MINOR SUPER-VILLAIN 808: THE BLACK QUEEN

(The Spirit, "The Black Queen", June 16, 1940)

We first meet the Black Queen as the otherwise-unnamed defense lawyer in the murder trial of gangster Slot Gorgan. She already has a reputation for being brilliant, and that reputation proves to be accurate, as Gorgan is acquitted despite the evidence against him.

Upon returning to the Black Queen's penthouse, we learn that she is in fact the very first in the Spirit's long line of female villains, as it turns out that she is the brains behind Gorgan's gang. Unfortunately for Gorgan and the Black Queen, the Spirit has been engaging in the long-standing comic book tradition of getting mad about not-guilty trial results, and so has preceded them to the apartment. Now he knows about about the Black Queen's crime ties and that Slot was actually guilty.

The Spirit manages to wrangle a confession out of Slot in the presence of the District Attorney, which results in a retrial for the same murder he was originally accused of (and while I am not even remotely a lawyer I reckon that this is exactly what double jeopardy is supposed to be about? Or is it one of those things where he was tried for second degree murder the first time and first degree the second?). This time, the Black Queen's brilliant legal mind is merely able to get his sentenced reduced from death to life imprisonment, but importantly she herself is still running the gang when the episode concludes.

The Black Queen returns a few weeks later having made the astonishing decision to move from being the secret head of her gang (smart, secure) to personally leading them in a raid on the New York Sub-Treasury building* (dumb, risky). Why do this when her prior setup was so good that she got to the end of a "crime doesn't pay" comic with her crime career still intact? Since she talks about taking 25 million dollars for herself and splitting town, I can only assume that she has grown tired of the admin of running a gang while being a successful attorney and just wants to retire.

*this might be the fifth time I have read a story in which crooks try to rob the New York Sub-Treasury, and having looked it up to see if it was a thing I have found that a) it was - the US used to keep stores of cash and gold in a few major cities, presumably due to longer travel times in the past and b) the sub-treasury system was phased out in the 1920s. The Black Queen and her fellows are actually trying to break into a building now known as Federal Hall, administered by the National Park Service, and in 1940 occupied by exhibits relating to the New York World's Fair. This raises the question: is the major divergence of the various super-hero universes from our own in fact the passing of the Independent Treasury Act of 1920?

Though the Black Queen's gang are captured before they can get away with either fifty million dollars or some dioramas about the history of finance, she alone manages to escape in her private yacht. Thanks to a timely intervention by the Governor's island defense batteries, the yacht is disabled (a very rare artillery-based entry in my collection of cops shooting fleeing suspects), but the Black Queen herself remains at large for a second appearance in a row thanks to a frankly amazing hand grenade throw that disables the Spirit's flying car. 

The Black Queen's third and final appearance is also the one in which she makes the jump to being a full-fledged femme fatale in the (eventual) grand Spirit tradition, and I say that not just because she has started wearing hot pants and a bustier as her everyday outfit.

No, what really puts the fatale into this femme is the fact that she is going around giving men the literal kiss of death via some poisoned lip gloss. I'm not even sure why she kills this guy - just for the hell of it, I suppose, as he seems to be totally okay with working for her.

But just what was that guy killed for? Why a formula for creating artificial diamonds, which means that along with the sub-treasury thing from earlier, the Black Queen has engaged in two of the biggest non-crimes in comics history!

The Black Queen has also seduced a jeweller named Abner Ames into acting as a fence for her. The Spirit goes pretty far out of his way to rescue this guy from getting the Kiss of Death and make sure that he isn't held criminally responsible, and while I commend him for being nice to Ames' poor wife in this way I would humbly suggest that she would be better off without him.

(the above panels also reveal that the Black Queen's calling card is the queen of spades, and as someone who loves categorizing things I am just pleased as punch to have confirmation on exactly which black queen she was going for with than name) 

Ames having been saved, there is a thrilling chase that culminates in a fight on the superstructure of a bridge. Though the Black Queen almost gets him, the Spirit manages to take her in. Sadly for those of us who enjoy her style, the Black Queen chooses to take her own life rather than face trial, even though she might have been the first person in history for whom self-representation was a good idea.

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Just look at them go.

