REAL PERSON ROUND-UP 027

Real people? In comic books? Now I've seen everything.

Abu Khan:

I sincerely cannot tell if this Black Knight foe is supposed to be Abu Sa'id Bahadur Khan, last ruler of the Mongol Ilkhanate, or if they just pulled a couple of syllables out of the air and added "Khan" to the end and called it a day. On the one hand, the real Abu Khan never tried to invade Egypt, as the Black Knight is trying to prevent him from doing, but on the other he is from about the right time to be a Black Knight character, i.e., within about two hundred years of all the other elements of the comic. (The Funnies 059, 1941)

Adolf Hitler:

Pays for the services of super-villain the Artist to facilitate the invasion of Tomania with his soul-stealing powers. (Jackpot Comics 004, 1941)

Al Capone:

"Scar Lapone," used as a generic gangster name. (Green Mask v1 005, 1941)

Jean Lafitte:

A false vision of Lafitte is summoned by a fake medium. (Green Mask v1 007, 1941)

Napoleon Bonaparte:

Viewed through a time machine's viewscreen by the Black Hood. (Jackpot Comics 003, 1941)

Nero:

Kim Hale and the Purple Zombie, blasted back in time, are condemned to death by Emperor Nero for telling him about things that he hadn't heard of before. (Reg'lar Fellers Heroic Comics 008, 1941)

Though the duo make it out of the gladiatorial arena okay, they almost get caught up in the Great Fire of Rome before being shunted to another time zone by their allies. Unusually, Nero is not shown fiddling at all. (Reg'lar Fellers Heroic Comics 009, 1941)

Nero, or at least his ghost, appears in a very different form after being summoned by the would-be necromancer Ford. Is this barbaric Nero a reflection of how the Emperor saw himself, or did the artist just kind of wing it? (Jackpot Comics 003, 1941)

Paul Revere:

Minor comic book protagonist Paul Revere Jr is awfully smug for someone who just has the name of a famous patriot, and that goes double for his friends Betsy Ross and Patrick Henry.

His father Paul Revere Sr is at least out there writing a column called "America, Awake!" and putting himself in the crosshairs of local fascists. (Banner Comics 003, 1941)

Sherlock Holmes:

Yet another comedy Holmes analog with a terrible if intriguing name. Foreclose is just close enough to a play on Sherlock to be particularly maddening. Featuring: a Watson analog named Batsin Belfry. (Great Comics 001, 1941)

Walter Winchell:

He only appears as a corpse, but gossip columnist Walt Willard is a clear play on Walt Winchell. (Jackpot Comics 004, 1941)

MINOR SUPER-VILLAIN 980: THE WERE-WOLF

(Four Favorites 001, 1941)

Lash Lightning is one of those characters who is so very powerful that he outclasses all regular human opposition, barring some extraordinary circumstance. That's why a movie-style, immune-to-all-harm werewolf is a perfect foil for him!

The story of the Were-Wolf begins c.1921 (or possibly 1911 - accounts vary!), when Sumter Military Academy student Adolph Krimetz, sick of being bullied and nicknamed "Wolf" because of his unusual appearance, attacks a fellow student and accidentally kills him. Fearing official reprisals, Krimetz flees into the wilderness, where he remains for the next twenty (or thirty!) years. 

Eventually, Krimetz decides to get revenge on the men who bullied him at school, as he blames them for his exile from society. He is emboldened in his quest by the fact that at some point in the intervening years he discovered that his childhood nickname was ironically close to the truth, because he is in fact an actual werewolf!

Krimetz's particular style of lycanthropy is worth noting here: he transforms into something approaching a fully canine form, but only in his upper body, meaning that he technically remains humanoid. It's a wild look, particularly when paired with his homemade fur kilt and footwraps. As the Were-Wolf, Krimetz is super strong, able to travel long distances in a series of super-jumps and is completely immune to all harm - presumably excepting harm caused by silver, but this is never really brought up.

Starting with his old classmates Generals Andrews and Johnson (and Johnson's daughter Joan, filling the role of damsel in distress), Krimetz proceeds to kidnap at least sixteen people. Like fellow revenge-seeker the Master, he seems to be compelled to assemble all of his potential victims before killing any of them, and like the Master this ultimately backfires on him. Krimetz, at least, has a motive beyond revenge for doing so, as he plans on torturing military secrets out of his enemies so that he can sell them to the highest bidder.

