DIVINE ROUND-UP 002

Oh so spiritual, we are.

Koli Tow: 

Hal Hazard and his brother Hoagy are adventuring in the South Seas when they get shipwrecked, which is not really an excuse for just wandering into a local temple to eat the food offerings but I guess when you're hungry a little sacrilege is easy to justify. Even so, the local worshippers of Koli Tow aren't particularly understanding about it, and given the nature of the comic there's a human sacrifice in the offing until Hal and Hoagy escape to take their brand of cultural sensitivity to another island. 

God Style: idol (Circus, the Comic Riot 001, 1938)

the Canal God: 

An adventure on Mars brings the Space Rovers to the temple of the Canal God, who basically just looks like a dude because this is a Mars populated by basic-ass humanoids. Just what persentage of Martian gods are going to turn out to be canal-related, anyway? 

God style: idol (Exciting Comics 004, 1940)

Death: 

There are a few ways that the anthropomorphic personification of death is commonly written -compassionate, dispassionate, cruel, goofy - but this particular one crops up in genre fiction a fair amount: personally offended by people attempting to extend their lifespan. This particular version of Death is both pissy about the scientist Kromo's attempt to live forever via soul transfer and willing to take a hand in preventing him from doing so. He also seems to really enjoy freaking people out, as seen in his car ride with heroic scientist Dr Hayward. 

God style: real, anthropomorphic personification. (Jumbo Comics 002-004, 1938) 

Deli-Deli: 

As is often the case I am torn between finding Malaysian idol-god Deli-Deli charmingly goofy looking and knowing that the goofiness is part of the sneering "these primitive people will worship anything at the heart of many this kind of jungle adventure.

God-style: idol (Big Shot Comics 013, 1941) 

ALIENS AND SO FORTH ROUND-UP 004

Now's the time that we start pulling aliens from the vaults! So look out for a lot of A-names for the next while! Not the first one though, because something has to come up organically.

Crillionites:

Hailing from the planet Crillon (which boasts the majestic Crillion City, natch), the Crillionites are a caste-based society in which the Lords of Crillon (like from the title of the comic!) rule over a slave population via some sort of divine right. This societal order is threatened by Professor Wendall Keene and his crew of space explorers: Hugh, Celeste, and the also-titular Ken Craig, but whether this is due to some innate sense of justice on their part or for some other reason is never quite spelled out in their one extant appearance, as things start in media res and Mort Cowen there presumably thought he could go back and explain what was going on a bit later. No dice, Mort. (Circus, the Comics Riot 001, 1938)

the Ancient Ones: 

It's that old staple of adventure, the ancient hidden civilization! Not all of them are different enough from regular humanity to qualify as an Alien and So Forth, but I reckon a society of prehistoric Antarcticans who retreated underground when the ice crept across their lands and have indefinite lifespans must surely count. The Ancient Ones are kind of boringly benevolent, but they do have a lot of gold, which inspires hero Rocky Ryan's crew to mutiny and thus provides a bit of excitement.

This also allows the Ancient Ones to show off their somewhat ghoulish hobby: collecting gold-hungry adventurers in suspended animation. Or possibly practicing human taxidermy. (Big Shot Comics 009, 1940)

Antarenes: 

The Antarenes, inhabitants of the planet Antar, have a problem: their sun has gone out. Their solution? Head underground and set out through the void of space with their whole dang planet to find a new one. Unfortunately for Earth, rather than one of the presumably many uninhabited stars in the galaxy the Antarenes have chosen Earth's orbit as the coziest place to pull up their planet, and the Earth is just going to have to move out of the way (and into the Sun), whether they like it or not. Fortunately for Earth, Marvo 1￮2 Go+ is on the case and Antar is rerouted back out of the Solar System to find somewhere elese to park.

One small detail that I appreciate about the Antarenes: as a society that seems to mimic the eusocial nature of our world's ants they of course have a Queen but we never see her, for the simple reason that she is way too important to let two weird randos just rock up and meet with her. (Superworld Comics 003, 1940)

the Ants:

Captain Tornado, along with Professor Bordani and his daughter Jane, are stranded on the extrasolar planet Barrang. They meet and shoot a variety of intelligent aliens while there, the first of which are these giant alien ants, who don't figure too heavily into the plot but who do engage in intraspecies warfare and melon farming. (Popular Comics 046, 1939)

MINOR SUPER-HERO ROUND-UP 051

It's Day Three of Round-Up Week here at the Curse of Skeleton Munroe. 

**UPDATE** the White Streak:

Novelty Press is back at it again, exercising their compulsion to tone down the "fantastic" in their comic book stories. The White Streak has gotten a job as an FBI agent, and so he gets plastic surgery in order to make his inhuman face into that of a square-jawed white guy. Now instead of being the utterly fantastical ancient android in a bright costume running around blasting people with electron vision and zooming through the skies on an electric ladder, he's... the same thing but he looks like a normal guy. Plus he tries to limit his power usage so as to stay inconspicuous, so he sticks to x-ray vision and electrified punches. Very realistic stuff. 

If this move was in the cards for the White Streak, this might also be the explanation we were looking for for why Dr Simms went off the rails and blew up his entire life as Dr Death: it was a good old-fashioned slash-and-burn of a comic book's supporting cast before a change to the status quo. Feels like I'm in the Nineties again! (Target Comics v1 010, 1940)

Galar: 

A childhood friend of Spacehawk's from the same near-human species as him, Galar is turned from his six hundred year-long career as a space pirate by the intervention of his old friend and sent out into the galaxy to act as the protector of some random solar system, which it turns out is the reason that Spacehawk is protecting our solar system: he just arbitrarily chose it. (Target Comics v1 011, 1940)

the Stratosphere Patrol: 

Speaking of Spacehawk, here's "Spacehawks," a Basil Wolverton strip that didn't really get the room to shine before its home comic was given the axe. While "stratosphere" in the context of 1940s comics is often a flowery way to describe everything up to and including interplanetary space, the meaning here is quite literal: Steve Grover and Bart Bixby and their colleagues are charged with policing the vast array of air traffic that is constantly whizzing around in the near-future, and their greatest challenge occurs when they encounter an evil scientist who can go into the upper, upper atmosphere! Heady stuff. (Circus, the Comics Riot 001, 1938)

the Ghost Rider: 

There are a seemingly infinite number of masked cowboy vigilantes roaming the various Wests of assorted comic book universes, and the Ghost Rider is one of them. In his one recorded adventure he stops the wretched gambler and crime boss of the town of Last Chance, Poker Slade, from murdering miner Robert Burton and his daughter Rose and stealing their gold claim. Also, though it's not particularly visible in the image above, this particular Ghost Rider is the only one to have a mustache.

As always, there are no new super-hero names under the sun, and "Ghost Rider" might just be one of the ones to unexpectedly crop up the most times. (Amazing Mystery Funnies v2 004, 1939)