MEDIA IN COMICS 010

Is the media in comics any good, do you think? Do super-heroes get to watch good movies?

Movies:

Arizona Nights is a Western being produced by King Studios when a climactic gunfight scene is used as cover for a real-life murder. Detective Sergeant Carey clears up the mystery (it was the cameraman) but we never learn if the footage of a man dying in real life was used for the added verisimilitude. (More Fun Comics 052, 1940)

Call of the North, a Mounted Police picture by Pioneer Films, is not marred by murder, but if the Quality Universe IMDb userbase is on the ball the trivia section for the movie includes the fact that several of the mountie actors were used as backup by RCMP Sergeant Reynolds in the apprehension of a kidnapper. (Feature Comics 037, 1940)

Dread Castle has a place in comic book history as the film that drove Basil Karlo over the edge and into the persona of Clayface, as he saw the attempt to remake a movie that he saw as one of his greatest roles as an insult to him personally. Both Dread Castles are medieval films about a murderous hunchback called the Terror - not a terribly exciting prospect without the excitement of all the real-life murder that went on during production of the second one. (Detective Comics v1 040, 1940)

The other Basil Karlo role that we learn about in his initial appearance is the one that he takes his criminal moniker and appearance from, a movie seemingly also called Clayface. (Detective Comics v1 040, 1940)

Music:

Is "Star Dust" Clark Kent's favourite song as he claims it is while big-dogging this club maître d'? I sure hope so. No idea what kind of song it is, but you can slow dance to it. (Superman Comics v1 007, 1940)

Newspaper Columns:

"Town Talk" is the kind of snotty gossip column that inspired a thousand murder mystery plots. In this case, columnist Walt Willard turns up dead and Steel Sterling has to comb through the wealth of suspects to figure out whodunnit. (Jackpot Comics 004, 1941)

"Around the Town with Joe E. Brown" is your standard gossip column-as-exposition-vector, though why the writer has the same name as an old-time film comedian is unknown to me. (Special Edition Comics 001, 1940)

Paul Pryer, writer of the imaginatively-titled "Paul Pryer's Column" is one of those comic book celebrities who I am certain is based on a real person, but whether it's just someone like Walt Winchell or there's a Paul Prowler out there just waiting for me to learn about him is up to chance. (All-Star Comics 003, 1940) 

Meanwhile: "Society," the most pragmatically-named society column of all time. (Batman Comics v1 001, 1940)

We don't get to actually see "Tom Peeping's Column" in this Minute Movies strip, but I like to imagine that it features a cheeky little cartoon of the writer with big binoculars at the top. (Flash Comics 004, 1940)

Newsreels:

I don't know enough about newsreels to know if they normally had titles, but the Ace Films company is trying to capitalize on their beautiful camerawoman "Dot Daring," aka Beautia Sivana and so chooses to call this one Flirting with Death. (Whiz Comics 010, 1940)

MEDIA IN COMICS 008

We're not out of the extremely crusty scan woods yet, but the media of comics must be recorded, folks. Hang in there.

Books:

When Diamond Jack defeats his early foe the Witch and transforms her book of magic into 1000 Ways to Cook Spinach, there is one big unanswered question: did this spinach cookbook already exist or did his ring magically compile 1000 recipes on its own? (Slam-Bang Comics 001, 1940)

Early Batman foe the Wolf, meanwhile, got his start after suffering a head trauma and fixating on the crime thriller he was reading, titled The Crime Master. (Batman Comics v1 002, 1940)

Human Knowledge, a book compiled by the sinister Professor Universe that contains "every fact known to man" is used by Slaughter Slade to imbue his assistant Dr Allirog with the mind of a human genius. (Special Edition Comics 001, 1940)

Usually when you hear about a reclusive scholar writing a book about how "sinister persons or forces plan to deliberately stave off the return of national prosperity" you're in for some paranoid fascist rantings, but in this case it's the early 40s, so the sinister forces discussed in Prosperity's Foe *are* the fascists. (Superman Comics 004, 1940)

Wretched Marine character Strut Warren attempts to peddle a book called The Jolly Homemakers' Manual around Bali in an attempt to win a prize, a typically tiresome adventure for the character. (Fight Comics 016, 1941)

When a mysterious virus called the Purple Plague starts ravaging Metropolis, Clark Kent and his pal Professor Henry Travers his the library to research a historical instance of the same disease, in a book also called The Purple Plague. It turns out that the Ultra Humanite had also checked out the same book and that it had given him the idea to unleash the modern plague in imitation of the original. (Action Comics v1 019, 1939)

Movies:

Air Circus is a airplane stunt-heavy film that is plagued by accidents while filming until pilot Gary Hawkes gets involved and exposes the scheming director's plot to scuttle the production and then turn a quick buck by buying up the incomplete footage. (More Fun Comics 039, 1939)

