DIVINE ROUND-UP 029

Comic book religion. Tricky stuff.

Hercules: 

The thing that really jumps out at you when you first encounter this version of Hercules is that he goes to Valhalla when he dies, which is weird. The second thing is that he is appearing in a Golden Age Marvel comic and so there might be fun storytelling ramifications considering the fact that Hercules is a moderately popular (and alive) Marvel Comics character with appearances from the mid-60s to today. Perhaps the fact that this is a pretty Roman mythology (aside from the Valhalla thing) and Hercules from  the Champions is from a Greek one can play into it.

The third thing that jumps out at you comes on maybe your third reading of the comic in question, when you pay a bit more attention to that first panel in which Hercules is dying and realize that he is not only meant to have survived until some time after the founding of the United States but that the heavy shadowing on the faces of the people in that panel kind of implies that he might have been one of the Founding Fathers? There just aren't enough clues in the art to tell for sure but I know Simon and Kirby's tricks and making George Washington Hercules is just their style.

After spending a while in Valhalla, Herc gets worried about the rise of fascism and decides to reincarnate as a mortal in order to be there to lend a hand when the US needs him (a real snub to his former fave of Rome) so he heads on back to be reborn as Marvel Boy. 

God Style: Real (Daring Mystery Comics 006, 1940)

Jupiter:

Like his son Hercules, this version of Jupiter is very concerned with personal freedom and the fate of the United States in particular. Or maybe he's just a good father who wants to support his son's little projects.

Whatever the reason, he shows up on his reincarnated son's fifteenth birthday to deliver a cool super-hero uniform before making a very cool exit via lightning storm. 

God Style: Real (Daring Mystery Comics 006, 1940)

Father Patriot:

Father Patriot is the brand-new anthropomorphic personification of the spirit of America created by an unknown comics scribe for the origin story of Major Victory. As I have already speculated behind that link, my only real guess as to why they might have done this is to avoid stepping on Quality Comics' toes by using Uncle Sam for the role. I was going to complain about them not replacing him with one the less-used personifications of America like Brother Jonathan or Columbia, but on reflection I can see why they might have wanted to go with an all-new character. If nothing else, this means that they had free reign to add as much patriotic nonsense to his design as they wanted to, like his retinue of patriotic angels or the fact that he can whale on the Liberty Bell to impart strength unto his champion. They also got to design a set of patriotic clothing for him, and while it doesn't quite match up to the classic Uncle Sam look I do appreciate his big gaudy belt buckle.

Speaking of those mysterious angelic servants: does this indicate that the glories of to American Heaven are not exclusive to the mythology of Captain Fearless?

God Style: Real (Anthropomorphic Personification) (Dynamic Comics 001, 1941)

Maloo:

No non-white and non-monotheistic group is immune to the threat of Golden Age comics just making up some random god that they supposedly worship, and the Aboriginal Australians are no exception. Maloo is a giant, vicious kangaroo who the Face is nearly sacrificed to but who ends up dead instead. Sorry, Maloo. Sorry, Aboriginal Australians.

God Style: Animist (The Face 001, 1941) 

MINOR SUPER-HERO ROUND-UP 091

Have a few mid-tier minor super-heroes, for a change.

the Black Terror:

Pharmacist Bob Benton is the kind of guy who will step in when a little kid is being roughed up by thugs, but despite this he is pretty relentlessly bullied by city Comptroller Rodney Clark* and (in a less overt but still insidious way) their mutual love interest Jean Starr.

* Clark is such a bully, in fact, that I assumed that he was going to eventually turn out to be crooked but instead he gets murdered** after a couple of issues.

** In fact I was wrong when I wrote this: he is merely almost  murdered and seemingly never recovers sufficiently to return to the comic. I guess I was just hoping that he would get murdered because he is, again, such a bully.

Perhaps because of this, Benton spends his spare time working on a "tonic for run-down people," or so he says. I assume that he's going for something closer to anabolic steroids, and thanks to his new assistant Tim Roland (the kid who was getting beaten up earlier), he stumbles upon the formula for something even better: formic ether! 

Thanks to those sweet sweet formic ether fumes, Benton becomes a super-human and in a real break for society decides to keep on being a decent guy rather than setting out for revenge on all those people who pushed him around when he was weak (though he does take the opportunity to give Rodney Clark a black eye every issue until he's murdered he retires). He gets his super suit in the most efficient way possible: by sending Tim down to the costume shop to see what they have in stock.