This gang has hit upon the very effective technique of faking an appearance by the Arrow in order to steal other crooks' takings when they intelligently run away from a potential ass-kicking by a seven-foot-tall vigilante. 

The important corollary to any plan to impersonate a super-hero, of course, is that that hero will eventually get wind and show up to see just what they are supposedly doing, which leads to, yes, a collective ass-kicking by a seven-foot-tall vigilante. (The Arrow 002, 1940)

I'd probably make more of this "ring of big shots" and their plan to take over NYC by blowing up the various dams that contain its water reservoirs (for instance: is a flooded New York without a fresh water supply really worth taking over?) but Phantasmo really torpedoes their whole plan by literally torpedoing their leader as he's trying to torpedo the New Croton Dam, so the whole plot fizzles before it can really get off the ground. (The Funnies 047, 1940)

He may be an extremely generic Central American revolutionary leader who bungles things spectacularly enough that his entire force is destroyed before they actually get around to doing any revolution, but I do find the name "El Tiger" to be as charming as it is linguistically nonsensical. (The Funnies 050, 1940)

Is Eldas Thayer, a cranky old terminally ill miser who stages his own murder in order to frame the Spirit, yet another example of me possibly straying a bit too far from the concept of the "generic costumed villain" that this round-up supposedly exists to showcase? Probably, but that doesn't matter because I am in charge here.

Though the reason for this plot is ultimately "this is a more interesting comic if the Spirit is wanted by the police" (which is why the Spirit is never actually exonerated for this crime), I do really appreciate Thayer's forthright statement that he is doing this because he is an evil old man. Not enough villains have the guts to own up to that kind of thing, you know? (The Spirit, "Eldas Thayer", 21 July, 1940) 

ADDENDUM: I have made a proverbial fool of myself. The Spirit was cleared of the murder of Eldas Thayer like three months later. 

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Whoops there are two more super-heroes in the Spirit Section. Should have included them with the Spirit himself, tsk tsk. 

Lady Luck: 

The Spirit's home, the "Spirit Section" of newspaper comics also included two other Will Eisner-created but not -written or -drawn characters, the first of whom is Lady Luck. In actuality wealthy socialite Brenda Banks, Lady Luck is a costumed vigilante out of boredom with the day-to-day of high society. She is wanted by the law and specifically by her civilian life love interest Police Chief Hardy Moore, a cop so dumb that not only is he about to send a woman to the electric chair for the murder of her still-living husband in the above set of panels but he also is unable to recognize the object of his affections under the brim of a big hat (in fairness to him he does mention that Brenda and Lady Luck are very similar looking but then turns out to be cartoonishly easy to fool). Lady Luck does a bit of globetrotting here and there, but her focus is mainly on high society crimes. Her adventures are a bit lighter than the Spirit's, but not by too much. (The Spirit Section, 2 June, 1940) 

Mr Mystic: 

The thing about the Spirit Section is that people love the Spirit and so his two companions tend to be overshadowed, particularly when it comes to widely-available archival work: the Spirit was reprinted while Lady Luck and our new friend here Mr Mystic languished in obscurity, and while Lady Luck's adventures were eventually reprinted in Smash Comics, the archival record of Mr Mystic is much spottier.

Mr Mystic is supposedly a retooling of Eisner's prior effort Yarko the Great, and I can see it - luckily for him he got the look of Yarko rather than the terrible naming sensibility. Mystic is (or was, presumably) an American diplomat who, like so many characters before and after him, acquired great mystical powers from the mysterious and spiritual residents of Tibet, specifically a "council of seven Lamas," and brought them back to the US to be put to use in beating up ne'er-do-wells. 

Mr Mystic is a magic-using super-hero, which means that he is a nigh-omnipotent force of nature only occasionally slowed down by a lucky bop on the bean from a crook. His major mark of distinction from his peers is a literal one: a mystic tattoo on his forehead, which would mean that he's almost certainly the first person to have to field a lot of well-meaning concern over the effect that that sort of thing would have on his employability. (The Spirit Section, 2 June, 1940)

ADDENDUM:

After all my talk about how a lot of the non-Spirit related parts of the Spirit Section were unavailable I thought to double check, and I had forgot that yes, they are. Granted, it's as medium-quality photocopies, but that's better than nothing, right?

