FASCIST GOON CLEARING HOUSE 015

If there's one thing I know it's that the world has a seemingly-inexhaustible supply of odious little fascist worms.

the All-American League:

The All-American League is nothing so exciting as your Nazi spies trying to poison the reservoir or prevent and/or encourage the US entrance into WWII. Instead, they are the more banal type of fascism that is popular nowadays, in which patriotism is weaponized as a way to enrich and empower a few petty men (yes, yes that's what the Axis was too but they killed a lot of people while doing it so we hold them in higher esteem). The Flame is more than a match for a collection of small-minded opportunists.

Please note that this is the one and only adventure in which the Flame is said to live in a place called Metropolis before someone presumably thought better of it, and that it features an ethnic neighbourhood with the hilariously on-the-nose name of "Foreign Town." (The Flame 007, 1941)

the Nazi Bund:

This is our second instance of a group called the Nazi Bund and as the other one occurred in Fantastic Comics I would be tempted to posit that it represents a rare connection between two Fox Features titles. Not a strong connection, as this particular branch is completely annihilated by the Green Mask, just as that other was by Samson. (Green Mask v1 005, 1941)

the Yellow-Jackets:

Though the Yellow-Jackets, the recurring foes of America's Air Ace Bill Barnes, are described as a kind of freelance band of international bandit spies, in practice they are just another bunch of Nazis-by-another-name. It's a good name, though. Menacing. (Shadow Comics v1 002, 1940)

Unnamed Saboteurs:

This band of Nazi saboteurs are not the most distinguished but also not the least. Their big plan involves starting a forest fire outside of the war production centre of Brownstown and then burning down the town itself while everyone is out fighting the first blaze. Not a bad plan, if doomed to failure because of the presence of human fire extinguisher Fire-Man, but what really sets these guys apart is their weird cloth masks that sport one big central lens to see out of. These are not given any sort of narrative justification, so one must presume that they are worn solely to look cool. (Man of War Comics 001, 1941)

CATALOGUE OF WOUNDS 013

If I see a wound, I catalogue it.

Camilla, Queen of the Lost Empire:

Shot in the back with an arrow. (Jungle Comics 019, 1941)

Captain Flag:

Nearly dies of the Black Hand's horrible hand disease. (Blue Ribbon Comics 016, 1941)

the Cat-Man:

Stabbed in the chest, to death (he gets better). (Crash Comics Adventures 004, 1940)

Killed by a blood-freezing ray. He gets better again. (Crash Comics Adventures 005, 1940)

Dynamo:

Dynamo gets his skull creased by a bullet in the classic fashion. (Science Comics 005, 1940)

the Green Mask:

Michael Shelby is shot in the chest, prompting pal Professor Lascomb to stick him in the machine that turns him into the Green Mask. (Green Mask v1 001 1940)

Domino the Miracle Boy:

Later in the same issue, the boy known only as Don gets seriously exploded and must also be placed in the machine. (Green Mask v1 001, 1940)

Kaänga: 

Not even being an off-brand Tarzan can save you from being shot in the left shoulder,, as Kaänga learns here. (Jungle Comics 010, 1940)

the Mask:

District Attorney Colby is blinded by acid as part of his journey to becoming the Mask. (Exciting Comics 001, 1940)

Tabu, Wizard of the Jungle:

Tabu is shot in the right shoulder by this jerk. (Jungle Comics 019, 1941)

Just one issue later, Tabu is speared in the right arm by a different jerk. (Jungle Comics 020, 1941)

ALIENS AND SO FORTH ROUND-UP 052

The aliens are very humanoid today. I hope that they are to your liking.

Cavemen:

There's no real explanation of why these cavemen are just chilling out in a cavern not a day's walk from an inhabited region of Africa, along with assorted mammoths and sabretooth tigers. They're just what Fantomah finds when she follows a river to its source to see why it has been contaminated and is killing those who drink from it. The answer: the cavemen killed a mammoth and just kind of lift it to rot in the water. Unusually, all of these prehistoric remnants are still there when Fantomah leaves, rather than being buried in a cave-in or exploded by a volcano as so frequently happens. (Jungle Comics 022, 1941)

Martians:

These very human-looking Martians at least have the good grace to have a weird history, as explained to Earthling Flint Baker: Hundreds of years earlier the Martian government had enacted a draconian Tough on Crime approach and thrown all of their criminals into an underground pit known as the Shaft of Death. However, due to a perpetual high wind rising from the depths, the Shaft of Death was actually a weird area of neutral buoyancy, allowing the criminals and their descendants to form an entire civilization that floats in midair.

Perhaps the most remarkable thing about this history is that the surface-dwelling Martians have no idea of what their ancestors did, and ignore Flint's warnings about an impending invasion from sub-Mars until it's  too late and the drilling machines are on their front doorsteps. Worry not, for everything works out in the end. The sub-Martians are defeated and the subjected to brain treatments to remove their "criminal tendencies" proving that while the surface Martians might have forgotten their history, they are still very much willing to go to moral extremes in the eradication of Crime. (Planet Comics 009, 1940)

Martians: 

These similarly-humanoid Martians from the same issue are much more straightforward evil conquerors out to hijack Uranus from its rightful human colonists. (Planet Comics 009, 1940)

Martians:

Finally, we have these still-humanoid-but-just-barely Martians encountered by junior space traveller Mitey Powers. These guys made me really excited when I saw them, as they represent a specific vision of what life on Mars might have looked like but which I frustratingly cannot find an image of due to the state of online image searching right now. 