The formic ethers give Benton tremendous strength and a sort of mid-tier invulnerability: he can shrug off a sock on the jaw no problem, and eventually proves to be bulletproof, but he gets knocked around and knocked out an awful lot. (Exciting Comics 009, 1941)

Tim Roland:

Though Bob tells Tim that he can't join him on his quest for vigilante glory, he also just kind of leaves a smoking bottle of super power serum sitting out where anyone can get it - frankly he's lucky not to have to team up with Rodney Clark. Instead, Tim - who has had the foresight to pick up a second costume for himself, but not to pick a super-hero name - huffs a little formic ether and gets straight to busting heads.

Tim is the rare Golden Age sidekick who appears to be legitimately around eight to ten years old, instead of a stocky thirteen to fifteen like so many of his peers. Even more remarkably, he stays roughly in this age bracket for a couple of years, as far as can be ascertained (multiple artists mean that his height fluctuates quite a lot, but he pretty consistently wears short pants in his civilian identity). He's also one of those orphan boys who just kind of falls into a super-guy's orbit and becomes adopted by default. (Exciting Comics 009, 1941)

The Black Terror dabbles in the common practice of leaving a calling card in his first appearance, and makes the baffling decision to go with his domino mask as a design, rather than the cool skull-and-crossbones on his chest.

Categorized in: Accessories (Calling Cards), Body (Emotions - Terror), Origins (Chemical Mutates), Origins (Sidekicks)

the Sphinx **UPDATE**:

The Sphinx adopts the identity of the Domino Kid in order to have a very brief boxing career. (Exciting Comics 012, 1941)

Categorized in: Origins (Secondary Identities)

the Liberator:

Like many super-heroes, the Liberator starts out as a weedy nerd. Specifically, he is Dr Nelson Drew, lecturer in Chemistry at Claflin College. He is, troublingly, in love with Annabel, one of his students, who also serves as one of his major bullies - she is not only bored by chemistry (but you chose to take the course, Annabel!) but also scornful of Drew for caring about it when so much is afoot in the world, but... I don't actually know what her problem is? Like, chemistry was wildly consequential to the US war effort? Perhaps if he taught a social science I could see her point of view, if not agree with it. 

While doing a little light research into Ancient Egyptian poisons (okay, this is arguably inconsequential), Drew discovers the lost formula for a drug called Lamesis which will supposedly make one into their physical ideal. Though skeptical, he brews up a batch and since his lab safety appears to be nonexistent (troubling indeed for a guy who is researching poisons) he immediately gets a snootful of the stuff, and  turns into a big ol' hunk. I really enjoy how viscerally unpleasant the transformation process looks here - sadly this transformation conceit doesn't last more than a couple of issues.

This unexpected transformation isn't a dream come true for Drew, and he spends his first outing in his new body - the Lamesis turns out to be a temporary thing, you see - trying to figure out how to turn back, and engages in his first bout of super-heroism after discovering that the scientist he was trying to consult with had been murdered by fascists. 

I also enjoy the origin of the Liberator's costume: there are plenty of super-heroes going around in their old Halloween costumes, but he might be the only one who gets his outfit by stealing someone else's. Would he have become such an explicitly patriotic hero if he hadn't ended up in a star-spangled shirt? (Exciting Comics 015, 1941)

Categorized in: Accessories (Drugs), Day Jobs (College Professors), Origins (Patriotic Heroes)

VERY MINOR UPDATES:

John Thesson, aka the Son of the Gods, after being a character of no fixed address for his first several appearances, finally settles down: he was in Washington DC in Exciting Comics 006, but it wasn't until 007 that it became clear that that is where he chose to hang his hat and offer his services to the US Government.

The Mask sheds two of his assistants, Silk and Butch, as of Exciting Comics 007, and becomes of interest to the law somewhere between 009 and 010. 

MINOR SUPER-HERO ROUND-UP 089

Just when you think that there couldn't be any more super-heroes, another batch appears.

Major Victory:

After an unnamed soldier stationed at US Army Camp Courage dies in an attempt to prevent the camp's arsenal from being bombed, his body is hauled away by angelic figures and ushered into the presence of a star-spangled old man.

This, it turns out, is Father Patriot, a new and legally distinct anthropomorphic personification of the spirit of the United States. Were the folks at Chesler concerned about using Uncle Sam due to the fact that Quality Comics was already doing so? Perhaps! Regardless of his origin, Father Patriot revives the soldier as an exemplar of the self-sacrificing military hero. Unusually for a character who has been restored to life by a mystical force, Major Victory (as he is dubbed) does not come back with any powers but is instead gifted with a costume, an airfield base complete with high-powered radio receiver and an airplane and just told to have at it.

