MINOR SUPER-VILLAIN 507: THE GHOST OF CAPTAIN KIDD

(Blue Bolt v1 008, 1941)

The Sergeant Spook writers, having exhausted the storytelling possibilities inherent in an ultra-powerful ghost taking on mere mortals and having established that ghost-on-ghost violence is essentially consequence free are now trying a new angle: ghost crooks preying on mortals and Sergeant Spook bringing them to justice.

This time, it's the Ghost of Captain Kidd - like Jesse James before him, Kidd is compelled to return to the patterns of his life, and having obtained a ghost ship from somewhere he sets to looting mortal cargoes. Sergeant Spook of course does not stand for this and pursues in a ghost battleship crewed by John Paul Jones, Admiral Dewey and Sir Francis Drake, plus a lot of no-names.

Captain Kid has a moment of triumph when it is revealed that he has somehow obtained and installed a ghost motor on his ghost ship (and it is here that I will note that I have absolutely no idea how any of these large objects become ghosts in the first place - are they all ghost ships in the traditional sense or are there different rules for ghost vehicles?) followed by the more entertaining revelation that none of his crew have any idea how to work an internal combustion engine and thus the ship ends up sailing in a circle. The forces of ghost law thus are able to catch up, Captain Kidd gets socked in the kisser and everyone goes home.

MINOR SUPER-VILLAIN 506: THE GHOST OF NAPOLEON BONAPARTE

(Blue Bolt v1 007, 1940)

We have entered the era of Sergeant Spook battling villainous ghosts! It's not quite as low stakes as Sergeant Spook just manhandling mortal crooks while they have no ability to affect him but since the worst that ghosts can do to each other in this fictional milieu is to knock one another out it's still missing a bit of something.

Still, the setting of Ghost Town is a fun one and we're still getting lots of details about how it works and who exactly lives there. Firstly it seems that there is a suburb called Spirit Town and secondly Napoleon Bonaparte lives there and is attempting to conquer the entire ghostly realm for his own.

Any time something happens in Ghost Town, famous dead people crawl out of the woodwork to lend a hand. In this case, Sergeant Spook's army is first bolstered by the addition of King Arthur and the Knights of the Round Table and then the Duke of Wellington himself decides to offer his expertise in beating up Napoleons.

Like I said, it's a bit low stakes since everyone's already dead and Sergeant Spook for example was only mildly inconveniencing his enemies rather than slaying them while he was laying about with a mace from ghost horseback (as always the rules of the Sergeant Spook afterlife elude me. Are these horses with unfinished business? Do all horses have restless spirits? Are they just accessories to human ghosts like clothing?). Napoleon himself is very chill about the whole thing and everyone is good friends by the end.

Still, for all that this battle had all the consequence of a Civil War reenactment at its heart this comic was about the ghost of Napoleon Bonaparte raising up an army of the dead in an attempt to conquer the afterlife and that's in fact a very sinister elevator pitch.

PROBLEMATIC ROUND-UP 001

The kinds of character that are a part of comics history so it would be wrong to ignore them but are also pretty racist (usually - I'm sure that eventually I'll find something else distasteful enough to put here) and unpleasant to dedicate a whole lot of time to. We're going with a round-up!

Our first culprit is George Harvard AKA Big Sun, a guy with a way too complicated plan to sell oil to the Axis out of the Florida Everglades under the cover of being a geological surveyor or prospector or something. He comes to the attention of adventurer Clip Carson due to not accounting for his partner maybe poking around looking for samples like their job is supposed to be? It's a bad plan.

I'm mad at myself for finding Big Sun's mask so cool looking, but it's mitigated by how dumb his gimmick is: he has a shiny breastplate on under his robe and he reveals it flasher-style to blind his foes. Hence the name, I guess. (More Fun Comics 069, 1941) 

I didn't even know that Zingaro was an Italian slur for people of Romani descent until I looked up this guy - just why it was used as the name of a fellow trying to take over Mexico I will never know. On the one hand he is stopped by weirdo character the Voice so that's good. On the other, he gets away so there's a chance he could appear again, which is bad. It's okay though: the Voice only ever had two adventures and this is the second one.

Thankfully there aren't too many characters whose names are racial slurs. (Amazing-Man Comics 022, 1941)

I don't know if you could call it lucky, per se, but it is kind of fortunate for the purposes of this round-up that I'm hitting a lot of the major categories of racist super-villains all in one go. We'll see if this questionable luck holds for the fourth entry.

