MINOR SUPER-HERO ROUND-UP 047

Astonishing super-heroes of the past! And future!

the Invisible Avenger: 

Teen radio enthusiast Buzz Allen discovers the secret of personal invisibility shortly after the death of his father at the hands of criminals and so is perfectly primed to become part of a super-vigilante duo alongside his friend Will Lawrence (if the issue of whether they should be the Invisible Avengers ever comes up then it is in the initial adventure which I alas cannot read). 

Their adventures are structured such that they cause maximum consternation so as to really get the most out of the invisibility gimmick: they become invisible before driving their car to the scene of a robbery, for example, and when they put on their anti-invisibility gloves so that they can flash their guns at the crooks they make sure to do so in a public place so as to freak out the subway-riding squares. If I were to devise some sort of ratings scale to score invisible characters on how well they use their powers (which I will not - I am already tracking far too many arbitrary metrics), then the Invisible Avenger and Will would score low. (Superworld Comics 001, 1940*)

Hip Knox:

Hip Knox! An orphaned child raised by Professor Knox to have the mightiest mind in the world and named by Professor Knox to have a silly name that kind of winks at his powerset!

If Hip Knox is known for anything then it's for being one of the worst-dressed men in comics. Every element of his uniform is just a little bit wrong, except for the parts that are a lot wrong. Breaking things down from top to bottom, we have:

1. The Helmet. If there's one piece of this costume that is 100% bad then it's this scaly golden swim cap. I sincerely wish that Superworld Comics 001 was available for less than 2000 dollars US, because I really want to know if this is some sort of mind amplification helmet or just a bizarre affectation. Hate it. Hate that it covers his ears.

2. The Mustache. I can get behind a super-hero with a fussy little mustache, but you aren't Hercule Poirot, my dude. Grow it out a bit more or have fewer weird and uncanny elements to your outfit so that a little mustache is a fun little affectation and not the punchline to someone's description of you to their friends.

3. The Jumpsuit. This isn't all that far off of what would come to be the standard super-hero outfit, so I should be fine with it, right? Wrong. Between the fact that Hip is drawn with a bit of a barrel chest and the noodle arms of someone who fights crime with their mind, and the suit being buttoned all the way up to a collar at the neck, this suit is bad.

4. The Insignia. A minor nitpick but it contributes to the whole: that eye looks too realistic to just be sitting on the chest by itself. Throw it in a circle or something. Plus you gotta choose: either the eye or ...

5. The Belt Buckle. I have nothing against a good yonic symbol, but why does Hip Knox have one as his belt buckle? And why is it so big? It looks like an attempt to pick up a pencil off the ground would result in him simultaneously stabbing himself in the groin and the upper abdomen.

What is the solution for this fashion debacle? Change one or two key elements: swap the jumpsuit out for a red tuxedo to lean into the (stage) hypnotist angle and things feel a lot more harmonious. The eye would have to become an amulet or maybe an ornament on one of those weird sashes that goes under the jacket, but everything would hold together much better. Or keep the jumpsuit and lose the helmet! Or make it a headband, that would be much less heinous!

As befits a super-hypnotist, Hip Knox has a pretty relaxed approach to the mental autonomy of those around him, but tragically also seems to have a terrible imagination, as in the above panels in which he attempts to signal that he is being kidnapped by turning bystanders into a trail of living statues instead of, say, having them shout "Hip Knox is in that car being kidnapped!" in unison. (Superworld Comics 001, 1940*)

Marvo 1￮2 Go+:

The Boy Genius style of comics/fiction in general has produced a lot of very fun adventure heroes over the years and also a lot of annoying little smug turds, and I'm sure that personal bias plays in to whether a particular boy reads as one or the other to you. As you might be able to tell from all of this preamble, Marvo 1￮2 Go+ is very much a smug little turd in my eyes.

Thanks to the wonders of sleep education, Marvo has all the knowledge of a forty-year-old scientist packed into his fifteen year-old head, but he's even more intelligent than that, so much so that he gets to put a little plus sign on the end of his name (Marvo is from one of those science fiction futures where inefficient surnames have been replaced with government-assigned alphanumerical designations, like Superworld publisher Hugo Gernsback's own novel Ralph 124C 41+ or DC Comics' later Chris KL-99), which he makes sure to have embroidered on the front of all of his clothing in case people forget how special he is.

