PROBLEMATIC ROUND-UP 008

Once again I must regretfully inform you that some comic books are problematic. Like, racially.

the Laughing Hyenas: 

Hey, it's our first racial hate group, and I think I'm just going to preemptively file these under "problematic" because they're a) not fun to talk about and b) necessitate talking about hate-crimes even if I, for example, choose not to use the panels with lynchings in them.

The Laughing Hyenas are actually kind of a hate group by proxy, as they have been hired to keep the Black residents of the geographically-nonspecific town of Souda "in line" by murdering one of them every once in a while, and have been doing so frequently enough and/or long enough that even the local folks willing to volunteer for such a task have gotten sick of it, so boss Bull Karson had to import some Chicago toughguys to do his dirty work for him.

Oddly, given the sheer volume of murder that the Laughing Hyenas were perpetrating, the Silver Streak doesn't actually bring them in to the authorities ore even extra-judiciously kill them. Instead, he just dumps them on a slow boat to Rangoon. (Silver Streak Comics 013, 1941)

the Modern Thief of Bagdad:

Ali Hassan, aka the Modern Thief of Bagdad, is an Iraqi thief who comes to NYC to steal the Konoor Diamond, and as a result comes into conflict with Captain Battle and his young protege Hale Battle. A simple story that would ordinarily wrap up quite quickly, but this is a book-length yarn, which means that there is an extended chase sequence that occupies the 28 pages between the theft and Hassan's arrival back in Baghdad. Some highlights:

Chapter 1, "The Modern Thief of Bagdad!": Hassan steals the gem, then give Battle and Hale the slip in Chinatown. Olyra, the mysterious guardian of the Konoor Diamond, is kidnapped.

Chapter 2, "Perils of the Sargasso Sea!": Hassan's submarine becomes mired in sargassum and is attacked by a sea monster. Battle and Hale kill the beast. Hassan and his men dress up like ghost pirates. Olyra is rescued and then kidnapped again.

Chapter 3, "Lost in the Underground World!": Hassan's plane crashes in Africa and he and Olyra are captured by cannibals (lil' bonus racism for you there). Battle and Hale rescue them before being betrayed and dumped in a pit of quicksand. There is a brief interlude in an cave system full of monsters before it suddenly blows up. Hassan and his men dress up like ghosts. Olyra is rescued.

Chapter 4, "House of Giants": Battle & co track Hassan to a castle in Tibet, where they are captured and subjected to a shrink ray. They have various adventures as tiny men before resuming their original size. Olyra is kidnapped.

I would call Hassan himself... an average amount of racist. He's depicted in much the same generically foreign vein as I've seen in a South American president or a Basque fisherman (or indeed a Cape Breton fisherman at least once). As a villain, he's pretty great: bombastic, treacherous, fond of leaving boastful notes for his enemies. If it was just him I might have skipped making this a Problematic Round-Up entry.

It's not just him, however, and once the story hits Chapter 5, "Magic Spell of the Arabian Nights" we get a real dose of Orientalism full in the face, as our heroes touch down in a Baghdad straight out of the Arabian Nights, complete with a wicked ruler (confusingly named Emperor Pasha Golu) who Hassan has been working for the whole time.

It's such a pastiche of a city, in fact, that Hale and Olyra just kind of stumble across Aladdin's lamp and flying carpet while they are escaping from a dungeon. I suppose that all this is at least a little thematically appropriate, as Ali Hassan, the Modern Thief of Bagdad, is a reference to a movie that is a remake of a different movie that is itself a pastiche of the Arabian Nights.

The Modern Thief of Bagdad meets his end in a pretty underwhelming manner: Captain Battle ducks as he swings a sword at him and he falls off of a balcony. A pretty terrible way to go for a villain who clearly thought that he was very cool, to be honest. The evil Pash Golu also meets his end in the process, leaving Olyra free to reveal that she is actually Olyria, Princess and true ruler of Bagdad. A truly impenetrable alias! 