So: Banga the Elephant God is predicated on the old trope that indigenous peoples are so credulous and superstitious that they will believe that anything (eg, a big mean elephant with a guy in a skull mask on it) is a god or other supernatural occurrence - in this case the people of the hidden jungle civilization of Yenya are helped along by the fact that the human part of the Banga gestalt is actually their witch doctor (called a "wizard doctor" in this case, which is kind of a neat linguistic variation if nothing else). Banga is eventually unmasked by jungle hero Morak the Mighty and meets his dual ends.

As with so many racist characters it is very unfortunate that Banga the Elephant God looks sick as hell. (Super-Magic Comics 001, 1941)

The very next issue we have more of the same: a bunch of white guys dress up like the very cool looking Lizard-Lion Men of local legend and fleece ivory out of villagers in... Malaysia? If Rex King aka Black Fury stayed put between issues then it's Malaysia.

There's not too much to these guys: one of them hides inside the statue of the Lizard-Lion in the local temple and says for the locals to bring all of their ivory hence and then costumed goons go beat up anyone who refuses. And then Black Fury beats them up. (Super-Magician v1 002, 1941)

We didn't hit all the greats in one go - there's a lot of untapped racism coming up once we hit the comics of 1942 after all - but it's a good - bad? - sample.

MINOR SUPER-VILLAIN 505: MARTO

(Blue Bolt v1 006, 1940) 

Blue Bolt is a fine comic book character in the classic setting of a vast underground world full of sci-fi/fantasy concepts but 100% the best thing about him is that 10 or so of his first dozen appearances were by Jack Kirby and Joe Simon and boy does Marto here show it. Just look at this classic Kirby creation!

Marto was originally Martin Hall, a scientist who accidentally bombarded himself with the very cosmic rays he had been studying and found himself mutated into your prototypical future human: big brain, tiny shrivelled body and compulsion to change his name to something short that sounds like an Australian gave him a nickname. 

"Martin Hall" doesn't sound like a Voltoran name to me (they trend more to things like Count Gorth, Major Kadronin and Captain Drogar), so Marto presumably made his way to the Green Sorceress' underground kingdom from the surface in his little chair-bot.

Marto's initial offer is to help the Green Sorceress in her quest to conquer the underground world but he pretty swiftly reveals that he is a little incel creep and his real plan is to either stick his head on Blue Bolt's body or to merely transfer his mind into Blue Bolt's head. Either way, his next step is to mate with a mind-controlled Green Sorceress, create a super-race and subjugate the world (and the way that he says this makes it clear that he is racist against everyone). 100% creep, in other words.

Luckily for literally everyone, Marto failed to factor "armed resistance" into his plans and he is crushed by rubble during an attack by Doctor Bertoff's air force.

NOTES - APRIL 2024 PART II

Ran out of tags again.

Cops Shoot: 

The cops in whatever city Inferno lives in are trying to kill him because they think he did a robbery and is running away. (Blue Ribbon Comics 018, 1941)

The cops try to kill Captain Flag twice in this issue! This time he's breaking jail after being arrested for murder, but still. (Blue Ribbon Comics 019, 1941)

Panel Fun:

"Dixie Dugan" Comic, 1932

MINOR SUPER-VILLAIN 504: PROFESSOR X

(Blue Bolt v1 005, 1940)

Professor X has two of my favourite qualities in a minor super-villain: a famous name and a prior history. The first is the same kind of fun as when my friend named his cat after me. "What do you mean Professor X keeps getting up on the counter to steal ham?"

I really love his Prohibition-Era villainy as well, particularly as I had it in my head that he specifically was a bootlegger and thus that all of his great inventions were in service of that - dirigibles full of Canadian whiskey? The axe-proof barrel? The mighty Beer-Bot? Fun stuff. The suicide vest, by contrast is a bit much and not particularly fun, but does establish his bona fides as a legitimate threat.

Prof. X is on a classic Judge and Jury Revenge Killer tear, targeting Hogan, the cop who brought him in and Johnson, the lawyer who put him away, who since then has become the District Attorney of Centro and close personal friend of local super-hero Sub-Zero.

Due to this last fact Professor X is forced to turn his genius to the creation of anti-Sub-Zero weaponry, including cold-proof cars, an unfreezable gun that fires superheated bullets and his iconic costume which - you guessed it - is insulated  and renders him immune to Sub-Zero's freezing powers. And he almost manages to beat Sub-Zero! His only mistake is in having uninsulated water pipes in his secret lair and leads to him being sent to jail inside a large block of ice.