Knowledge of a forty year-old or not, Marvo still has all the foresight of a fifteen year-old, as seen above for instance in the above panels wherein he takes advantage of a geothermal hotspot beneath Pennsylvania to permanently alter its climate without stopping to consider the potential long term environmental effects of a permanent Summer. (Superworld Comics 001, 1940*)

X, the Phantom Fed: 

There are a whole lot of comic book protagonists with names like Secret Agent Q49 or Agent X-7, etc, code-named operatives two-fistedly saving the world for democracy the US Government, and X, the Phantom Fed exists at the border between that concept and that of the super-hero. Described as the "Man of a Million Faces," X's real face is a mystery even to his friends because he is always in some disguise or another. X is armed with an embryonic version of the James Bond-era spy's arsenal and the best super-spy name of the bunch but sadly that doesn't save him from having a bare handful of appearances. (Sure-Fire Comics 001, 1940)

*I have not actually read Superworld Comics 001 because it is not readily available to the average person. My information on the origins of these characters therefore might be slightly inaccurate. 

MINOR SUPER-HERO ROUND-UP 019

Look at all these dang guys

Lobo, the Flying Sleuth: 

Lobo, the Flying Sleuth, aka the Lobo, had a pretty short run. But! He's a cowboy and a pilot and a detective. That's a lot of things! (Champion Comics 006, 1940)

Doctor Miracle:

We've seen guys like Dr Miracle before: the nigh-omnipotent magician with so much power at his fingertips that his only real challenge is in finding a foe tough enough that he doesn't defeat them instantly. He's even got the obligatory Huge Asian Manservant, a Nepalese man named Akim depicted with all of the racial sensitivity that one might expect from 1940s comics.

Dr Miracle's real mark of distinction is that he is also a scientific hero, as likely to be blasting a foe with disintegration rays as to be slinging spells. 

It's a neat bit of variation in his adventures and of course it gets dropped almost immediately, as his second appearance establishes him as a student of the Elders of the aptly-named City of the Elders in Tibet. After passing a test to show his magical aptitude, Dr Miracle is sent out into the world to battle injustice, with Akim coming along as a... gift? Unsettling. (Champion Comics 009, 1940)

Doctor Hormone:

Doctor Hormone exemplifies a particular sort of cultural ingestion/ regurgitation of scientific ideas that permeates all fiction but really found a home in the medium of comic books. Any sufficiently impressive scientific discovery can be reinterpreted as being tantamount to magic, the major example of which is of course the part that radiation would play as a catch-all origin in the Silver Age (and nanotech and genetic engineering in turn as time marched on) but as in any field there are many also-rans for every big hit: vitamins and radio waves and transistors (in the case of Silver Age Iron Man) as science-magic that can accomplish any task. With Doctor Hormone it's hormones. Obviously.

As we join the Doctor and his destined-to-be-bullied granddaughter Jane Hormone, he has just been saved from age-related death by a youthening hormone. He and Jane subsequently set out to help the beleaguered nation of Novoslavia defend themselves from the depredations of Germany/Russia analog Eurasia.

Hormone's first major antagonist is Rassinoff, aka Assinoff, a Novoslavian official secretly working for Eurasia and dosed with donkey hormones by Jane due to his initial bad vibes. Assinoff is exactly the jackass that his form reflects and is a very satisfying villain to see be repeatedly defeated and humiliated.

Highlighting some of the more noteworthy hormone effects: the youth hormone (calibrated to make anyone who takes it 25 years old) is cool and fun when used on the elderly but the implications of using it on the young swiftly become horrific. At least the baby was turned into an adult man to save his life - these poor boy scouts are signing up to be adult child soldiers.

It's not particularly visually interesting but Hormones second appearance concerns his deploying a gas-based hormone that turns Eurasians into Novoslavians, which raises the question of just what they thought a hormone was over at Popular Comics.