Before doing any of that, however, Krimetz sets out to destroy Sumter Military Academy, the scene of his childhood humiliations. Since he has captured Lash Lightning and is thus leaving him alone with all of his prisoners, this is effectively a recipe for their escape. Having freed everyone, Lash rushes off to prevent the bombing.

While Lash might be incapable of harming the Were-Wolf, it turns out that a big old lightning bolt can compel him to turn back into a human, and a human is very vulnerable to, for instance, being punched headlong onto a barrel of TNT and exploding.

REVENGE KILLER SCORE: either 0/16 or 0/216+ if we're including all of the military school kids he also failed to murder.

BUT WAIT:

Even though the Were-Wolf is clearly exploded at the end of his first appearance, he does not in fact die. He returns in Four Favorites 002, still obsessed with revenge but directed against the US military in general, rather than the specific people and institutions who harmed him in his youth. To that end, he derails a troop train that is travelling across the Midwest, and goes on to attempt similar acts against an army convoy and some troop-transporting aircraft

A lot of the dramatic focus of this issue is taken up by the plight of Old Mike Jasper, the railway switchman who Krimetz frames for the derailment and who is almost convicted for the crime a mere one day later despite the fact that a) the case against him is extremely circumstantial and b) much of it is based around a general skepticism of his claim that a werewolf did it, never mind that a werewolf just kidnapped more than a dozen high-level army officers and is currently out there sabotaging military transports. Old Mike has a terrible lawyer, is what I'm implying.

Krimetz is jailed for the mass murdering, but he will return for a further two appearances in 1942! 

MINOR SUPER-VILLAIN 979: PROFESSOR OCTOPUS

(Four Favorites 001, 1941)

Professor Octopus was honestly due for a trip to the next Problematic Update, but that is a place for characters who I feel should be acknowledged but who I don't want to talk about too much. Who could resist talking about a guy like Professor Octopus, even if he is a weird sinister Asian spy caricature?

Prof Octopus comes to the attention of Magno when his men round up Magno's sidekick Davey for defending a too-inquisitive reporter named Ferren from their tender attentions. He cuts quite a figure, with his seven-foot frame, four arms, claws and fangs (plus a really innovative choice of clothing - seldom do you see the multi-armed go with Big Sleeve rather than a more intensive but presumably less accommodating tailoring choice). Sadly, this is all mere window dressing that serves to make him an example of the evil Asian = inhuman monster trope. The "Octopus" part of his name might as well refer to the fact that he operates out of a submarine as that he has six limbs, for all that he uses them.

Octopus is also quite easily defeated in his two major interactions with Magno and Davey, first by a mere chair to the dome while he is strangling Ferren (and note that he is using all four arms to do it in the only exception to my earlier complaint) and then by the two of them despite his big sword (that he only uses two hands to wield - why not add a couple of shields or some daggers to that loadout?) that is of course magnetic and thus easily countered.

Though Professor Octopus' submarine ends up on the bottom of the ocean, the man himself escapes to fight another day, only not really because as far as I can determine this is his only appearance. Still, better to survive an encounter with a super-hero and then fade into obscurity than die in a sinking submarine, as I always say.

This is the second octopus-themed villain to face Magno - will there be another?

Categorized in: Animals (Octopodes), Ideologies (Pseudo-Japanese Fascists), Powers (Extra Limbs)

MINOR SUPER-HERO ROUND-UP 098

We've got no time for major super-heroes around here. We're too busy with the minor ones.

the Black Ace:

The Black Ace, aka Captain McRae, is yet another American pilot serving in the RAF in advance of the US entrance into WWII. As such, he is not only a highly accomplished pilot and bombardier but fully versed in the arts of prison escape, hand-to-hand combat, impersonating German soldiers and leaping from plane to plane in mid-flight. (Four Favorites 002, 1941)

Categorized in: Activities (Cards), Colours (Black), Team Memberships (RAF)

Phantasmo **Update**:

The thing about Phantasmo is that he does all of his super-heroing while in his super-huge astral form, and I guess that I had somehow gotten the impression that most of his powers were tied to that form, because I while reading his 1941 run of adventures I kept being surprised when he would do something like heal an old man (The Funnies 052) or kill a bunch of guys with a giant fish while in Phil Anson form (The Funnies 051). 

I guess it's pretty convenient to have the option of being an invulnerable giant but that getting your mortal hands dirty lends a certain thrill to the crimefighting - that's probably why he tolerates the poor standard of care that he gets from Whizzer McGee as he guards the unconscious Anson-body, hey?