Professor X returns in the next issue in an attempt to finish getting revenge on DA Johnson as well as new target Sub-Zero (he also tries to kill Sub-Zero's girlfriend Mary but I don't think he has a specific grudge against her), and this time he's accompanied by a costumed henchman named Rat. Once again he very nearly pulls it off but this time his fatal flaw is a lot more fatal, as he misjudges a jump during his escape and does a header out a fourth story window. An ignominious end to be sure.

JUDGE AND JURY REVENGE KILLER SCORE: 1/3

But death is not the end for Professor X! Blue Bolt v1 007 features a gambler named Rocky Garret who has acquired the Professor's anti-Sub-Zero tech as insurance against interference in his baseball-fixing scheme (and it's a good idea for him to do so, as his scheme is Not Very Good - a lot of it is literally just putting the wrong numbers on the scoreboard which... isn't good.  It's a bad plan.)

Sadly this is it as far as Professor X's legacy goes. I was kind of hoping that Sub-Zero would be confronted with a guy in a mesh bodysuit every now and again going forward, but alas, it was not meant to be.

MINOR SUPER-HERO ROUND-UP 007

All Novelty Press edition!

Dick Cole, Wonder-Boy: 

Dick Cole was left on the front steps of scientist Professor Blair as a baby, and according to him there was an accompanying note requesting that he use his hitherto-untested experimental child-rearing techniques to bring the kid up to be superhuman. And it works! Dick Cole is stronger and faster and smarter than everyone else, and works to help those around him in whatever way he can.

Sadly for me the Dick Cole series is set at a military academy, a surprisingly popular location in early comics. I think that the weird pseudo-military class structure that such places had/have was popular for the easy drama inherent in the noble protagonists being forced to kowtow to undeserving upperclassmen but reading comics about teenagers being assholes to each other for imaginary reasons palls quickly. (ADDENDUM: I wrote this at the beginning of my Dick Cole reading and am pleased to say that the military academy stuff isn't as bad as it is in other comics of the time) (Blue Bolt v1 001, 1940)

BONUS: here's Dick Cole as a very cool baby.

Sub-Zero:

AKA Sub-Zero Man. Part of a Venusian expedition to Earth whose extremely awesome looking spaceship crashed through a frozen gas ball en route, killing everyone but Our Hero, who instead becomes uncontrollably and destructively super-cold.

After a couple of issues of misunderstood wandering and being hunted, Sub-Zero endears himself to the city of Centro... Oregon? by saving it from a volcano. (highway signs place Centro somewhere between Los Angeles and Topeka, so it's probably either Oregon or Northern California, and Oregon is closer to volcano country). There, he settles down to a regular super-hero life, albeit one with no secret identity, Centro slowly becomes NYC like so many other comic book cities and people basically forget the fact that he's an alien. (Blue Bolt v1 001, 1940)

the Phantom Sub: 

A bunch of young men led by Jack Damon and Slim Dugan construct an advanced submarine in secret, as you do, and end up as wanted fugitives dispensing justice on the high seas via an electrified water cannon and some plucky attitudes. (Blue Bolt v1 001, 1940)

Near the end of 1941 the Phantom Sub added the power of flight to its many features, and shortly after that the Phantom Sub crew were able to come in from the cold and begin aiding the US war effort. (Blue Bolt v2 006, 1941)

the White Rider and Super Horse:

During a stagecoach holdup, a youngster named Peter (no last name given) is orphaned and flung into a river that eventually flows into the mysterious Lost Valley, where he befriends and is raised by an old hermit named Jeb and a cool horse named Cloud. Eventually, the hermit dies of puma and Peter and Cloud make their way to the outside world where it turns out that due to the valley's depth it somehow had more gravity and thus the two are super strong. Anyhow, Peter immediately hunts down and kills the bandit who orphaned him and resolves to stamp out crime as the White Rider and Super Horse. 

Despite the superpowers the White Rider is a bit of a dud, hero-wise and Super Horse does most of the heavy lifting, both literally and metaphorically. (Blue Bolt v1 001)

MINOR SUPER-VILLAIN 503: THE GHOST OF JESSE JAMES

(Blue Bolt v1 005, 1940) 

Sergeant Spook, while a fun concept, had a problem as a super-hero: as an intangible, invisible ghost able to interact with the physical world he was possibly the most overpowered foe that a regular-style gangster or even your average super-villain could encounter. He was running the risk of becoming a bit boring just a few issues in, when the obvious solution presented itself: ghost crooks!

