MINOR SUPER-VILLAIN 609 UPDATE: LUCIFER

When we covered the Fourth Dimensional being called Lucifer, who might be the for-real Devil (if the Fourth Dimension is also the afterlife) and might just be a big weirdo (if it isn't), I said that we would see him again. Well here he is!

Flip Falcon next encounters Lucifer after he takes a woman named Nora into the Fourth Dimension in order to heal her face, which was scarred with acid by a vindictive man. This is a noble quest, but it once again raises the question of just how all these regular people are accessing accurate information about the properties of the Fourth Dimension, e.g., that it contains "a purifying element which restores the marred"? It's not Flip, as he never seems to know about these things when people tell him about them. Then who? Is Flip's assistant Peg publishing 4D guidebooks on the sly?

Regardless of where she got it, Nora's information was sound and her face is cured almost immediately upon entering Flip's dimensional portal. And just as soon as she is healed, Lucifer swoops in and kidnaps her in order to turn her into a giant woman with "my mind" as he puts it, and whether this is meant literally or if it's just a way of saying that she will have his moral outlook is tough to say. Either way, it's a real wild insight into Lucifer's psychology and sense of the romantic.

We never do get to meet Lucifer's ideal woman, as Flip Falcon simply zips in to interrupt the process and then sneaks out the back door. It is, all in all, an embarrassing episode for the (possible) arch-devil. (Fantastic Comics 015, 1941)

This humiliating defeat possibly explains why Lucifer's next appearance involves him returning to his roots with an attempt to wipe out humanity. Specifically (vaguely?) he is forcing "elements of dimension space" into our atmosphere, to disastrous effect.

 Unfortunately for Lucifer, Flip Falcon has a new trick since he last foiled this specific plan by this specific guy, and so rather than employing his trail of pan-dimensional energy to merely immobilize his foe, he instead annihilates him utterly. What the destruction of the Great Adversary might mean to the faithful is not explored. (Fantastic Comics 020, 1941)

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We've met a few of them in the past, but here's another dose of the inhabitants of the Fourth Dimension, as explored by Flip Falcon.

Zezo:

Zezo works for the Fourth Dimensional villain Lucifer as a guardian. We don't learn too much about this fellow - is he a one-off or representative of a whole species, for example - but I like his moxie and his big teeth. (Fantastic Comics 015, 1941)

Koggo:

Koggo is an even more mysterious fellow than Zezo, given that he is more obviously the product of a civilization of some sort: he has clothing and weapons and hypodermics full of Agony Serum, and also a conceptual framework that allows him to believe that human pilots are somehow trying to invade the Fourth Dimension. This leads him to kill and kidnap several of them until he is stopped when he is exploded by Flip Falcon. (Fantastic Comics 018, 1941)

Fourth Dimensional Dragons: 

Fourth Dimensional dragons have a body plan that is a variation of the modern fantasy concept of the wyvern, with wings and front limbs appended to a long serpentine body. It's unclear just how intelligent they are: Robbo here acts like an animal, but he also has a name. (Fantastic Comics 015, 1941)

Serpo (Poison Dragon of the Elements) also has a name, but given his seeming status as more of a natural disaster than an inhabitant of the Fourth Dimension, that might just be equivalent to when we name hurricanes. Intriguingly, Serpo is able to cross the dimensional boundaries under his own power.

Serpo comes to the attention of Flip Falcon after he abducts a woman from Earth and learns too late that he is susceptible to being exploded. (Fantastic Comics 016, 1941)

Demi-Things:

Any time you talk about Flip Falcon and the Fourth Dimension, you're going to get Demi-Things coming up. The first time this occurs is when Gogo, Master of the Demi-Things attempts to abduct the same woman who had already been snatched by Serpo. And just like Serpo, Gogo is unprepared for the explosive power of Flip's dimensional energy. (Fantastic Comics 016, 1941) 

The death of Gogo opens the way for Kandor to become Lord of the Demi-Things, and while we have no indication of whether he is a more benevolent ruler than his predecessor, he certainly is aware of the fact that he rules at Flip Falcon's whim. Or perhaps they really are friends, who knows. (Fantastic Comics 018, 1941)

Finally, we have Zorka, the Giant Demi-Thing. Zorka guards a region of the Fourth Dimension containing the element "acco-nito." Why? This is not explained - perhaps it's just a classic case of treasure-hoarding. In any case, Flip needs so acco-nito to save a woman's life, so Zorka gets exploded.(Fantastic Comics 019, 1941)

Octopus Men:

Strictly speaking, the Octopus Men are not Fourth Dimensional beings, instead, they are the inhabitants of the wandering planet Octo, which up and wanders straight through the dimensional barrier one day and allows the Octopus Men to start beating ten kinds of hell out of the Demi-Things.

