DIVINE ROUND-UP 010

Pad out your pantheon with some of these:

Death:

This version of Death may lack the social graces necessary to welcome Kardak the Mystic and his pal Lorna rather than attempt to murder them for entering his domain, but he does have a very good version of the classic "robed skeleton" look. And his house is charmingly coffin-themed, to boot! 

God Style: Anthropomorphic Personification (Top-Notch Comics 008, 1940)

Ramu, God of Fire: 

Ramu, God of Fire is another one of your deities created so that a group of "primitive savages" will have a reason to menace some "noble explorers" with the threat of being human sacrificed. Ramu at least is kind of fun because while he might have started out looking like the figure depicted on those red sacrificial poles, by the end of the comic this image has been supplanted by that of the miniature rocket ship that Minimidget and Ritty accidentally pilot into the middle of the ceremony.

God Style: Idol  (Amazing-Man Comics 010, 1940)

the Sacred Steam God:

The Sacred Steam God is worshipped by the Quadropel Men, who themselves are notable for living beneath the land of Aquatania, which itself lies below the Marquesas Islands. Worship of the Sacred Steam God of course involves human sacrifice, but erstwhile victim Terry is saved when Chuck Hardy topples the inexplicably-full-of-scalding-water idol onto the crows of spectators. 

God Style: Idol (Amazing-Man Comics 009, 1940)

Sakka: 

Sakka is, yes, another figure to whom some Noble White Explorers are almost sacrificed while making their way through the jungles of Matto Grosso in Brazil. Here's the difference, though: Sakka isn't just some idol, he's an ancestor spirit, and his name and his ancient sword are all that the big-eyed Earth-Men need to keep their faith strong and bloodthirsty, at least until adventurer Rocky Ryan picks up the sword and is acclaimed the second coming of Sakka, that is. 

God Style: Invoked (Big-Shot Comics 014, 1941) 

DIVINE ROUND-UP 005

Once again we add to the scriptures. 

the Shadowman: 

 

Like his predecessor/inspiration Yarko the Great, Mr Mystic also has a semi-friendly/ semi-adversarial relationship with the personification of death. In this case, Death is a guy in a cool suit with a half-cape, and he is called the Shadowman, presumably because of his perpetually-in shadow face.

The Shadowman's first couple of appearances cast him as a mysterious stranger who helps Mr Mystic in his battle against various evils (including scientist Ghantse, who the Shadowman seems to work for in his initial appearance). At this point the Shadowman is merely a mysterious man who has a miraculous ability to survive the most deadly of situations.

In the 17 November 1940 Spirit Section, Mr Mystic ventures into the Land of Mythology on a quest for the Ring of the Gods, which turns out to be held by Death. This version of Death is a traditional Grim Reaper style skeleton in a robe, and he swears vengeance on Mr Mystic for the theft of the ring. 

The Grim Reaper version of Death is never explicitly tied to the Shadowman, and it's possible that they were intended to be different in some fundamental way - different aspects of death, perhaps. The Whole Ring of the Gods incident is not brought up by the Shadowman the next time he meets Mr Mystic (1 December 1940), so Mystic might be off the hook for that. It's a bit of a moot point, however, as this installment of "Mr Mystic" is all about him saving the life of a little girl named Joan Barton, and it allows us to get more of a grip on the Shadowman's code: he objects to bot murder and life-saving interventions as equally disruptive to the natural order. Mr Mystic now has two threats from Death hanging over him. 

(this episode also establishes the deal with the Shadowman's shadowy face: if you look at it sans shadow, you die) 

The second-to-final Mr Mystic comic of the year (22 December 1940) features the Shadowman's revenge on Mystic: he is going to seduce/kill his fiance Elena.

While the Shadowman seems to have access to some sort of primordial seductive power relating to the inevitable entropic march toward the grave, he is not above employing cheap romantic comedy plot devices to drive a wedge between the lovers.

Death is the inevitable winner of the contest, of course, and Elena goes off with him to... the afterlife? His home? Are they married now or is she just dead? We shall never know, alas, though we will see the Shadowman again.

God Style: real anthropomorphic personification (The Spirit Section, 22 September, 1940)

Jwang Tyoy:

We don't get a lot of the teachings of Jwang Tyoy beyond the fact that he is the god of a South American "anti-civilization" cult. The focus of the comic is much more focused on the very off-model pterodactyls that the cult leader uses to do he bidding, and for good reason!

God Style: idol (Shadow Comics v1 004, 1940) 

Kutu: 

Kutu, aka Tuku, is possibly a moon god, definitely South American, and has the traditional jewel socketed into his idol for adventurers to steal and get into Big Trouble. 

God Style: idol (Comics Magazine 002, 1936)  

Nahapatan: 

Nahapatan, the Golden Idol, is housed in a hidden Aztec city, where it is the subject of active worship. Does this stop Professor Roberts, his nephew Tim and adventurer Ken Masters from barging in and stealing it to put in Robert's museum? It does not.

God Style: idol (Masked Marvel 001, 1940)

MINOR SUPER-VILLAIN 676: THE DEATH

(Miracle Comics 003, 1940)

A scientist/spy who is sabotaging diplomatic talks between the UK and South America by killing diplomats with fog-activated poisoned wallpaper, the Death, aka Jaeger, meets his end at the hands of Secret Agent K-7 and his assistant Yvonne. He's just the latest in a long line of villains with extremely metal names and not much else going on, except of course for the poisoned wallpaper.

MINOR SUPER-VILLAIN 557: DEATH

(Wonderworld Comics 003, 1939)

Like I said in the Devil's entry yesterday: Death and the Devil have teamed up as a sort of Yarko the Great Revenge Squad because Yarko saves so many live and souls, respectively. I also mentioned that Death did all of the legwork toward getting Yarko just where they wanted him, and here that is: Death kills a seemingly random London man then delivers him to the police, leaving only a calling card behind.

The discovery that the calling card's address was that of a cemetery is enough to convince Inspector Drake of Scotland Yard that this is a case for Yarko the Great, and... obviously Drake is right because even the most well-trained officer is going to have a hard time dealing with Death himself, but have some gumption, man. Try to track down where the card was printed or something before abdicating all responsibility.

Yarko makes his way to Death and the Devil's Limehouse lair, where he is promptly captured, put in a deathtrap, escapes and banishes the Devil back to the netherworld. Death takes more of a background role in this latter part of the adventure, but that's okay because he looks great - mostly quite cool but a bit sleazy too, because this ain't your regular Death, this is Bad Boy Death.

In the end, the Devil having been vanquished, Death just leaves. Yarko can't actually affect him, and there's even some hinting that the man in the car was not killed so much as dies naturally and was just used as bait, which implies that Death has no way of affecting someone who isn't about to die anyway. He does kill a reluctant henchman who refuses to go up against Yarko, but maybe he was about to die too - working for the Devil has to be a dangerous profession, right?

Death returns in Wonderworld Comics 008 after a Madame Punjai finds the creatively-named Golden Amulet, which compels his service. Punjai is obsessed with her lost youth and beauty and because of this commands Death to kill the young and beautiful Carla Dennis, a former passing acquaintance. This is done seemingly on a whim? There's no real exploration of Madame Punjai's plans, whether toward regaining her lost youth or revenging herself on the beautiful women of the world.

Yarko the Great of course becomes involved in these shenanigans and the more-hapless-than-evil Madame Punjai is tricked into trading her life for that of Carla's. Death is again cheesed off about this. BUT WHY IS HE? He's going to get basically everyone eventually, even in a comic book world with immortals and so forth. Why care? Is this a Discworld style Death who gets into human roles like hobbies? Maybe.