Finally, such is Hale Battle's hunger for souvenirs that he uses his third genie with to acquire a replica of the diamond for his collection, even though for my money the real deal Lamp of Aladdin with one wish left on it would be the ultimate keepsake. (Captain Battle Comics 002, 1941)

the King:

The King is a fellow who gains control over a Romani group by showing them a... birthmark? tattoo? that proves his right to rule and that looks so intensely falsifiable that I am shocked there isn't some sort two-factor authentication, or even a code phrase. And just what is is reason for exerting this control? Why, so that he can turn his new subjects into a child kidnapping ring. You can see how I would consider this problematic.

The King is of course not the real ruler, that is not a real skull birthmark and he is no match for Dynamic Man. He turns out to be a crooked newspaper publisher named Brower who loves money more than making good plans to acquire it. (Dynamic Comics 002, 1941)

the Dragon:

The Dragon is a very ordinary Yellow Peril villain who is after some top secret bomber plans on behalf of an unspecified Asian nation. There are exactly four interesting things about him: 1) he is the first villain faced by Samson and David in their brief New Look era before they disappear along with most of Fox Features' other characters during their financial trouble. 2) he is a classic calling card leaver in the form of a claw mark on the chests of men he has killed

 3) he works alongside his sister Orchid, which isn't the rarest arrangement but is always fun to note

 4) he has these stone lions outside of his HQ that grab intruders as they come through. It's a fun trap but never actually explained: are they some sort of mechanism, or demonic magic like the caption box suggests?

Much of the issue in questioned is concerned with Samson chasing the Dragon and Orchid around. Once he catches up to them it's all over. (Fantastic Comics 022, 1941)

FASCIST GOON CLEARING HOUSE 014

Surely fascists will stop being such a problem eventually, right?

the German Help Club:

Probably the most straightforwardly cynical version of the German American Bund that we've seen so far, the German Help Club is simply a mass extortion scheme in which the German-American residents of NYC are forced to give up 15% of their earnings or see their relatives back in Germany be persecuted and jailed. Pat Patriot breaks them up with extreme prejudice. (Daredevil Comics 006, 1941)

Gorilla-Suited Saboteurs: 

This bunch of Nazis dress up in bulletproof gorilla suits in order to sabotage British operations in Uganda, but they are unable to contend with jungle adventurer ed Crane. (Exciting Comics 008, 1941)

the Nazi Bund:

The Nazi Bund is yet another riff on the German-American Bund as an actually impactful spy organization. Is Bund leader Fanz Mann a version of the real-life Bund leader Fritz Kuhn or just a Nazi with a generic German name? Hard to say, but in either case he gets smashed up by Samson. (Fantastic Comics 020, 1941)

Herr Arson:

Herr Arson runs one of those Fifth Column cells that gave 1940s comic book heroes so much trouble. He has three major claims to fame: 1) Herr Arson is a fantastic name for a Nazi saboteur, 2) Given that, the fact that, of four acts of sabotage he commits this issue, only one is arson is very funny.

3) Herr Arson might just get the most killed that I have ever seen in a comic, as the Flame uses his flame gun to utterly vaporize him in the middle of the street. (The Flame 006, 1941)

MAD AND CRIMINAL SCIENTIST ROUND-UP 024

Let's spare a thought for all the mad lab assistants who do so much for so little credit. 

Rokula:

Rokula's plan is simple: kidnap inventors and then use his mind control machine to force them to work for him. Hey, it's a classic for a reason, but it's also a plan with a high chance of attracting super-heroic attention such as that of Zongar the Miracle Man.  

Rokula might be a fan of the classics but like so many of his peers he is no as into workplace safety, and he meets his end when Zongar sends him careening into his own equipment with a forceful punch. (Silver Streak Comics 007, 1941)

Quislor:

Quislor is a fellow who has developed technology that turns aircraft into remote-controlled drones, and is using it to send bombers out to destroy airfields across the US, thus reducing its ability to field an air force. Though he never quite gets around to saying just why he's doing this it is presumably in service to some sort of fascist plot.