Despite this, the Octopus Men prove just as vulnerable to being exploded as all of Flip's other enemies, which he discovers after intervening to prevent the conquered Demi-Things from being impressed into a life of space piracy by the Octopus Men's boss, a human man named Otho. Just how he came to be on an extrasolar planet in the first place, let alone in charge of the place, is left unexplored, but since Flip drags him back to Earth to stand trial we must assume that that's where he started out. I have no idea what Flip thinks that the charges might be, by the way. (Fantastic Comics 017, 1941)

Unnamed Species: 

This unnamed fellow is remarkable mostly for being the antagonist of Flip Falcon's final adventure. He seems to live on a planetoid by himself, has captured space explorer Irwin Burns and demands help in his plan to go to Earth and kidnap a woman (he needs a "queen" and can't be bothered to date).

As befits the final Flip Falcon villain, this fellow gets exploded. It's a real shame that this is our last look at the Fourth Dimension as the cosmology was getting very weird: it's another dimension but also Hell and/or Purgatory and it connects to all space and time and as a result of this you can just kind of pass from our dimension to it by travelling far enough out into space? I mean, talk about a rich setting for cosmic horror. (Fantastic Comics 021, 1941) 

MINOR SUPER-VILLAIN 965: DR THORNE

(Fantastic Comics 014, 1941)

We open on a mysterious figure using backwards-talk magic to raise hundreds of spirits from their graves and shunt them into the Fourth Dimension. To what end? We shall learn that soon!

Flip Falcon, expert in all things fourth dimensional. is contacted by Dr Thorne of the Institute of Science asking for help with this problem. You might have noticed that Dr Thorne is also the name of Minor Super Villain 965, and that is because they are the same guy. This is a trap, and Flip should be able to see that because while the border between the Third Dimension and the Fourth has proven to be quite permeable over the course of his comic adventures the idea that the missing bodies have travelled interdimensionally should not occur to any but the perpetrator. 

Please also note that despite Dr Thorne's minions being consistently described as ghost of spirits, their bodies are also dug up as part of his little necromantic ritual. Perhaps Thorne did so so that there would be evidence to point at in order to draw Flip in?

Flip investigates and finds that the ghosts are indeed hanging around in the Fourth Dimension. He also finds (and is taken prisoner by) Dr Thorne, who knows that anyone hoping to engage in Fourth Dimensional villainy needs to take care of Flip Falcon first.

Flip is transported to Thorne's lab in his Castle of Misery (great name) where his dimensional energy-charged body is used as a battery to fill up the ghosts with extra ghost-energy that kills humans on contact. We can only speculate as to why Thorne is mass-murdering humans in this manner - perhaps its no more complicated than the classic necromancer's desire to create more ghostly minions.

For all that he has been a capable villain so far, Dr Thorne is in no way OSHA compliant, and he is electrocuted seemingly the instant a light tap from Flip causes him to sprawl over his instrument panel. Flip risks his life by touching the machinery long enough to turn it off, causing the ghosts on Earth to fall down "dead," and all that's left is the cleanup. That is, if these spirits were in fact housed in all of those missing bodies and those bodies are now littering the city streets. If they were indeed purely spiritual entities we might have a situation in which there are just incorporeal bodies everywhere and nothing can be done about it. Horrifying claim to fame for this poor city!

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Once again we bring you some aliens.

the Tribe of Gurban:

The Tribe of Gurban come down out of "the upper valley of the Nile" and clash with the ancient superhuman Dynaman in his one Golden Age adventure, and there's a part of me questions whether it's even worth noting groups like this who are just humans but bigger (about eight to ten feet tall if I'm any judge). But no: giants in caveman singlets who attempt to conquer Egypt c. 2500 BCE and who use sauropods as beasts of burden always deserve recognition, particularly when they're very technically canon to the Marvel Comics Universe.

Dynaman doesn't have too much trouble sending Chief Ribur and his compatriots packing, but not before they unleash their ultimate weapon: the Wild War Beasts. (Daring Mystery Comics 006, 1940)

Inhabitants of Phobos:

I didn't really cover them in the entry on Spacehawk's Martian enemy Glork, but his plan to smash Phobos into Mars in revenge for him losing an election wasn't just bad news for the Martians but also for these adorable little dudes. They're just trying to live on a very small moon, Glork! Why are you hassling them? (Target Comics v1 009, 1940)

Insect-Men:

Not two issues after his adventures with the Serviles and their enemies the Heidites, Flip Falcon is hopping back into his all-purpose machine and heading back to Mercury for a little aimless exploring. There, he is confronted by a completely different group of aliens than the two he had already met, and while the out-of-universe explanation for this is simply that the "Flip Falcon" comic was nobody's baby and had a very loose relationship with internal continuity, it is fun to imagine that the sun-blasted surface of Mercury is just teeming with weird life forms. 

Though the Insect-Men are huge cool-looking bug-men who communicate using long warbling cries (and are able to break the strand of energy that tethers Flip to his machine, a strand that can restrain Lucifer himself), by fat the most interesting thing about them is their unnamed queen, who shows up soon after her followers capture Flip and reveals that she is the child of a similarly-unnamed human man and an Insect. This raises an enormous number of questions: just who is this human? How did he get to Mercury? When did he decide to make love to an enormous humanoid bug? How is it possible to produce hybrid Earth mammal/ Mercurian insect offspring? Is it just her feet that are weird looking or does she have insectoid legs? None of these questions are in fact answered in the text.