Essentially, this Martian represents a speculative evolution of humanity as it would look it it evolved on Mars, with huge lungs and ears thanks to the thin atmosphere, spindly limbs due to lower gravity, big flat feet to navigate the loose sandy surface, etc (one of the reasons I wanted to find another example of this is that there are justifications for the trunk and telescopic eyes but I can't remember them). Very exciting to see these guys walking around and having a society rather than just standing around as an example of their anatomy.

Speaking of their society, here are a couple of bonus tidbits: these Martians learn in their sleep (but must sleep sitting up due to their bulbous upper torsos) and play Blitzball from Final Fantasy X. (Superworld Comics 002, 1940) 

MEDIA IN COMICS 010

Is the media in comics any good, do you think? Do super-heroes get to watch good movies?

Movies:

Arizona Nights is a Western being produced by King Studios when a climactic gunfight scene is used as cover for a real-life murder. Detective Sergeant Carey clears up the mystery (it was the cameraman) but we never learn if the footage of a man dying in real life was used for the added verisimilitude. (More Fun Comics 052, 1940)

Call of the North, a Mounted Police picture by Pioneer Films, is not marred by murder, but if the Quality Universe IMDb userbase is on the ball the trivia section for the movie includes the fact that several of the mountie actors were used as backup by RCMP Sergeant Reynolds in the apprehension of a kidnapper. (Feature Comics 037, 1940)

Dread Castle has a place in comic book history as the film that drove Basil Karlo over the edge and into the persona of Clayface, as he saw the attempt to remake a movie that he saw as one of his greatest roles as an insult to him personally. Both Dread Castles are medieval films about a murderous hunchback called the Terror - not a terribly exciting prospect without the excitement of all the real-life murder that went on during production of the second one. (Detective Comics v1 040, 1940)

The other Basil Karlo role that we learn about in his initial appearance is the one that he takes his criminal moniker and appearance from, a movie seemingly also called Clayface. (Detective Comics v1 040, 1940)

Music:

Is "Star Dust" Clark Kent's favourite song as he claims it is while big-dogging this club maître d'? I sure hope so. No idea what kind of song it is, but you can slow dance to it. (Superman Comics v1 007, 1940)

Newspaper Columns:

"Town Talk" is the kind of snotty gossip column that inspired a thousand murder mystery plots. In this case, columnist Walt Willard turns up dead and Steel Sterling has to comb through the wealth of suspects to figure out whodunnit. (Jackpot Comics 004, 1941)

"Around the Town with Joe E. Brown" is your standard gossip column-as-exposition-vector, though why the writer has the same name as an old-time film comedian is unknown to me. (Special Edition Comics 001, 1940)

Paul Pryer, writer of the imaginatively-titled "Paul Pryer's Column" is one of those comic book celebrities who I am certain is based on a real person, but whether it's just someone like Walt Winchell or there's a Paul Prowler out there just waiting for me to learn about him is up to chance. (All-Star Comics 003, 1940) 

Meanwhile: "Society," the most pragmatically-named society column of all time. (Batman Comics v1 001, 1940)

We don't get to actually see "Tom Peeping's Column" in this Minute Movies strip, but I like to imagine that it features a cheeky little cartoon of the writer with big binoculars at the top. (Flash Comics 004, 1940)

Newsreels:

I don't know enough about newsreels to know if they normally had titles, but the Ace Films company is trying to capitalize on their beautiful camerawoman "Dot Daring," aka Beautia Sivana and so chooses to call this one Flirting with Death. (Whiz Comics 010, 1940)

CATALOGUE OF WOUNDS 012

If I keep at this long enough then we will find the super-hero with the most comically-long list of wounds sustained in the course of their adventures. Currently in the lead: the Green Mask! Unless we're talking about head traumas, in which case I must direct your gaze to the Blue Beetle.

Domino the Miracle Boy:

Shot in the right shoulder by Dr Moru while heroically leaping in front of a gun to save the Green Mask. (Mystery Men Comics 029, 1941)

the Green Mask:

Slashed on the left side of his head by the Manx's weird wrist-claw. (Mystery Men Comics 026, 1941)

Mr Justice:

Mr Justice is a ghost-type super-hero, so his origin involves a gruesome death, in this case being hacked to pieces by some historically-questionable Englishmen. (Blue Ribbon Comics 009, 1941)

It's not quite as universal a trait, but Mr Justice also maintains a human form for times when he is not engaging in super-heroics, and since he's already dead it doesn't matter how often he sustains mortal wounds, such as this instance of him being riddled with bullets. (Blue Ribbon Comics 009, 1941)

Or here, when he is fatally blasted by a beam. (Blue Ribbon Comics 010, 1941)

(and again a few minutes later)

Or just plain shot in the head. It's just a shortcut to the emergence of Mr Justice from his mortal shell. (Jackpot Comics 002, 1941) 

Sergeant Spook: 

And speaking of ghostly super-heroes and their fatal origins, here's Sergeant Spook blowing himself up with his poor lab safety. (Blue Bolt v1 001, 1940)

Simba:

Simba, newly-reformed nemesis of Dick Cole, gets his skull creased with a bullet by Dr Karno (Blue Bolt v2 006, 1941)

Sub-Zero:

Sub-Zero also gets his skull creased, but since he's so cold he's bulletproof Professor X has to use a white-hot bullet to do it. (Blue Bolt Comics v1 005, 1940)

the Wraith: 

Finally we have the Wraith, who becomes a ghost thanks to being riddled with bullets during a drive-by.  (Mystery Men Comics 027, 1941)