Like all air-based crooks within Cloud Curtis' flight range, Quislor soon learns that the only reward for messing with the sanctity of the wild blue yonder is a sock to the jaw and a trip to the hoosegow. (Silver Streak Comics 014, 1941)

Professor Giess:

Professor Giess, a crypto-fascist scientist with some very interesting eyebrows, has developed a fuel additive called Thanotane (great name) that causes vehicles using it to give off deadly fumes in their exhaust. His plan to distribute this fuel throughout the US to spread terror is stymied somewhat when the test shipment is hijacked by gangsters, but the plan is still on track until John Thesson, aka the Son of the Gods, gets involved and beats everyone up. This must be especially galling for Giess, who noted that Thesson was going to pose a challenge but put off dealing with him for too long. Live and learn, I guess, until you're shot as an enemy agent. (Exciting Comics 007, 1941)

Doctor Mord:

Dr Mord is, like, the Platonic ideal of the comic book mad scientist. He lives in a castle that he explicitly just kind of found in the South African jungle and is attempting to scientifically extract the human soul and place it into a big jar of acid by electrocuting people's brains. He claims that this will make him a god among men, but fails to lay out how, exactly.

The old storytelling rule of Chekhov's Unsealed Vat of Acid comes into play here and Doctor Mord ends up doused in the stuff before being chucked out a window by Captain Kidd. (Fantastic Comics 014, 1941)

MEDIA IN COMICS 004

It's an all-movies episode of Media in Comics!

Movies:

London Strikes Back - Hard! is the film follow-up to London Can Take It, with both featuring an actor playing costumed vigilante London and the narration of Marc Holmes, London's secret identity. As a bonus, please note the wild nasal apparatus that Imperial Studios required to put a toothbrush mustache on the actor playing Hitler. (Daredevil Comics 005, 1941)

We don't too much of the action of Wild Mesa as it is filmed on the ranch of cowboy hero Bull's-Eye Bill, as the issues in question are much more concerned with the interpersonal conflict between Bill and film star Tex O'Conner. Seems to be a regular-ass Western. (Target Comics v1 009, 1940)

And now for some more Fantastic Feature Films content, as discussed in the last Media in Comics round-up: 

Musical genius Gorevski, driven mad by a progressive paralysis in his right arm and the perceived infidelity of his wife, turns his strange musical abilities to crime in The Music Monster. (Target Comics v1 004, 1941)

Big city gangsters steal a rain-making machine and get mixed up in backwoods hijinks in the execrable hillbilly comedy Ezekiel's Ark. (Target Comics v1 005, 1941) 

The Blue Zombie, a film about mad science being turned against warmongers, turned up in a minor super-hero round-up a while back. (Target Comics v1 006, 1941)

The House of Horror is kind of a horror movie and kind of a crime movie, about a young couple who stumble into a gang hideout while visiting a relative and get fake haunted. (Target Comics v1 007, 1941)

In Wedding Present, a gangster tries to go straight for love, only to be dragged back in and ultimately meet his end thanks to his own twisted mind. (Target Comics v1 008, 1941)

Boomerang is the tale of a heroic reporter fighting to clear his lover's father from a political frameup (the boomerang in question being the fact that the source of the smear campaign has his own career ruined). (Target Comics v1 009, 1941)

Sword of Destiny is a very weird horror movie in which an American couple buy a house that once belonged to Mexican war hero General Santa Guerrero, only to find that instead of dying twenty years earlier as everyone had believed he had instead been trapped in the building's basement, eating rats and house painters. The titular sword of destiny is Guerrero's own that had been left hanging over the fireplace and is ultimately used to slay him. (Target Comics v1 010, 1941)

Oddly featured just two issues after the last one, this Boomerang is a story about a man trying to commit the perfect murder and then himself dying when rigor mortis causes his victim to posthumously shoot him back. (Target Comics v1 011, 1941)