MINOR SUPER-VILLAIN 839: THE DOCTOR

(Top-Notch Comics 010, 1940) 

The Doctor operates a simple but brutal extortion racket: a network of crooked doctors refer workplace compensation cases to him at his fake hospital and he then charges them as much as they are being paid in compensation, and if anyone dares to complain, they suddenly require urgent surgery and die on the operating table.  

For the second time in two days I must note: surgical scrubs are such a good super-villain costume.

This is exactly the sort of thing that the Wizard hates, and you just know that Roy the Super-Boy has to get in on Beating Up an Entire Hospital. Roy almost gets murdered for his trouble, but the Wizard shows up in the nick of time, and the Doctor's entire network gets handed over to the authorities.

MINOR SUPER-VILLAIN 837: THE SKULL

(Top-Notch Comics 009, 1940)

 

The Skull is the recurring foe of the Golden Age Black Hood, and as is common for such characters he is a kind of generalist super-villain willing to dabble in everything from theft to kidnapping to espionage to murder as circumstances dictate. He even indulges in a little housebreaking on occasion, and it is while doing so that he is interrupted by police officer Kip Burland, who he frames for the crime and then eventually attempts to have murdered when he refuses to give up on proving himself innocent. 

This of course is the origin of the Black Hood, as Burland recovers and trains under the tutelage of one of the Skulls other victims. Accidentally creating your own nemesis is one of the occupational hazards of being a successful super criminal, after all, and the Skull is so successful as he kind of did it twice, as Kip Burland's mentor is a different lawman who the Skull framed and ruined who swore revenge on him but then took too long preparing and had to be content with weaponizing another to do the deed.

By the time that Kip Burland is prepared to go into action as the Black Hood, the Skull has devised the first of what I now recognize as his signature: an overcomplicated scheme. Specifically, he has targeted the debut/masquerade ball being held for wealthy socialite Barbara Sutton, and has not only informed all of the guests that they must show up in their best jewelry so that he can steal it but has also announced his plans in the papers. I think that the intent is to ensure compliance through fear, but it really seems like he's just introducing ways that his scheme can go wrong.

The Skull's instructions are clear: he will steal the jewels off of the guests during the party and they are to keep quiet about it. None of them manage this, and each victim ends up being killed via a blowgun dart tipped with a poison that turns the human head all green and corpsey. Plus - and this is hard to see but trust me - the dart leaves a little skull-shaped mark at the point of contact.

The Black Hood eventually works out how the Skull is doing all this: he has disguised himself as hostess Mrs Sutton and has been shooting the darts out of a blowgun shaped like a cigarette holder. One dunk in an oversized decorative vase later, the case is solved!

(also please note that the Black Hood is in attendance in costume as himself. It still counts even if this is his first public appearance in costume) 

After the Black Hood turns the Skull in to the police at the end of his first costumed adventure, his ally the Hermit predicts that they will be unable to hold him, and what do you know but he's right. The Skull dramatically breaks jail and immediately puts another overly complicated scheme into action. Major Quentin Duff has invented the unspecified-but-presumably-valuable Iota Ray, and the Skull wants it, but is not prepared to do anything so simple as to steal the plans. Instead, he implements a simple three-part plan:

Step One: ambush Major Duff at his house and murder him just after he hands the Iota Ray plans over to Mrs Duff for safekeeping. 

Step Two: While Mrs Duff and Barbara Sutton are taking the plans from Washington DC via train, kidnap Duff and gaslight Sutton into believing that she was never there. This requires at least a half-dozen confederates as well as an appearance by the Skull as a Dr van Luks, a backward name so annoying that I audibly groaned when I worked it out.

Step Three: Once the plan falls apart, just try to murder everyone and take the plans off of Mrs Duff's body. Please note that this step was an option from the start, and that the theft could have been committed using the Major's gruesome murder as cover.

As 1940 draws to a close, the Skull is left shaking his fist after a speeding train as the Black Hood escapes with the plans. We will see him again in 1941!

SKULL SCORE: A very generous 2/5, considering that this particular Skull isn't actually missing any facial features. The combination of his emaciated face, sunken eyes and perpetual rictus goes a long way nonetheless. Plus he's green.

MINOR SUPER-VILLAIN 834: THE KNIGHT OF THE GRIFFIN

(Top-Notch Comics 007, 1940) 

Tasked with finding the two-days-overdue Sir Gawain, Galahad discovers him being set upon by ruffians in the employ of the Knight of the Griffin, a dastardly character who hates King Arthur and the Knights of the Round Table.

Galahad proceeds to confront the Knight himself, where we find that he is based on Sir Turquine, a villainous knight who had both the knight-summoning bell and tree full of defeated knights' shields as seen above, but who critically hated Lancelot, Galahads father, and battled knights as part of a long-term plan to kill him, whereas the Knight of the Griffin is more of an anti-Knights of the Round Table guy.

Thanks to an exposure to a Choose Your Own Adventure version of this story in my youth, I think I have an inflated sense of how iconic the tree of shields is, but I love it. It's very ominous! 

The Knight of the Griffin is also aided and abetted by his wife, Morgana le Fay, who hoodwinks knights into getting her a drink of water and then swaps their good swords for ones that will shatter during the cut and thrust of knightly combat. This is not a part of Sir Turquine's story - though Morgan le Fay has plenty of evil knights in her roster of exes, she and Turquine don't seem to have been an item.