Yes, Jesse James and his gang are back at it again, in ghost form! To be fair, Sergeant Spook doesn't have much trouble rounding them up but at least it's more of a fair fight - of note is the fact that James' ghostly gun is able to stun but not kill other ghosts.

Also of note is this interaction between Sergeant Spook and Robert Ford - Spook seems to hold to the popular notion that though James was a multiple murderer Ford was somehow worse because he had betrayed his pal. Even more interesting is the undercurrent of an idea that ghosts are condemned to act out the behaviours that they established in life, which is presumably why Jesse James is robbing trains of money he has no way to spend.

And to answer any questions about how you punish a ghost: you haul him in front of Judge the Ghost of King Solomon,who mandates that he be placed in stocks presumably lined with the ghost-proof steel invented by the Ghost of Benjamin Franklin. Simplicity itself!

MINOR SUPER-VILLAIN 502: THE GREEN SORCERESS

(Blue Bolt v1 001, 1940) 

The Green Sorceress! Possibly named Norzimo, absolutely the ruler of the underground kingdom of Voltor aka the Hidden Empire aka the Green Empire. Locked in a cold war with Dr Bertoff, leader of Deltos aka the Scientific City, as she wants the Deltosan radium fields in order to power her war machines and invade the surface while he wants to destroy her kingdom and everyone in it.

According to Bertoff, the Green Sorceress is descended from a long line of black magic practicioners. Appropriately, she demonstrates some magical skill herself, mostly related to teleportation via a green mist, though she does summon at least one demon.

There's a Batman/ Catwoman aspect to the relationship between Blue Bolt and the Green Sorceress, in that they are absolutely horny for one another and keep infuriating their allies by letting the other get away rather than taking victory at the cost of the other's life. The Green Sorceress even reforms a couple of times (well, sh'e brainwashed by Bertoff once and reforms another) but just can't quit her evil ways.

(Professor Bertoff would absolutely be a super-villain if a) his main opponent weren't a bigger one and b) his main ally weren't a super-hero)

The greatest change to the status quo of the underground kingdoms comes in Blue Bolt v1 007 when the Green Sorceress manages to force a surrender of Scientific City by capturing Blue Bolt (note the incredible power play of calling from bed). Her hamfisted scientists set off an series of enormous explosions in the radium fields and open a passage to the surface. This is the point at which a captured surface man calls the inhabitants of the Green Kingdom "scientific barbarians" and it's a really terrific characterization that has to have been a Kirby contribution if only because of how prominent a theme it would be in his later work.

In Blue Bolt v1 009 the Green Sorceress hits the surface in a new identity: the Masked Princess! Supposedly European royalty travelling incognito, the Masked Princess was actually a highly efficient one woman espionage unit who vamped intelligence agents and other important men and then hypnotized them into revealing their secrets. Unfortunately for her, the very instant she left her minions managed to let Blue Bolt get away and he ends up following her to the surface to bust up the Masked Princess' operation.

Simon and Kirby leave Blue Bolt after issue 10, at which point the Green Sorceress has reformed again, this time after being saved by Blue Bolt from a terrible end that will be detailed soonish. We will eventually see her again but it's not the triumphant return that she deserves - I reckon that in the right hands and with a slightly more interesting foe the Green Sorceress could be a real classic super-villain - the hot-headed wizard-queen of a nation of Kirbyesque scientific barbarians striking from a land beneath those we know, plus there's a different, slightly less evil guy trying to kill her at the same time? this is fertile storytelling ground! BRING her BACK, someone!

GENERIC COSTUMED VILLAIN ROUND-UP 010

The thing is that they have some but not all of the attributes of a super-villain.

A sea-raider who uses a stolen acid gun to build a psychically-controlled army of skeleton men? If only he had a name or had a bit more swagger! Alas for him the Shark puts him down before he could do enough to elevate himself out of this gathering of also-rans. (Amazing-Man Comics 021, 1941)

This gang of guys dressed as mailmen don't give the Blue Beetle much trouble even when wielding compressed air guns that fire explosive pellets. I admire the visual, though. (Big 3 005, 1941)

The Scooby-Doo style "fake haunting to drive people away from treasure/natural resource/property" is of course super-villain adjacent, but there are so many instances of in comics that I tend to disregard them as generic criminality. This unnamed fellow, however... not only was he attempting to scare off a homeowner so that he could look for pirate treasure in her basement but he went and "I would have gotten away with it..." -ed at that meddling Marvelo, Monarch of Magicians. (Big Shot Comics 009, 1941)

Just some nameless goons that take part in an usurpation attempt against Blue Bolt villain the Green Sorceress but they're Jack Kirby goons so they look fantastic. (Blue Bolt v1 004, 1940)

MINOR SUPER-VILLAIN 501: THE DEAD HEAD GANG

(Blue Bolt v1 002, 1940)

Just a simple costumed extortion gang, but I really dig their skull masks if not their habit of killing the extortees regardless of whether they pay up or not. Too bad for them that Sergeant Spook was on the case.