Its the same old story: a film called The General's Daughter shoots some scenes at the Army installation where Skip Schuyler works, there's a series of incidents and then Skip has to save the day. Not too sure what the movie is supposed to be about. (Adventure Comics 043, 1939)

It may be the crustiest and crunchiest lowest quality scan here, but Public Enemy #13 is a pretty fun name for a movie and I think that that makes up for it, at least a little. (More Fun Comics 040, 1939)

Newspaper Columns:

"Around the Avenue" is one of those old-school society gossip columns that they used to have in papers, and while Rennie McCavoy here is playing into Wesley Dodds' hands by writing him up as a wild party dude/ potential victim for the story's villain, it's hard to respect the journalistic effort involved in seeing a guy being quietly drunk at a nightclub and pouncing on him like this. (Adventure Comics 044, 1939)

DIVINE ROUND-UP 025

Gods gods gods. 

Puni, God of Fire: 

Sea-faring adventurer Lance O'Casey almost gets sacrificed to this fire god by the cannibalistic inhabitants of a tropical Antarctic island before escaping, entering the volcano in question and meeting the other Puni. Not sure how much the volcano-dwelling madman and the actual religion influenced each other, but it must have been at least a little. Also: cool idol.

God Style: Idol (Whiz Comics 019, 1941) 

the War God:

This War God idol functions like one of those hollow dog statues you see at grocery stores, that you put your change in to help raise money for people to get seeing eye dogs (and if that's not a thing where you live then sorry for the unrelatable analogy), only the money is meant to go to the defense of China against Japanese invasion, and instead of a dog it is a sick-ass god-monster. It's never entirely clear if this is supposed to be a representation of an actual god or just a marketing gimmick.

God Style: Idol (More Fun Comics 059, 1940)

 Wotan:

As was established when he beat up Mars that one time, Merlin the Magician hates war, and seeing as he has a magic cloak and a can-do attitude he sets out to do something about it. His first step is to go back in time and save a couple of young Ancient Britons from being human sacrificed by some Druids. What does this have to do with ending war? No idea, but then again I don't have a magic cloak so my perspective might just be too mundane to comprehend the intricacies.

Having reviewed the plan, I must conclude that Merlin just needed a couple of people with no ties who would be grateful enough to him to do whatever he wanted and that Druidic sacrifices were his first thought. Specifically, he asks these young folk to act as peace ambassadors to an unnamed fascist nation in order to undermine the efforts of the war god Wotan, who has been roaming the Earth inciting men to war.

(It would have been quite thematically satisfying if the two young people had been rescued from being sacrificed to Wotan, and while that might have implicitly been the intent, it's just not there on the page) 

The young people are somewhat successful, in that they are immediately killed by a similarly young and idealistic pair of enemy soldiers (and what a progressive fascist nation, to field female soldiers in 1941!) who then become overwhelmed with remorse and swear of war forever, at which point Merlin appears and restores his agents to life - an effective but painful strategy, it seems.

All this talk of pacifism and understanding between nations draws the ire of Wotan himself, who shows up to kill Merlin and ends up on the end of a killing sword-blow from the magician, making the current score Gods: 0 Merlin the Magician: 4.

God Style: Real (National Comics 011, 1941)

Death: 

This version of Death is bound to obey an artifact known as the Sceptre of Eternity, and as such has been commanded to replace the lost daughter of a guy called the Sheik of Kamroon in the 12th Century, and as such has made off with a present-day woman named Betty Jekil. I'm pretty sure that this was a calculated move, as Betty's father turns to super-magician El Carim for help, which ultimately results in El Carim trading the Sceptre of Eternity for Betty's life, which is a pretty good deal for Death.

God Style: Anthropomorphic Personification (Master Comics 019, 1941)

FASCIST GOON CLEARING HOUSE 001

There are various groups of fascist goons in comics and doing an individual entry for each bunch would be a slog, so it's time for another grouping of jerks!

The Yellowshirts here put in a better showing than most and almost manage to take over NYC before they get beaten down by the Patriot. (Human Torch v1 004, 1941)

Do the Brown Hoods sound kind of like how the Mafia was described in the 30s? Yes. Is that going to stop me from including them here? No. (More Fun Comics 036, 1938)

The Yellow Battalion are most notable for their fancy hats, as they end up getting the tar beat out of them in roughly three panels by Red, White and Blue... (All American 005, 1939)

... who also obliterate the slightly-more-organized Black Cross a couple of issues later (All American 008, 1939)

MINOR SUPER -VILLAIN 103: THE BAT

(More Fun Comics 055, 1940)

An economics professor who dresses in a bat-winged robe and injects college students with experimental "artificial blood" while they sleep, the Bat is probably more the story of a man's mental breakdown than a super-villain.

MINOR SUPER-VILLAIN 042: THE GORILLA

(More Fun 048, 1939)

A man has a mental health crisis and starts living in a swamp, emerging only to mug strangers. That's a sad story! Put a gorilla costume on him though... a compelling villain!