Between the broken sword and the home field advantage, the Knight of the Griffin has Galahad on the ropes, and might have emerged victorious if Merlin the Magician hadn't been lurking nearby to bring the tree of shields crashing down to unhorse him. Given a more even contest, Galahad is able to employ some Arthurian judo and heave tKotG off of a cliff to his doom.

MINOR SUPER-VILLAIN 831: THE BLACK DEATH

(Thrilling Comics 010, 1940)

Perry Knight has a problem: instead of starring as the titular costumed antagonist of stage production "The Black Death" he has been jailed for murder. He can't remember doing it, but evidently he gunned down his costar Tinker in cold blood during the dress rehearsal.

Enter Peggy Allen, the Woman in Red, who quickly discovers that there is a second Black Death running around when they have a confrontation in the wings. Is this a foolish move on the part of the second Black Death, who presumably wants Perry Knight to be the sole suspect in the murder? Absolutely it is.

Peggy manages to get Knight bailed out to continue the role of the Black Death as bait for the real killer, and indeed the false Black Death attempts to murder Tinker's replacement at the same point in the show as before. The Woman in Red of course manages to prevent this second murder, and after some running around etc the Black Death is unmasked to reveal... Weber, the theatre owner!

It turns out that Weber is in love with lead actress Linda Lytell and that this murder/framing/attempted murder/kidnapping (he kidnaps Lytell before the second murder attempt) is all part of an effort to get him out of the way so that Weber can woo her. A foolish plan, and not just because Weber does not appear to have shared his feelings with Lytell at any point, but because literally the first thing that happens in the story is Lytell rejecting Knight, something that Weber might have learned if he had engaged in some conventional human conversation and courtship before jumping straight to adopting a costumed persona.

Also, the critics hate the play.

MINOR SUPER-VILLAIN 828: THE BLACK TERROR

(Thrilling Comics 006, 1940)

The Central Art Museum has a problem: a cloaked figure who creeps through the halls at night, murdering the guards and making off with their bodies. To make things worse, the investigation is being led by the boorish Inspector Cavanaugh, the Woman in Red's new and very annoying comic foil, who I regret to inform you is a permanent addition to her cast.

But speaking of the Woman in Red, she is also on the case. As Peggy Allen, she works as secretary to the museum director Dr Grier while patrolling the museum at night in her costumed identity... while Cavanaugh gets in the way to the extent that he prevents her from saving the Black Terror's second victim. 

It's not a particular surprise when the Black Terror turns out to be the assistant museum director, Mr Tyler, as the story has only two real suspects, him and Dr Grier. Tyler turns out to have adopted the Black Terror persona in order to cover for some jewel thefts that nobody had actually cottoned on to yet - I can only conclude that he had the (fairly elaborate) costume ready to go and was just looking for an excuse, because this is definitely the kind of crime that isn't helped by a series of high-profile murders.

MAD AND CRIMINAL SCIENTIST ROUND-UP 019

Science for all! Whether they want it or not! 

Doctor Ivan has been pursuing a scheme in which he is systematically taking out insurance policies on everyone he knows and then having them murdered, and he is extremely smug about it. Now, I'm no expert in insurance fraud, but I have to say that I am certain that it requires a bit more subtlety than that, even if you're doing it as a one-off. Forget the fact that the Flame shows up after the third murder; I would expect some raised eyebrows down at the insurance company after the second. (The Flame 003, 1940)

Dr Gung is an old associate of magical arch-criminal Elena, and is the one who saves her from execution after the Karoly Gore affair by means of some death-simulating drugs. 

Gung's main line of inquiry is the use of his signature ray to destroy men's minds and turn them into mindless robot soldiers, something that works perfectly well on regular guys sourced from the nearby populace but when tried on Mr Mystic goes badly enough that Dr Gung ends up shrunk to a few inches tall and then blown to smithereens along with his entire mansion. (The Spirit Section, 23 June 1940)

Ghantse is one of those mad scientists who talk a lot about their grand plans but don't actually get a chance to put them in motion, so it's a real mystery whether he actually would have been able to fuse several human brains together into a single entity who would "know all" like he claimed or not, but he sure was willing to try. Along the way, he made two major mistakes: 1) targeting Mr Mystic for brain extraction and 2) somehow ending up with the Shadowman, the literal embodiment of death, on his payroll, the latter being compounded by the fact that the Shadowman hates Ghantse's guts, and so not only releases Mr Mystic from his chemically-induced paralysis before Ghantse can extract his brain but also blows Ghantse's entire base to kingdom come. (The Spirit Section, 22 September, 1940)

Doctor Zorn, an eccentric roboticist living on Puerto Rico, is possibly the world record holder for escalation, as he manages to go from an argument about a late loan payment to unleashing his voice-controlled super robot (aka the Monster) to activating his lab's self-destruct mechanism in the space of about half an hour. 

Given that this is what he started shouting immediately after showing off his robot to a young woman, I do suspect that Doctor Zorn was primed for this kind of thing and was just looking for an excuse, like a man who has just bought a katana standing in his kitchen. (Thrilling Comics 005, 1940)