MINOR SUPER-HERO ROUND-UP 055

Some more super-folk for your delectation. 

Doc Strange:

Doc Strange (called "Dr Strange" for the first half dozen or so of his appearances, but why cause unnecessary confusion) is an almost prototypical scientist-hero: no real origin beyond being a well-known brilliant scientist who is primed and ready for adventure having just perfected Alosun, a "formula distilled from sun-atoms." After taking his first dose of Alosun in his initial adventure, Strange has super-strength and invulnerability sufficient to take on an entire gang single-handed, and if he takes a supplemental dose he becomes exponentially more powerful.

Doc's sidekick Mike won't be showing up until 1942, but in the meantime his fiance Virginia Thompson (as so often is the case, the woman he rescues during his first super-heroic adventure) acts as his adventuring companion/frequent kidnap victim in the meantime.

 

In Thrilling Comics 007 Doc Strange mixes up a new formulation of Alosun that completes his powerset by allowing him to fly while under its effects. This is also the issue in which he stops fighting crime in suits and adopts his classic red t-shirt/blue jodhpurs/brown boots look. 

Finally, I've noticed a lot of sites listing his name as "Hugo Strange" or "Thomas Hugo Strange" and while the Thomas is definitely an Alan Moore addition from Tom Strong I can only report that the Hugo has not yet appeared in the 1940 issues of Thrilling. (Thrilling Comics 001, 1940) 

the Ghost:

Young George Chance is orphaned in India and so is of course raised by yogis. He learns all of their magical secrets and is eventually sent out into the world to fight crime, as I assume all yogis are. I must say that it is something of a change of pace to see a magic-man come into his powers in India after such a long string of Tibetan origins.

Like most magical heroes, the Ghost is a nigh-omnipotent force of nature who can be stopped only by a sneaky blow to the head, and even then only temporarily. His adventures are distinguished by the fact that his long-time foe is Professor Fenton, a scientist who has developed time travel technology, so the Ghost's adventures are distinguished by the sheer variety of times and places he ends up.

The Ghost takes his name from his early habit of painting his face (all the way to the back of his neck!) so as to resemble a skeleton while he is fighting crime. Sadly though the name sticks the look doesn't. 

In Thrilling Comics 008, the Ghost travels back to Revolutionary America and meets a patriotic woman named Betty Morris who ends up coming back to the 20th Century with him as his companion/love interest. I keep seeing claims online that she is his wife, but strongly suspect that that is another swipe from Alan Moore's version of the characters. (Thrilling Comics 003, 1940)

the Lone Eagle: 

Another classic example of a pilot-hero-with-a-cool-name and not much else going on. The Lone Eagle does seem to have been a World War I veteran, which I always like to note. (Thrilling Comics 003, 1940)

the Woman in Red: 

The Woman in Red (an extremely good name) has what just might be the simplest origin story in comics: she is really Peggy Allen, undercover police officer, and the Woman in Red disguise is her way of investigating crimes without blowing her cover if she is caught snooping around. See? Simple! 

Woman in Red mysteries tend to be structured as whodunnit murder mysteries, which I obviously like, and so Peggy is also frequently wanted by her comic foil, the bumbling Inspector Cavanaugh, as a suspect because he sees her creeping around the crime scene and doesn't have a lot of critical thinking skills. (Thrilling Comics 002, 1940) 

MINOR SUPER-VILLAIN 817: ELENA

(The Spirit Section, 9 June, 1940)

Elena is Mr Mystic's recurring female foe, the Tigress to his Zatara. Unlike the Tigress, however, Elena isn't in it for the money but rather as an agent of chaos out to maximize the amount of war and bloodshed in the world, as in her first appearance, in which she is acting as the power behind the throne of fascist dictator Karoly Gore.

The final confrontation between Elena and Mr Mystic is also the introduction of the concept that two magic users are unable to affect one another via magic, which is foundational to the Mr Mystic mythos and also a pretty good way to make your wizard duels more likely to be fist fights if that's what you like to draw. Don't worry about Elena in that last panel - it's a deceptively short cliff, and Mr Mystic collars her soon after this jump.

Though she is set to be executed for her role in Karoly Gore's administration, Elena escapes by means of some death-feigning pills provided by her old friend Dr Gung, and hopefully it's the kind of fake death that put you in a coma of some sort because she has to be shipped from Central Europe to Hong Kong before Gung can wake her up and that would be a heckuva long time to stare at the inside of a coffin lid. Though Mr Mystic shows up soon after Elena to harsh the vibe, he focuses a bit more on Dr Gung's unholy experiments than making sure that she doesn't get away. Dr Gung WILL RETURN in the next Mad and Criminal Scientist Round-Up.

Elena returns a few weeks later to interfere in the politics of the... Asian? country of Cadiwa, which is styled as India-ajacent, yes, but whose premier meets up with Elena in Nigeria and so, given the lack of any other geographic hints, I keep wanting to say is in Africa. This appearance marks the beginning of a potential romance between Elena and Mr Mystic, expressed by both when Elena is wounded while trying to escape.

Budding romance or not, the next time that Mr Mystic pops in to check up on her he finds that she has been up to her old chaotic tricks and has been influencing King Bahroud of Cadiwa to declare war on his neighbours, thus ending centuries of peace. Clearly, this cannot stand. 