Having rediscovered that fact, I went back and read the first Mr Mystic story, and was shocked and surprised to learn that rather than being a student of the occult who spent long years studying in Tibet, our unnamed hero is a cultural attache serving somewhere in presumably-Eastern Europe when he is blown very off-course while fleeing an Axis invasion force. He crashes in Tibet and is given the forehead brand/tattoo that I did not realize was the sole source of his power while still unconscious. The whole thing is a pretty far cry from what I had imagined his origin to be!

MINOR SUPER-VILLAIN 807: DR COBRA

(The Spirit, "The Origin of the Spirit", June 2, 1940)

Poor Dr Cobra. He goes to all the trouble to put together a sewer lair and develop some weird green slop that puts people into a state of suspended animation and he doesn't even get to lay out what his plans for the stuff were. No, PI Denny Colt has to show up and get doused in slop and become the Spirit and now that's all that anyone ever remembers about the affair. 

Dr Cobra ends up being the first collar by the newly-disinterred Spirit, with a little help from Police Commissioner Dolan. Oh the ignominy. 

Unfortunately for Dr Cobra, he knows that the Spirit is Denny Colt, and so the laws of narrative demand that he be tied up as a looses end. In the second installment of "the Spirit" he escapes by bamboozling Dolan's daughter Ellen, but of course he is immediately tracked down by the Spirit and ends up exploding.

This all feels a bit thin, and that's because there's not too much to Dr Cobra beyond being an origin catalyst. It's a terrible thing to happen to a villain. He has a handful of appearances over the years, but I'm 90% certain that every one of them is a retelling of the Spirit's origin story, and though I can't find an example I am certain that there's at least one of those in which Cobra is replaced with the Octopus. It's no way to treat a criminal scientist, I tell you.

MINOR SUPER-HERO SPECIAL: THE SPIRIT

For almost two years, this blog had a huge post buffer thanks to its origins as a Twitter thread. At it's height, the buffer was almost two months long, but for most of its life there were somewhere between two weeks and a month of pre-written posts sitting at my fingertips, and that meant that I could establish certain habits, like trying to make sure that a Minor Super-Hero Round-Up containing the relevant protagonist was published before talking about the villains that they had faced off against, stuff like that. But over time the buffer eroded, as do all things, to the point that now I'm posting about comics that I just finished reading, like some sort of animal.

All this is to say that I don't have the usual four super-heroes required for a proper Minor Super-Hero Round-Up but the villains are piling up in my now days-long buffer so here's a special one-hero one-shot:

the Spirit: 

Yeah, yeah, I hear you: we all know who the Spirit is. Why, he's got to be a median super-hero at least, right? Well, tough. I have too many categorizations to keep track of as it is, and as influential as the Spirit is odds are that your parents don't have a clue about him, so he fits the brief as specified by yours truly.

The Spirit is ambitious young private detective Denny Colt, who attempts to bring in criminal scientist Dr Cobra and is doused in suspended animation fluid for his trouble. Believed dead, Colt is buried in Wildwood Cemetery and upon waking decides to become a spooky vigilante, with a lot more emphasis on the "spooky" in the early days. 

"The Spirit" might just be the perfect synthesis of the nascent super-hero genre and the established newspaper adventure comics. It also has a large barrier to entry for the modern reader in the form of Ebony White, the Spirit's driver/sidekick/ethnic stereotype African American comic relief character. Frankly, I don't really want to spend a lot of time talking about Ebony, so here's his weirdly positive Wikipedia article that kind of deemphasizes the fact that Will Eisner removed Ebony from the comic after repeated complaints about him in 1946. And also completely omits the fact that Ebony was instantly replaced by Blubber, a sidekick/ethnic stereotype comic relief Inuit character, in what I personally have always seen as a fit of creative pique on Eisner's part.

Aside from Ebony, the Spirit's supporting cast consisted of Police Commissioner Dolan, friend of Denny Colt and initially the only one to know the Spirit's secret identity, and the Commissioner's daughter Ellen, the Spirit's primary love interest and thorn in his side. Over time, the Spirit would also collect a galaxy of femmes fatale occupying basically every square on the D&D alignment chart, but they're a bit thin on the ground in the 1940 comics. 

