure for the character. (Fight Comics 016, 1941)

When a mysterious virus called the Purple Plague starts ravaging Metropolis, Clark Kent and his pal Professor Henry Travers his the library to research a historical instance of the same disease, in a book also called The Purple Plague. It turns out that the Ultra Humanite had also checked out the same book and that it had given him the idea to unleash the modern plague in imitation of the original. (Action Comics v1 019, 1939)

Movies:

Air Circus is a airplane stunt-heavy film that is plagued by accidents while filming until pilot Gary Hawkes gets involved and exposes the scheming director's plot to scuttle the production and then turn a quick buck by buying up the incomplete footage. (More Fun Comics 039, 1939)

Its the same old story: a film called The General's Daughter shoots some scenes at the Army installation where Skip Schuyler works, there's a series of incidents and then Skip has to save the day. Not too sure what the movie is supposed to be about. (Adventure Comics 043, 1939)

It may be the crustiest and crunchiest lowest quality scan here, but Public Enemy #13 is a pretty fun name for a movie and I think that that makes up for it, at least a little. (More Fun Comics 040, 1939)

Newspaper Columns:

"Around the Avenue" is one of those old-school society gossip columns that they used to have in papers, and while Rennie McCavoy here is playing into Wesley Dodds' hands by writing him up as a wild party dude/ potential victim for the story's villain, it's hard to respect the journalistic effort involved in seeing a guy being quietly drunk at a nightclub and pouncing on him like this. (Adventure Comics 044, 1939)

ALIENS AND SO FORTH ROUND-UP 032

Aliens (and So Forth) abound!

Birdmen:

The Birdmen inhabit Sunev, which is either a planet that orbits perilously close to Earth or a second moon of Earth, and which was supposedly formed out of a piece of our planet which broke away in the distant past. Sunev has never been discovered because of some pseudoscientific gibberish about light rays, but space explorer Zephyr Jones and his assistant Corky Grogan make landfall there while testing out Jones' experimental rocket ship.

The Birdmen of Sunev have one of those advanced and peaceful societies that function with the rigidity and ruthlessness of a military dictatorship populated by political naifs. As such, the ambitious Birdman Roudo is able to frame Zephyr and Corky and have them sentenced to death for supposedly collaborating with...

Parrotmen:

The Parrotmen! These ancestral enemies of the Birdmen are just kind of caveman versions of them - they don't even have colourful plumage to justify the name (I know that these images are from a recoloured version but I checked and the original is like this too). Despite the fact that the Birdmen have a roughly Medieval level of technology (castles, steel, swords) they have not yet been able to come up with a way to contend with a bunch of big guys with clubs, and it's up to Zephyr and Corky to blow them away with the tommy gun that they very sensibly thought to bring along on their space adventure. (Daring Mystery Comics 002, 1940)

Center People:

The Center People are one of the many intelligent species that populate the far-off Asteroid Djung. Their king, Goro, has allied with the Djunga King Leon against space heroes Captain Venture and the Planet Princess Zyra. Despite being depicted as spear-wielding ape-men who perform human sacrifice to a pool of lava, they are also armed with a selection of high-tech devices such as Goro's Mind-Ray Projector, which he uses to briefly compel Captain Venture into his service. This dichotomy is not explored before the Center Person society is devastated by a volcanic eruption. (Master Comics 019, 1941)

Core Creatures:

The adventures of sci-fi hero Blaze Barton take place on an Earth ravaged by a freak orbital shift that brought it too close to the Sun in the year 50029 CE (or sometimes 3000 CE or 5029 CE). Blaze and a small human population survived this event by sheltering in a specially-built heat-proof city, and now must rebuild civilization on a radically altered world. 

One of the first and greatest challenges faced by Blaze et al is the emergence of the underground-dwelling Core Creatures from the great cracks that have developed in the planet thanks to the rapid changes in temperature it has experienced. 

The Core Creatures, and their king in particular, have an implacable hostility toward the human population, but also indulge in that hoary old trope of being super hot for human women. I do appreciate the fact that they appear to choose their king based on who has the most creepy skull face. (Hit Comics 001, 1940)

I try and I try to keep these entries at a reasonable four species length, but I am vexed at every turn. Two issues after the Core Creatures breach the surface, Blaze & Co turn the tables and explore the subterranean world, where they encounter:

Mud Monsters and Rock Men:

While the Rock Men act as supplementary antagonists to the Core Creatures over the next couple of issues, the Mud Monsters only appear in this single panel. This is a shame, because they are by far the more visually interesting of the two groups. At least the fact that they live in such close proximity to the Rock Men allows us to speculate that they might be related species? That's kind of fun. (Hit Comics 003, 1940)

Like so many nonhuman societies, the Rock Men have a monarchy. There are better ways to live, guys!

Pretty People of the Jewelled Caves: 

The Pretty People are a bunch of foppish hotties who live in a state perpetual danger between the nations of the Core Creatures and Rock Men, and who survive by playing the two groups off of one another. They are also monarchists. As the most human-looking and least hostile group, these are the ones who the surface humans end up allying with.

Speaking of alliances, the Core Creature and Rock Man Kings forge one in order to attack the Pretty People and are only driven off thanks to the intervention of the humans and their ray guns. Blaze Barton personally kills the Core Creature king here, ending the Core threat for good. (Hit Comics 003, 1940)

Crustmen:

In one final addendum, I reckon that these Crustmen, who attack the surface as part of a coordinated strike on humanity with a group of hostile Martians, are meant to be the Core Creatures. Given the differences in name and appearance I choose to believe that they are a related but distinct species of hostile sub-Earth humanoid.  (Hit Comics 007, 1941)

CATALOGUE OF WOUNDS 005

More wounds for the Catalogue of Wounds!

Ace of Space:

Shot in the left arm during an attempted skyjacking. (Feature Comics 041, 1941)

the Black Hood:

As part of Kip Burland's journey to masked vigilantism he gets shot all to hell and back by the Skull's minions. The shots we can see happening are all hitting him in the torso, and according to his hermit mentor there were at least eight of them. Sheesh. (Top-Notch Comics 009, 1940)

Chic Carter:

Chic takes a bullet to his right arm while contending with the Phantom's very satanic boss. (Smash Comics 015, 1941)

the Comet:

Shot in the left shoulder by a gun-wielding member of an angry mob that is after him. (Pep Comics 004, 1940)

the Fox:

Severely whipped and beaten by the Night Riders during his origin. (Blue Ribbon Comics 004, 1940)

Galahad: 

Takes a sword blow meant for King Arthur, and while all these bullet wounds and so forth can get a little abstracted, this is a real overhand chop that has to be threatening to hit his lung. Galahad only survives due to Merlin's magical intervention. (Top-Notch Comics 008, 1940)

the Green Falcon:

Takes an arrow to the left shoulder. (Blue Ribbon Comics 013, 1941)

the Shadow:

Shot in the left arm by Zevox, aka the Head. (Shadow Comics v1 004, 1940)

The Shadow's left arm can't get a break, as a few issues later it gets a throwing knife to the shoulder. (Shadow Comics v1 007, 1940)

the Spider:

I don't know the precise number of times the Spider is shot here while tanking bullets to scare a gang but it sure is enough to impress his doctor. (Crack Comics 007, 1940)

A year later, the Spider gets near-fatally shot in the chest by the Crow. (Crack Comics 018, 1941)

Whiz, King of Falcons: 

Silver Streak's animal companion Whiz is struck in the bird-shoulder by a machine gun round. (Silver Streak Comics 010, 1941)