MINOR SUPER-VILLAIN 562: THE HARBINGERS OF DEATH

(Wonderworld Comics 008, 1939)

As part of Yarko the Great's second encounter with Death, he and the hapless Madame Punai journeyed to a sort of pastiche underworld (e.g., their journey took them through the Biblical Valley of Death but also involved this unnamed boatman ferrying them across the River Styx). And as with any good underworld pastiche there are some allegorical foes to get past before their goal is reached - the Harbingers of Death!

Like I said, these guys are allegorical demon guardians, so there isn't much more to them than the expression of their allegory. First Pain, aka Burning Pain, appears to crush Yarko to his burning body. Good allegory! Pain can overwhelm you - though in a more in-depth work perhaps Yarko would be left with a burn or other lingering reminder of this battle rather than walking away unscathed after hurling pain into the abyss.

Fear appears next, and I really appreciate that he himself is a fearful creature rather than the more common monstrous fear-beasts that inflict fear by being big and spiky. Like Pain, Fear cannot stand up to Yarko's overwhelming machismo and slinks back into the shadows from whence it came.

Finally, Horror is a master of the jump scare and as someone who is particularly vulnerable to that tool of the filmmaker's art I really appreciate seeing him (them?) be flung off a cliff, probably not to their doom due to being a demon but at the very least to their major inconvenience.

And there you have it: three lil' henchmen, three anthropomorphic personifications, three notches in Yarko the Great's belt.

MINOR SUPER-VILLAIN 561: LAILANI, QUEEN OF THE VALLEY

(Wonderworld Comics 006, 1939)

It's another Yarko the Great adventure! This time we find Yarko and his companion Li Wan journeying to the isolated Valley of the Moon in Tibet, in search of the fabled Hoshai Plant, which bleeds human blood. And they find it, growing in pools of "moulten lava"! They are also immediately captured by bow-wielding women.

Yarko and the weirdly misogynistic Li Wan are marched back to the women's cave/ palace HQ, where they meet Lailani, Queen of the Valley and learn that she and her followers are all vampires, the unstated implication being that they farm the Hoshai Plant for blood, and here I have to admit that I have a lot of sympathy for the vampires in this here story? Obviously they are framed as villains but if you are an isolated matriarchal society and a white dude rocks up looking for your rare goods I think you're perfectly within your rights to dungeon them immediately.

Also they look really cool and I want that on the record.

(I can't tell if that vampire in green is a statue of if it's a trick of perspective or she's supposed to be really big. Like, she's a vampire, maybe that's one of her vampire powers)

They try to sacrifice Yarko in the fire pit and then shoot him with and arrow and of course hes a dick about it all. Probably because they're  women.

Conventional methods of execution having failed, Lailani engages Yarko in an hours-long mental battle that of course ends in a victory for Yarko and being blasted into a withered husk for Lailani. Yarko and his pal escape and in an unusually merciful move for the intrepid explorers in this kind of situation do not commit casual genocide but instead merely seal the mouth of the vampires' cave behind them as they flee. Yes, somewhere in the world of Yarko the Great this cool society of nigh-identical vampire women persists, led by an old shrivelled prune.

MINOR SUPER-VILLAIN 560: VLADIM

(Wonderworld Comics 005, 1939) 

Our hero, Yarko the Great, is driving along a country lane outside London when his travels are interrupted by a bestial figure who runs out of a nearby castle and immediately drops dead. While Yarko is examining the body a monocled creep emerges from some nearby bushes Homer Simpson-style to introduce himself as "Vladim, a genius!" For me, this is exciting, because he shares his somewhat-unusual name with the seldom-mentioned, never-seen airplane designer of the Blackhawk Squadron and you better believe I think about that guy more than most people (just how these two characters created by Will Eisner came to share a name is a mystery for the ages).  

As any self-proclaimed genius would, Vlamir brings Yarko to his underground sanctum to show off his magical experiments and I just want to emphasize something about his setup: beneath his castle is a series of bridges and staircases seemingly to the scale of Moradin in the first Lord of the Rings movie, yet his magical laboratory is housed in a room the size of a large bathroom and furnished with one (1) light, one (1) art and one (1) large skull-themed throne.