Major Victory is not entirely without supernatural enhancement, however: if he's ever in a big enough jam then Father Patriot can ring the Liberty Bell to give him a rush of strength sufficient to snap a steel chain.  (Dynamic Comics 001, 1941)

Categorized in: Generica (Majors), Origin (Patriotic Heroes), Origin (Resurrected)

Dynamic Man:

I'm really kicking myself here. Back when I started this blog I was focusing on super-villains and only really talking about the weirder super-heroes, and while I eventually realized my error and started talking about every super-hero at least a little (hence the round-up framework - if I only have a small amount to say about any one hero there are three more to bulk out the post) I'm still playing catch-up. This is all to say that if I'd done things right to start with I'd already have an entry on the Marvel Comics Dynamic Man to point to instead of an assertion that one is coming up in a few month when Mystic Comics comes back around in my reading list.

This is especially galling because both the Marvel and the Chesler Dynamic Mans are androids who emerge from their birthing tubes as their creators are dying in front of them. This is a fun coincidence, probably! There are of course plenty of differences between the two: the Chesler Dynamic Man is created specifically to combat the villainous Yellow Spot, while the Marvel one is more of an exercise in creation for its own sake. Chesler Dynamic Man is also possibly a magical construct rather than a humanoid robot. My evidence for this amounts to the fact that he was created by "authority on ancient black magic" Dr Moore, who talks about giving him "the power of steel, the speed of an eagle and the wisdom of the sages," which is pretty poetic if you're talking about an android and might be literal if you're growing some sort of super-homunculus.

Dynamic Man is a hero of the Superman variety, with the powers of flight, super strength and a general invulnerability to harm. He also wears these gloves that I find very distracting - sure, that long point that extends up the forearm is an interesting addition to the costume, but how does it stay in place? Does Dynamic Man have to apply a little spirit gum to his arm every time he gets dressed?

Finally, Dynamic Man flies with every limb maximally akimbo, and continues to do so throughout his super-heroic career. It's honestly kind of charming. (Dynamic Comics 001, 1941)

Categorized in: Generica (Mans), Language (Superlatives - Dynamic), Origins (Magical Constructs)

Hale the Magician:

It's 1541 and the young Englishman Hale (no first name given) and his father are the only two good - though still fairly racist - Europeans in South America and thus object to the brutal treatment of the indigenous peoples by the Spanish. They head up into the mountains to pledge their support to Chief Xingu of the Maoni Indians and soon find themselves locked in battle with a group of angry conquistadors. It's a short-lived battle, as Xingu reveals himself to be a master of science and magic by producing a lightning storm from his spear. The Spanish sensibly flee, but not before killing Hale Sr.

Thanks to his selfless heroism (and after passing a series of challenges), Hale the Younger is essentially adopted by Xingu, who teaches his new ward all the technomagical secrets of the Maoni. Together, they create the Magic Spearhead, an artifact that contains the sum of all those powers, but before they can test it out Hale is struck down by a jealous rival. Xingu places Hale's body in a special tomb with the promise that he will return to life one day

Cut to 1941, the prophesied time of Hale's revival, and scientist Henry Starrett and his daughter Lois are on-hand to witness the grand event. After waiting for months, they run out of food and Starrett makes the oafish decision to smash open the tomb with a big stick. This vandalism must have been part of the prophecy, because smashing the tomb kills Starrett and restores Hale to life in what is possibly some sort of inadvertent sacrifice.

Thanks to the Magic Spearhead, Hale has all of the limitless power of his fellows in the fraternity of comic book magicians and he returns to the States with Lois to use those powers for the good of mankind. In an extremely frustrating development, Hale never sees fit to attach the Magic Spearhead to a spear body, making it more like a weird magic knife, but maybe it's just me and nobody else is bothered by this. I mean, Xingu had his magic coming out of a full-sized spear, Hale. (Dynamic Comics 001, 1941)

Categorized in: Accessories (Spears), Magical Professions (Magicians), Origins (Resurrected)

the Black Cobra:

The Black Cobra is a standard unit of costumed vigilante. In day-to-day life he is Jim Hornsby, son and office clerk of District Attorney Hornsby, but when danger looms he suits up and starts slinging fists. It's not a great costume, mind you, both because it's too busy and, importantly not black. Plus I checked out his other appearances and that is the best that that cowl is ever going to look.

The Black Cobra also has the one variation on the meek alter ego that is more grating than the disappointed love interest: the emotionally abusive disappointed parent. Hornsby Senior in contention for Worst Father in Comics. (Dynamic Comics 001, 1941)

Categorized in: Animals (Cobras), Colours (Black), Day Jobs (Clerks)

MINOR SUPER-HERO ROUND-UP 087

If the last group of minor Marvel super-heroes had a tiny chance of appearing in a modern comic book I would say that this group's chances are tiny-plus. Like a further 5% chance. Except for Dynaman.