The Spirit is a two-fisted criminologist, probably the best to ever wear the "suit + domino mask" costume, and embodies the pulp detective technique of Getting the Tar Beat Out of You Until You Get to the Bottom of Things. And of course you probably already knew all of that.

 

The Spirit also handed out little tombstone calling cards/messages for his first few appearances, which I think is neat. (The Spirit, "The Origin of the Spirit", June 2, 1940)

ADDENDUM:

However could I have forgotten that the Spirit also had a flying car, and one of the goofiest-looking ones in comics, to boot. 

MINOR SUPER-VILLAIN 806: THE SCOURGE

(The Funnies 050, 1940)

The Scourge is a bandit chief operating in the nonspecific Medieval-pastiche England of the Black Knight, and let me tell you, he is a terrific villain. His amazing look is one thing - just how many Golden Age villains have the confidence to use eye makeup to accentuate their air of menace? - but on top of that I have seldom seen a villain so eager and joyful to torture a peasant woman. Just an amazingly hateable guy, with a really top-notch crew of evil oafs to boot.

Though the poor woman's husband and sons set out to avenge her, they prove no match for the Scourge and his band of ruffians, and it falls to the Black Knight and a local hunk to get the job done. 

It does of course turn out that a good look and a bad attitude will only take you so far, particularly when your follow-up to a a successful heist is to get drunk in the woods for a week straight. The Black Knight and his unnamed and shirtless assistant make quick work of the lot of them once they are able to approach them on equal footing, and the Scourge meets his end by the Black Knight's Blade.

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They really do just keep coming. 

**Update** The Arrow:

While the Arrow has always been portrayed as a mysterious seven-foot-tall physical prodigy, this particular adventure really goes all in on his being super-humanly strong. This seems significant somehow, even if it is is second-to-last appearance, by my reckoning. (The Arrow 002, 1940)

**UPDATE** the Flame: 

This is the first actual version of the Flame's origin that I've encountered in a comic book, so here it is. This is actually the first time that I've encountered the notion of baby the Flame being proclaimed as the Grand High Lama. It's a weird detail! (The Flame 001, 1940)

Phantasmo: 

And speaking of the ancient secrets of Tibet...

Phantasmo! He spent 25 years in Tibet learning mystic secrets and now he's returned to the US to mete out supernatural justice! Phantasmo! His main deal is that he can project his astral body and that in that form he is basically omnipotent! Phantasmo! He can grow, shrink, heal, kill, he is an invulnerable and infinitely strong magic man! Phantasmo! He does have one key weakness: while his astral form is out and about, his physical body is vulnerable, so teenaged Whizzer McGee tags along on his adventures to watch over it! Phantasmo!

Thanks to a combination of an already fairly minimal costume combined with his transparent nature and some odd colour choices, Phantasmo is possibly also the nudest Golden Age super-hero, at least in his cover appearances. (The Funnies 045, 1940)

the Black Knight: 

A young village blacksmith who first helps the Good King Victor of England when his leg is broken in a boar hunt and then goes on to foil several simultaneous attempts on the monarch's life, the unnamed youth receives the customary reward for doing an excellent job: additional responsibilities. The Black Knight acts as a sort of state-sanctioned vigilante, rooting out evil among the chivalry of England.

And speaking of England, the more history-minded of you might have noted that "Good King Victor of England" I mentioned as being very much not an actual British monarch. This raises the question of just when the Black Knight stories are set: it's broadly Medieval (5th to 15th Centuries), operating under the Chivalric Code (12th to 15th Centuries), the King has a Damascus steel sword (post 10th to 11th Century), there is talk of doctors being fairly available (13th Century at earliest)... so what does all this add up to? Absolutely nothing. The Black Knight exists in a pastiche of knight-haunted England that is as historical as your average retelling of the Arthurian mythos, and in fact the whole thing would be a lot neater is Victor were actually Arthur. We must work with what we have, I suppose. (The Funnies 046, 1940) 

ADDENDUM: I wrote this before I had read the last couple of Black Knight stories for 1940, and immediately after posting it I cracked open The Funnies 049, featuring a tale in which the Black Knight helps defend Cornwall (becomes part of England proper around the 10th to 11th Century) from a force of Huns (4th to 6th Centuries) and their enslaved Viking (8th to 11th Centuries) crew, and let me tell you I was relieved.