(Smash Comics 012, 1940)
The Hunchback of Notre Dame is just that, a modern version of the fictional character, and seemingly just as damaged by society as his predecessor. He is manipulated into working as an assassin for Madame Doom, who is in Paris (presumably on behalf of the Nazis) to disrupt peace talks helmed by US Ambassador Blank but is being effectively countered by the Black X and so must operate through a deniable dupe asset.
Just what the deal is with the Hunchback is down to three distinct possibilities, all fairly equally outlandish, but all are predicated on the fact that Notre Dame has a hunchbacked bellringer in 1940, like it's a prerequisite for the job. The possibilities:
1. That the people of Paris are correct in their belief that this Hunchback of Notre Dame is a direct descendant of Quasimodo, the original, which would imply not only that Quasimodo had a child at some point but that his physical condition was one which was passed down through a line of bellringers for almost 500 years.
2. Similar to Possibility 1. Quasimodo has a child, but in this case, the Hunchback of Notre Dame Gene is recessive and his descendants are not generationally indentured cathedral slaves. This latest member of the family would thus be reviving an old tradition by being a delusional misfit urban legend.
3. The citizens of Paris are credulous fools and all hunchbacked bellringers are not, in fact, related. In this scenario we must assume that it's the job that is so terrible that it drives these poor men mad.
Regardless of his actual origin, the Hunchback meets his end after attacking Black X in a jealous rage over Madame Doom's affections. Riddled with bullets, he falls to his death. Black X is still horny for Madame Doom at this point, so she is allowed to leave.
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