In Popular Comics 056, Assinoff tries to destroy Hormone's credibility by injecting Novoslavian citizens with random samples from a captured selection of Hormone's work, which completely backfires when it turns out that the Novoslavian national character is extremely okay with being turned into some random animal. It's a nation of furries! 

These eagle-men pilots are the first of many Novoslavian animal-man hybrids, btw.

Issue 57 of Popular Comics involves Novoslavian locust, wasp, termite and rat hybrids going out into the world to gather up plagues of their respective animals to unleash on Eurasia. Pictured here is the rat-man, my personal fave.

The ultimate expression of Hormone's hybridization efforts are these five Novoslavian volunteers who were turned into fleas and then restored to human form. Though they no longer look like fleas, they retain proportional jumping, flea-strength, etc, Spider-Man style. And the transformation is very gross-looking!

So that's Doctor Hormone in a nutshell: a bit light, plotwise, but full of charming characters and a cavalcade of new and interesting concepts in body horror. (Popular Comics 054, 1940)

Martan the Marvel Man:

 I feel a bit bad making Martan follow Dr Hormone, honestly, because his adventures are at least as wild, but they aren't as unique. In brief: Martan and his wife Vana are Antacleans, aliens from a super-advanced race a few million light years off. They kind of accidentally land on Earth and almost immediately get mixed up in the affairs of primitive humans. At first it's regular old "they war amongst themselves, how foolish!" stuff but eventually they discover in incipient invasion by Antaclea's ancient enemy the Martians and really throw their weight behind the Earth cause: supplying technology, setting up a world government etc. - Martan and Vana's impact on the world is much greater than your typical comic book characters'. (Popular Comics 046, 1939)

MINOR SUPER-VILLAIN 323: GORE

(Daring Mystery Comics 008, 1941)

Like he says in his dying moments above, Gore is a weird-looking guy who lashes out at society via a series of radio-themed deathtraps, always preceded by a broadcast of the letter D in Morse Code. As a villain he's all right - he gives the Thunderer a run for his money at least. My major gripe with him is that there was ample opportunity for him to be called the D Killer or the Radio Killer or just D but no, he has to go by his stupid actual name. Bah.

This radio skeleton is partial compensation, at least.

MINOR SUPER-VILLAIN 301: THE CAMERA FIEND

(Captain America Comics 006, 1941) 

The  Camera Fiend is your regular gimmicked-up gang boss who parlays the classic comic book camera gun into a modestly successful career in theft that sees him almost getting away with the British Crown Jewels before being beaten down by Cap and Bucky. He is of course playing off the idea of the rabid photography fanatic from the advent of cheap personal cameras.

I was going to criticize him for having such a grotesque costume while attempting to do stealth assassinations with a poison dart-firing camera but now that I think of it I guess the point is that the Fiend is so wild in appearance that nobody would suspect  Bucky Barnes' high school teacher Professor Hall of being the killer in question. I will however critique his choice to attempt to kill Captain America in front of about 20 witnesses as seen above. Still, this is exactly the sort of low-level crook I'm always in favour of being BRUNG BACK, even if it's a legacy-of-a-legacy-of-a-legacy character: the Camera Fiend begat the Home Movie Murderer begat the Home Movie Murderer II (this time it's on VHS) begat Selfie Stick or the Gram etc.

MINOR SUPER-VILLAIN 296: THE HUNCHBACK OF HOLLYWOOD

(Captain America Comics 003, 1941)

The Hunchback of Hollywood is a villain in the same classic vein as Clayface: dressing up like a horror character and using murder and fear tactics to shut down a movie production. Also like Clayface, the production is within the hero's range due to the studio taking advantage of the castle-rich landscape of the Eastern US 

(the castle in question is said to be near Camp Lehigh, home base of Steve "Captain America" Rogers and Bucky "Bucky" Barnes so this isn't one of the famed castles of New York State. But it might have been originally - Camp Lehigh's official location is in Virginia, now, but a lot of the stories imply that it's closer to NYC, with officers commuting to homes in Manhattan, soldiers casually visiting Coney island etc. I have no idea when the location was finalized and it's very frustrating!)