The Queen of the Insect-Men is, it seems, a more picky lover than her father, and so falls for Flip Falcon the instant she lays eyes on him. After watching a little light gladiatorial combat she is ready for the marriage to commence, and the only thing that saves Flip from a lifetime of caring for weird little grubs with baby faces is that his faithful assistant Adele reinstates the connection between Flip and his machine in time, which fries the wedding party and allows him to fly on home. (Fantastic Comics 007, 1940)

Insects:

Like Flip Falcon, Stuart Taylor has a time-space machine and a penchant for blasting himself into the void to see what is there. In this instance, Stuart has flung himself randomly forward in time and fetched up on the shores of the year 9250 CE to find that while humanity yet endures they are at the mercy of a species of giant intelligent insects. After helping to repel an Insect attack on one of the remaining human settlements, Stuart offers to infiltrate their capitol, where he is quickly captured and taken to the Insects' long-winded ruler.

Stuart jumps the ruler while it is busy manning the city's defenses against an attack by the humans, and I must say that I really like the image of it in its little console chair. It really looks like the artist (Lou Fine) really sat down for a minute and thought about how that would work. Though the Insect ruler outclasses Taylor physically, it is undone by its own prowess, as it throws him into a control console and causes an electrical overload that leads to its own death (Taylor is fine). (Jumbo Comics 013, 1940)

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Aliens! Aliens? Aliens.

the Black-Light Men:

Like the Emerald Men of Asperus, the Black-Light Men travel on a mobile planet (the Black-Light Planet, natch, so named because it is not visible using conventional light) and like so many Fletcher Hanks villains they are looking to take over the Earth, in this case by pulling the whole planet out of orbit and freezing it solid before selling it on to the Martians. Due to the Black-Light Planet's perpetual cold, the Black-Light Men are all blubbery. Just what the little rhino horn situation they have going on is for is beyond me. 

Luckily for the Earth, space hero Whirlwind Carter is on the case and the planet-jacking is halted before more than a measly few million people are killed. Carter leads the Earth military in a retaliatory strike on the Black-Light Planet but it quickly turns into a hand-to hand battle that leaves the human forces ata severe disadvantage.

Thanks to Whirlwind Carter's companion Brenda, the Black-Light Men are discovered to have a crippling fear of fire and armed with that knowledge the Earthian forces are able to drive them to self-destruction. (Daring Mystery Comics 005, 1940)

Serviles: 

Flip Falcon's portal to the Fourth Dimension allows him to do a whole lot of different things, for instance: look at images of the planet Mercury and notice that there is a cool-looking city there, then visit that city with his partner Adele. We soon learn that the city is called Servil, and it is inhabited by some truly delightful aliens with the bodies of plucked chickens and the heads of bargain-basement mannequins and who are revealed to be called Serviles in a text box several issues after this appearance.

The Serviles communicate using extremely cute golden helmets. Up until this point they might just be the perfect alien species, but they have to go and ruin it all by being weird 1940s misogynists and denying women the ability to speak (!) because they "talk too much."

Anyway, Servile civilization is plagued by these cool-looking dragonoid beasts called Heidites that crawl over from the hot side of Mercury to eat them, but who could care? (Fantastic Comics 005, 1940)

Hoof-Men: 

The Hoof-Men are 1. extremely burly 2. hoofed and 3. of a class of science fiction alien that can best be described as "space bullies," who exist to give humans a hard time. In this case they have captured the (also very burly) space explorer Professor Darrel and are threatening to turn him into a bug if he doesn't say that Hoof-Men are better than humans, and it all gets a little too real until space hero Cosmic Carson has to step in and break things up. (Science Comics 003, 1940)

Hoppers:

The Hoppers are yet another group of Fletcher Hanks aliens who live on a wandering planetoid, in this case on that looks just like a cartoon tropical island and seems to just aimlessly float through space. As might be expected given their name the Hoppers a big on jumping and can seemingly do so to get from planet to planet. They have the beefiest legs in comics and show them off in what I can only describe as bicycle shorts, in an astounding bit of predictive design-work.

Unlike most Fletcher Hanks aliens, the Hoppers don't have some sort of over-the-top plan to destroy humanity - they aren't even hostile, as far as I can tell. They do hop on over to Space Smith's ship as soon as it comes into range, which he interprets as a hostile act, but I'm inclined to disagree. The only aggression the Hoppers display is after they are trapped under a big metal net, and even then it is nonlethal.

Perhaps Smith agrees with me after all, because instead of gruesomely killing the Hoppers he instead essentially pranks them by bringing them to New York City to be spooked by the hustle and bustle of big city life, with its bodegas and whatnot. Unable to hack the Big Apple, they hop back to their small-town planetoid. (Fantastic Comics 005, 1940)