Dynaman:

Dynaman, aka Lagaro, which means "Dynaman", was born in the ancient super-advanced Kingdom of Korug, located somewhere in the Atlantic Ocean. Endowed with super strength, a photographic memory and enhanced intelligence, the ability to fly and a general superiority to even his peers in the ancient Korugan super society, Dynaman had it all.

Korug eventually suffers the fate of all ancient island super-societies and sinks into the sea, leaving Lagaro as the only survivor. He makes his way to Ancient Egypt (and the presence of the Sphinx when he does so gives us a more accurate guess than usual as to when in the past this adventure takes place, if only by telling us that it was some time after 2500 BCE) where he helps the heretofore unknown Pharaoh Khufor with a couple of problems (i.e., a giant caveman invasion). His further adventures go unrecorded.

Dynaman, like Breeze Barton before him, is a simple concept (super guy) wrapped up in a lot of extra layers (last survivor of a super-race, in the past, somehow still looks like a 20th Century super-hero). This is one of two things that they have in common, with the other being that they were both brought back in the same Marvel Zombies sequel, only to be gruesomely killed off. (Daring Mystery Comics 006, 1940) 

the Fin:

The Fin is in reality Lieutenant Peter Noble, engineer in the US Naval Reserve, whose submarine is wrecked while on manoeuvres in the Atlantic. Noble, the only survivor, finds that for never-explained reasons he is able to breathe underwater and makes his way to the underground kingdom of Neptunia (a big cave). He then becomes the new Sub-Ruler of Neptunia via the traditional methods of attaining nobility: being a colossal jerk, picking a fight with the reigning Prince Ikor and shooting him in the head, then shooting anyone who disagrees with his rule.

This would be the origin of a villain, if the Neptunii didn't immediately declare him to be the reincarnation of their ancient hero the Fin, making him a bit less likely to blow them away. Over time he grows into the role and becomes the true champion of Neptunia, and hey, perhaps he is the real Fin after all, which might explain his water-breathing ability an innate ability to speak Neptunian.

As with so many great super-hero costumes, the Fin's is just thrown together out of some old crap that Peter Noble had lying around. (Daring Mystery Comics 007, 1941) 

Blue Diamond:

GOOD NEWS: Professor Elton Morrow's Antarctic expedition was a success! He found a huge blue diamond!

BAD NEWS: Morrow's ship was sunk by Nazis on the way home.

GOOD NEWS: He escaped the sinking ship and managed to bring the diamond with him!

BAD NEWS: The Nazis shelled the bit of wreckage he was clinging to, causing the diamond to explode and riddle his body with shards. 

The final bit of good news is that despite the loss of the diamond, the shards in Morrow's body have somehow made him"super hard," which is an inelegant way of saying resistant to pain, invulnerable to harm and extra dense or simply unable to be moved by something like a truck hitting him, and though he's not precisely super strong, these features add up to produce something like super strength.

After foiling a pretty low-stakes museum robbery, Morrow decides to adopt a costumed persona to continue fighting crime. Every time I see his costume I am surprised by a) just how much yellow is on it and b) just how big that diamond on the chest it. It's also a wild move to have a completely exposed face and call yourself the Blue Diamond when you are the one guy who is prominently associated with a blue diamond. (Daring Mystery Comics 007, 1941) 

the Silver Scorpion:

Betty Barstow, secretary for private detective and huge asshole Dan Hurley, is secretly vigilante the Silver Scorpion. I want to say that Golden Age Marvel has very few female super-heroes compared to its contemporaries, but my reckoning is probably being biased by the fact that DC's stable includes all of Quality and Fawcett's female characters. I reckon that the percentage is pretty much the same on a per-publication basis.

Betty's origin as the Silver Scorpion is in fact identical to that of Barbara Gordon as Batgirl, in that she is on her way to a costume party when she stumbles upon the scene of a crime (in this case a bunch of counterfeiters operating out of a cemetery rather than whatever the Killer Moth was doing) and intervenes, armed with a pre-concealed identity and some martial arts knowledge. She only has three Golden Age appearances but they're all pretty fun.

Finally the obvious question when discussing the Silver Scorpion: what's with the name? Why silver when her costume is mostly yellow and red? The answer: the silver scorpion in question is this little fellow on the back of her cape, though just what the significance of it is is left unsaid. It is a masquerade costume, after all - since when do they have to make total sense? (Daring Mystery Comics 007, 1941)