In The Funnies 061, Phantasmo and Whizzer witness the murder of a crooked FBI filing clerk named Ted Bart and, partially because they are touched by his dying confession ("I only blackmailed a gang boss-turned politician to help my sister, honest!") and partially due to this desire for more action in his life (life as an FBI filing clerk v. action packed), Phantasmo takes over his identity. The series ends before this development pays off beyond giving Phantasmo a few crime leads, but it's still an interesting turn for the character to take.

Whizzer McGee:

Phantasmo's young friend Whizzer McGee does not really qualify as a sidekick most if the time. He's more of an employee, really, who watches over Phil Anson's unconscious body while his mind is out terrorizing criminals. And he's not even good at it! Whizzer and the body are always getting into scrapes because of Whizzer's incompetence (and also because Phil is very bad at picking a convenient place to leave his mortal coil, in all fairness).

Despite this, Phantasmo gives Whizzer McGee the opportunity to be a real-deal super-powered guy when he has to go out of town for a few days, in the form of an amulet that gives him invulnerability and super strength. I can only assume that Phil was worried that Whizzer would immediately walk out into traffic if someone wasn't around to tell him not to and was trying to bump up the likelihood of his survival a bit.  

Whizzer screws it all up of course - not only does he lose the amulet by trying to capture a smuggling gang single-handed, but he spills Phantasmo's secrets - including his secret identity and home address! - to the gang boss after he does a low-effort impression of an FBI agent. Surprisingly, this leads to absolutely no consequences going forward: Whizzer keeps his job, the amulet doesn't end up in the wrong hands... it's not even a factor in Phantasmo changing secret identities. (The Funnies 056, 1941)

Categorized in: Accessories (Amulets), Origins (Sidekicks)

the Black Knight **Update**:

In our initial look at the Black Knight, we spent a lot of time trying to nail down exactly when the series is supposed to take place, and we are not backing down from that challenge. We have determined that he lived in at least the early 12th Century CE, which the presence of Canterbury Cathedral (looking much as it does today, a form it took after being rebuilt and refurbished in the 11th and 12th Centuries) supports. This is comforting! All of our hard work paid off! Hold on to that feeling for a little while.

The firmly 12th Century Black Knight's 1941 adventures continue much as they had in 1940: the Black Knight travels the land slaying villains in the name of Good King Victor. Things get a bit less episodic with the introduction of a mysterious ring that the Knight is given by the King in The Funnies 053, that is then revealed to contain some mysterious drugs in issue 054.

The Funnies 053 also introduces Peter, an archer who begins travelling with the Black Knight after helping him slay some bandits. He's very serious about being a sidekick, is Peter.

So we have: a reasonably firm grasp on the time period, an ongoing plot hook and a new friend. All of which is dumped in the trash as of The Funnies 055-056, when Good King Victor falls victim to an illness with only one known cure, a drug that is only available in Egypt.

The ring is completely forgotten until the Black Knight need to escape a prison guard and the mysterious drugs turn out to be knockout drops. Peter is technically still around to the end, but he and the other members of the Black Knight's party are all dressed like desert nomads and usually end up tagging behind him on camelback rather than actually participating in the story. As for the 12th Century... the artist's vision of what Medieval North Africa looked like was not quite as precisely calibrated as it was for Medieval England, and so we start getting things like hookahs (15th-16th Century and even then in India) almost immediately.

The transition to Egypt does come with a pretty good alternate costume unlock for the Black Knight, though there are also some weird Jesus overtones. (The Funnies 059)

The Black Knight's plan to get the drug involves appealing directly to the Queen of Egypt for aid, which is appropriate, as she is from the same lineage of fictional monarchs as Good King Victor. In actuality, Egypt was in the hands of a series of Muslim dynasties from the 650s through to the 1500s when the Ottomans took it. The plotters above, meanwhile, are all from Sudan, which was Nubian-controlled and matrilineal at the time, so the misogyny is weird.

Once the Queen actually shows up (The Funnies 061) it is pretty clear that she is based on Cleopatra (died 30 BC), which is fine. One huge anachronism is much easier to deal with than a million mild ones, after all. The Black Knight is clearly set in an alternate timeline or a human zoo built by aliens with poor research skills.

Finally, the Egyptian odyssey introduces a love interest for the Black Knight in the form of a Persian (?) woman named Zellah who he rescues from a harem in The Funnies 057. There isn't too much to this relationship - it's just kind of nice. The Black Knight does get this sick scorpion amulet from her, but it's just before she and the Queen of Egypt are kidnapped in a cliffhanger ending that is never resolved, so overall, it's a bummer.