Much as Clayface was actually Boris Karloff-adjacent horror star Basil Karlo, the prime Hunchback suspect is the even more on-the-nose Goris Barloff.

Unlike Clayface, the Hunchback is not Barloff at all, nor any other crazed horror actor. Rather, it's Craig Talbot, star of the film and dues-paying American Nazi, who objects to the film's anti-authoritarian allegory, ad that's why unlike Clayface you've never heard of him: because he's a filthy Nazi.

Number of Episodes of the "Super-Villains of Hollywood" podcast: A two-part episode structured like a whodunnit, with the first running down the careers of Barloff and Talbot and a few other weakly defended suspects and the second detailing the actual crimes.

MINOR SUPER-VILLAIN 283: N-4

(Marvel Mystery Comics v1 023, 1941)

N-4 is the kind of Nazi spy that really reminds one that the swastika was a costume design go-to for a while there. Gonna be swastikas cropping up basically forever, aren't there. Like Captain Nazi still shows up from time to time, doesn't he.

More interesting than N-4 being one of our earlier costumed Nazis is that they're a trend-based crime villain! The trend: highways! Their whole scheme revolves around the recently-completed Pennsylvania Turnpike and involves a trick switcheroo tunnel that they use to steal tanks in a complicated scheme that foolishly includes framing the Human Torch and Toro for some reason and of course leads to them being caught.

And of course I was using neutral pronouns in that last paragraph because I wanted to obfuscate the fact that N-4 was your old classic female agent posing as a male agent for unclear reasons. Also she got caught because of a deus ex bear trap.

Not a lot to say about N-4, it seems! I'd say sorry N-4 but you are a Nazi, so go rot somewhere.

SUPER-VILLAIN YEARBOOK: CLAYFACE 1940

What did Clayface get up to in 1940?

Detective Comics v1 040, 'Untitled' **First Appearance**

I'm not surprising anyone when I reveal that Clayface is actually Basil Karlo, an oldtime horror movie star who tanked his own career and couldn't take it when they started remaking his old movies, thus necessitating a costumed murder spree to ruin the filming of Dread Castle.

Batman and Robin get involved because one of the prospective victims is Julie Madison, Bruce Wayne's fiancé (in her last appearance as his fiancé). Much of the action is not, in fact, Clayface-related but rather concerned with the actions of various Clayface suspects such as drunk director Ned Norton, variously-gruntled actors Kenneth Todd and Fred Walker, and Gangster Roxy Brenner.

Clayface himself wears the common purple hat and cloak combo of an early Batman villain. He doesn't actually spend much time on-panel, so the degree of grotesqueness of his makeup is hard to judge, whatever the narration boxes say.

And finally the reveal: Basil Karlo did it and he did it because of horror movies. He might just be the first character in comics to get the Don Quixote "the problematic media of the day is the real villain!" origin for his madness but he certainly won't be the last.

Number of Episodes of the "Super-Villains of Hollywood" podcast: Basil's got to be an entire season all by himself, doesn't he? If we're dealing strictly with the events of the year 1940 we're talking two episodes on his rise and fall, followed by one about the actual Clayface debut.

Body Count: 2

End-of-year Status: Captured

MINOR SUPER-VILLAIN 143: THE CAMERA EYE

(Adventure 066, 1941)

Mr Cuthbert Cain, the Camera Eye (and I call him that because it's what he himself signs on an ominous note - at various points in the story he is called the Camera Fiend and the Camera Criminal) is part of a long tradition of super-villains who take a recent technological or cultural trend and extrapolate it into a criminal gimmick - in this case, candid photography.

Using black magic and photographic equipment, Cain captures souls and enslaves folks to his will, embarking on a minor crime wave. He falls afoul of Starman when he enthralls his friend FBI agent Woodley Allen and subsequently dissolves into the netherworld after a struggle that ends with him accidentally taking his own picture with his black magic camera.

SHOULD THEY BE BROUGHT BACK? Absolutely! Not only is Cuthbert Cain exactly the kind of smug little shit that makes a perfect villain but the idea of a black magician who faces the price for their power and then comes back is a really great seed for a story. Particularly as the last time he was seen he had become a photo negative version of himself.