Also please note that the initial view of the throne was out of proportion for dramatic effect and that the actual placement of the skull ensures that unless it is made of plush velvet, that sucker is going to be wildly uncomfortable to sit in for any length of time. This as much as the fact that Vladim has trapped a woman in a fire pit using a voodoo doll has me convinced that he's just started out on the road of dark magic and is indulging his every whim - a more experienced villain would know the long-term importance of good lumbar support.

Yarko of course has little trouble dealing with a dilettante like Vladim: in short order he frees the girl, turns a bestial henchman back on his creator and kind of kills Vladim. If hounding a man along a narrow bridge with an image of your own floating head until he slips on his own knife and falls into the murky depths of his basement can be counted as killing a guy. Which I suppose it can.

MINOR SUPER-VILLAIN 557: DEATH

(Wonderworld Comics 003, 1939)

Like I said in the Devil's entry yesterday: Death and the Devil have teamed up as a sort of Yarko the Great Revenge Squad because Yarko saves so many live and souls, respectively. I also mentioned that Death did all of the legwork toward getting Yarko just where they wanted him, and here that is: Death kills a seemingly random London man then delivers him to the police, leaving only a calling card behind.

The discovery that the calling card's address was that of a cemetery is enough to convince Inspector Drake of Scotland Yard that this is a case for Yarko the Great, and... obviously Drake is right because even the most well-trained officer is going to have a hard time dealing with Death himself, but have some gumption, man. Try to track down where the card was printed or something before abdicating all responsibility.

Yarko makes his way to Death and the Devil's Limehouse lair, where he is promptly captured, put in a deathtrap, escapes and banishes the Devil back to the netherworld. Death takes more of a background role in this latter part of the adventure, but that's okay because he looks great - mostly quite cool but a bit sleazy too, because this ain't your regular Death, this is Bad Boy Death.

In the end, the Devil having been vanquished, Death just leaves. Yarko can't actually affect him, and there's even some hinting that the man in the car was not killed so much as dies naturally and was just used as bait, which implies that Death has no way of affecting someone who isn't about to die anyway. He does kill a reluctant henchman who refuses to go up against Yarko, but maybe he was about to die too - working for the Devil has to be a dangerous profession, right?

Death returns in Wonderworld Comics 008 after a Madame Punjai finds the creatively-named Golden Amulet, which compels his service. Punjai is obsessed with her lost youth and beauty and because of this commands Death to kill the young and beautiful Carla Dennis, a former passing acquaintance. This is done seemingly on a whim? There's no real exploration of Madame Punjai's plans, whether toward regaining her lost youth or revenging herself on the beautiful women of the world.

Yarko the Great of course becomes involved in these shenanigans and the more-hapless-than-evil Madame Punjai is tricked into trading her life for that of Carla's. Death is again cheesed off about this. BUT WHY IS HE? He's going to get basically everyone eventually, even in a comic book world with immortals and so forth. Why care? Is this a Discworld style Death who gets into human roles like hobbies? Maybe.

MINOR SUPER-VILLAIN 556: THE DEVIL

(Wonderworld Comics 003, 1939)

Maybe it's because the MLJ version of the Devil is so fresh in my mind but... this is an underwhelming version of the Devil. He teams up with Death - and it's a measure of how lacklustre this Devil is that I'm going to deal with the Death separately rather than treat them as a duo - to eliminate their common enemy Yarko the Great. Death does all the legwork toward this goal so we'll discuss that later (I am however going to count them as our first Revenge Squad, one of the best things in comics).

Aesthetically, this is a classic Devil, though one missing the trident and tail. And like many interpretations of the classic Devil, it suffers from the fact that it looks like a guy in a costume, down to the fact that the horns seem to be incorporated into a cowl rather than being organic. And that can work! I've seen plenty of interpretations of the purposely foppish Devil getting one over on those who underestimate him. This Devil, by contrast, has a guy named Beppo with a knife and a skin-tone shirt.

The Devil does in fairness manage to capture Yarko by the simple expedient of having his other, non-Beppo henchman (Killer Kirby, if you must know) blindfold his magic eyes. The Devil attempts to roast Yarko alive in a special chamber but Yarko escapes by the simple expedient of wiggling his magic eyes out from under the blindfold, and any deathtrap that a guy can blink his way out of has got to be counted as a dud.