MINOR SUPER-HERO ROUND-UP 006

Minor super-heroes need to be rounded up now and then.

Blackstone the Magician: 

There are a fair number of comic versions of real life people: movie cowboys by the dozen, big game tracker Clyde Beatty a couple of times, etc. Not too many of them quite cross over into the super-hero side of things, but here we have magician Harry Blackstone Sr, who absolutely did (Blackstone is also a great example of someone who was at one point wildly famous and has now receded far enough from the public consciousness that you might not have heard of him unless you're really into the Dresden Files).

Blackstone's adventures fall more into the Action-Packed World Travel to Places Where Ethnics Live category of comics, with the gimmick that he uses stage magic to overcome various obstacles. But stage magic in a controlled environment using your own props and ad hoc stage magic using random items out in the world are different things, comic! (Super-Magic Comics 001, 1941)

Black Fury:

Rex King is an adventurer who spares the life of a panther in the jungles of Borneo because it has a white star marking on its throat. Later, that same panther saves Rex from a leopard attack and he takes this as a some grand life lesson about how animals can be full of humanity while men are bestial - long story short, he dresses up like something halfway between Black Condor and Wildcat and teams up with the panther (now named Kato) to beat up evil. (Super-Magic Comics 001, 1941)

the Blue Bolt:

Harvard University student Fred Parrish had the misfortune to be struck by lightning twice in the same storm, the second time while he was attempting to fly his light aircraft for help. Lucky for him, he crashed near the underground lair of Doctor Bertoff, a scientist looking for just such a lightning-charged person to experiment on and empower to fight in his ongoing war of Bertoff's land of Deltos with the Green Sorceress and her kingdom of Voltor (later sumply "Bertoff's Scientific City" vs "the Green Kingdom").

Blue Bolt was a willing conscript in this war, although he tempered Bertoff's bloodthirstiness somewhat by seeking to reform the Green Sorceress rather than kill her outright, destroy her kingdom and salt the earth. This could be traced to a "don't hit girls 1940s sense of fair play and also because he had the hots for her.

Up to Blue Bolt v1 010 the Blue Bolt comic was written by Joe Simon and drawn by Jack Kirby and it was full of all kinds of crazy fun sci-fi malarky. Sadly, the instant they left to create Captain America it all went out the window and Blue Bolt became a regular-syle super-hero fighting Nazis on the boring old surface of the planet.

For a few issues, Blue Bolt follows his kid brother Kip Parrish around as he serves with the RAF but this gets boring after a while and he heads back to the States. Once the US enters the war he ditches the costume entirely and seemingly forgets that he has super-powers and becomes a regular-style soldier with the unusual name Blue Bolt. Ho hum.

This, by the way, is part of a pattern with the good folks at Novelty Press. They had it in their heads that their readers didn't want stories that were "too fantastic" and this was reinforced by their letters page which every month featured missives from little killjoys asking for more boy inventors and fewer giant robots. I assume that these kids grew up to be the people hectoring DC every time Batman cracked a joke in the 60s and 70s and that their children form the vanguard of the "gritty realism" movement.

Sergeant Spook:

Sergeant Spook here started out as a cop already named Sergeant Spook in a clear case of nominative determinism. After blowing himself up with a carelessly placed pipe in perhaps the least dramatic origin of any of the surprisingly large number of dead police officers to return as undead super-heroes, he basically just carries on as normal. He's intangible and invisible, per regular ghost rule, but can interact with the material world just fine. (Blue Bolt v1 001)

Then, in Blue Bolt v1 006 Sergeant Spook meets legally-distinct-from-Sherlock-Holmes ghost detective Dr Sherlock, who informs him that not only is he not unique but that there is a large community of ghosts that he is flouting the rules of by for instance beating the tar out of gangsters who can neither see nor touch him. He relocates to Ghost Town and becomes the de facto troubleshooter of its President, George Washington until rounding up the ghosts of dead troublemakers begins to get stale, at which point Spook heads back to the mortal world to deal with human/ghost conflicts.