With Yarko free, the devil is immediately

BANISHED TO HELL

and it says something that the coolest part of his whole endeavour is the moment that he was soundly defeated. Frankly, he might as well have been a costumed gang boss as the Prince of the Damned, and it just occurred to me how wild it would be if he was just a guy in a costume trying to put one over on Yarko and getting banished to Hades for his efforts. Real of Fake, the Devil bit off more than he could chew.

MINOR SUPER-VILLAIN 555: SHADDIBA

(Wonder Comics 002, 1939)

Shaddiba appears in the first adventure of magic hero Yarko the Great as an old enemy of Yarko who has come to the town of Hexville in the Allegheny Mountains of Pennsylvania. His exact reasons for doing so are unstated, so I reckon that it's equally likely that Hexville is an especially ripe spot for crime as that he was attracted by the old haunted mansion on the hill that he moves into. Comic book expectations aside I reckon that sourcing those has to be a real estate nightmare - I've certainly never had the opportunity to rent one.

Shaddiba's dumb name also introduces the possibility that perhaps Yarko is not alone, that all magic users in this continuity have made-up nonsense monikers. It's the only rational explanation!

Shaddiba does a lot of mouthing off to Yarko about what a great magician he is and how much Yarko sucks and to be fair Yarko is unable to break the mental hold that Shaddiba has on several locals in order to compel them to rob and murder (as well as on a local woman because he is a creep), but this is definitely classified as hubris.

The fact that Shaddiba lambastes Yarko for intruding on the "sacred arts" of the "magic of the East" and then immediately invokes Lucifer as the source of his power is weird.

The disagreement between the two magicians comes to a head in an all-out astral smackdown. A lot of the astral battling that we've seen so far (e.g., the one in this Mr Justice episode) has been quite quick-and-dirty decisive, so it's neat to see these fellows really get into it.

Shaddiba surrenders rather than be flung into the Chasm of Oblivion but if there's one trait almost universally shared by super-villains it's being a sore loser and so he blows himself to smithereens rather than live with the consequences of his actions.

MINOR SUPER-HERO ROUND-UP 015

Once again we take you to the world of the minor super-hero. See them dance for your amusement. 

the Mystic: 

Later known as Kardak the Mystic, the Mystic is a stage magician who uses stage magic to battle crime, specializing in fraudulent mediums etc. His stage magic eventually gets rounded up to real magic, of course. (Top-Notch Comics 001, 1939)

the Phantom o' the Hills:

The Phantom o' the Hills is an otherwise unnamed masked cowboy who rights wrongs in the Old West. In his first adventure he avenges the death of his younger brother but whether that's what got him into the vigilante game is not elaborated on. The only real thing that sets him apart from the ranks of other similar characters is his better-than-average name. (Western Picture Stories 001, 1937)

Wonder Man:

For all that (by some accounts) Will Eisner was explicitly told to make a Superman clone when he made him for Fox Features (and that DC successfully sued Fox into canning him), Wonder Man is only kind of like Superman. Maybe it's my modern image of what Superman is like but he's just a strong guy who jumps around catching artillery shells and beating up warmongers. Plus he gets his powers from a magic Tibetan ring! Plus he's blonde! (Wonder Comics 001, 1939)

Yarko the Great:

There are three major things to know about Yarko the Great: 

1. He's a magic-slinging hero in the classic mold, i.e., an American who has learned the secrets of the Far East and turned them to a career in stage magic/ crimefighting.

2. Like a lot of early Fox Features characters he was created by Will Eisner so his adventures tend to look pretty great.

3. "Yarko the Great" is - and this is an informed opinion - categorically the worst name that any magic-using Golden Age hero was saddled with. 

(Wonder Comics 002, 1939)

*UPDATE* the Flame *UPDATE*:

Just wish to draw everyone's attentions to the really boss custom-painted boat that the Flame was tooling around in during his first adventure. Plus he had a butler named Jarvis! (Wonderworld Comics 003, 1939)

**DOUBLE UPDATE**

And he has a plane! (Wonderworld Comics 004, 1939)