Mr Mystic and Elena bicker their way into a magical duel, and while I said earlier that magic-users not being able to affect one another with their spells led to a lot of fist fights, that was only a partial truth, because it also leads to this kind of magical battle in which each party summons proxies, such as Mr Mystic's giant kitty cat, to fight on their behalf. 

Elena is defeated and reveals that her magic was granted to her by a "Cardin the Terrible" on the condition that she never lose a magical duel. Which she has just done, so bye-bye magical powers. Further, losing her magic causes Elena to turn into a small child.

Now... there is an important question about this whole situation that is never actually answered: does Elena turn into a child as a part of the "lose a duel; lose your powers" curse as a cheeky little joke by Cardin the Terrible or because she was a child given the form of an adult as part of getting those powers? This is important mainly because Mr Mystic returns her to her adult form at the end of the episode and then they basically immediately become engaged, and it's a very different situation, depending. 

Cardin the Terrible himself shows up in the next installment, looking to torture Elena to death for failure, but we don't learn too much more about him than this classic Bad Boss behaviour. Just why did he send an agent out into the world to spread chaos and war? Not a clue. What is certain however is that Mr Mystic totally murderizes him, which weirdly would indicate that he was less magical than his own protege.

Elena spends the remainder of 1940 keeping her head down as Mr Mystic's companion/fiance, though she does spend some time in the future as a captive of the Moon King and almost getting murdered in place of the Goddess of Fire.

Elena's run in the Spirit Section and as Mr Mystic's fiance comes to an end in the second-to-last episode of the year, on 22 December, 1940. Mr Mystic had butted heads with his occasional ally/personification of death/future Divine Round-Up subject the Shadowman a few times in the weeks leading up to this, and the Shadowman's response was to take away the thing that Mr Mystic loved best, i.e., Elena. There's some pretty heavy allegory work going on that makes it unclear if Elena has fallen in actual love with the Shadowman and gone to live with him in the afterlife, or if the whole thing is just standing in for her dying and the love that Elena is expressing is just an expression of the natural cycle of life and death. Either way, Mr Mystic is sad, but worry not: he's standing next to his new love interest Penny Douglas in that second last panel. The man move fast!

So here's to Elena, a fun villain and adequate supporting cast member who I hope is somewhere in a loving relationship with Death. Eat your heart out, Thanos.

DIVINE ROUND-UP 004

Can you ever have enough made-up gods? 

the Goddess of Fire: 

Crooks Raoul and Victor Ladron hatch a scheme while hiding out on the South Pacific island of Kumoni: since the idol of the local Goddess of Fire looks identical to former super-villain Elena they will engineer her kidnapping, hypnotize her into impersonating the goddess and then kill her to prove that they are more powerful than her and thus deserve to make off with the temple gold. This plan is of course complicated by the fact that Elena is engaged to the nigh-omnipotent super-hero Mr Mystic, and the Ladrons meet a fiery end. 

God style: idol only (The Spirit Section, 3 November, 1940)

the Gansha:

Adam Starr of the Space Legion is on the hunt for space pirate extraordinaire Black Michael, and no mealy-mouthed warning about a "water-god" who has "destroyed all who ventured near his cursed waters" for "untold ages" is going to stop him from searching the Martian canals.

Starr's manly skepticism doesn't pay off this time, as Gansha the Water-God turns out not only to be real but to be a monstrous carnivorous fish that almost devours both him and his submersible without even needing to chew.

Sadly for monster fans and fish fans alike, Gansha is unceremoniously blown to smithereens when Black Michael attempts to use it as a deathtrap to get rid of Starr without checking to see if he might have a ludicrously overpowered atomic sidearm on his person. Presumably the Martians are happy - the ones who like boat rides and don't belong to any kind of Gansha-worshipping sect, at least.

God style: animist (Crash Comics Adventures 003, 1940) 

Golo:

We get little in the way of detail on Golo, save that they are worshipped "from Ubangi to the Sudan" and that displaying a Golo fetish can grant safe passage in those areas. And that adventurer Ted Crane thinks it's all poppycock, of course.

God style: idol only (Exciting Comics 005, 1940) 

the Ice Gods: 

Stuart Taylor and his pals have been time travelling again, and this time they've ended up in the clutches of a prehistoric trip at the surprisingly rapid dawn of the last Ice Age, the environmental effects of which have been personified as the malevolent Ice 

God style: animist (Jumbo Comics 028, 1941)

MINOR SUPER-VILLAIN 816: THE MASTERMIND

(The Spirit, "the Mastermind Strikes", 6 October, 1940)

The Mastermind is really Joel Kenner, a mayoral candidate who tries to get his Tough on Crime campaign a boost by murdering both of his campaign managers and blaming the deaths on the Spirit. This ends poorly for Kenner, who ends up stabbing himself with his own knife like a complete dolt.

MINOR SUPER-VILLAIN 815: ORANG, THE APE MAN

(The Spirit, "Orang, the Ape Man", 1 September 1940)

After an indeterminate time away (ten to fifteen years, I reckon), Dr Hoyd returns to the United States from Europe and reconnects with his colleague Dr Egel. Upon retiring to Egel's home, Hoyd is astonished to meet Orang, an orangutan who Egel has imbued with human-level intelligence via training and brain surgery. Dr Hoyd is astonished and delighted by this.

Hoyd is far less impressed when he tries to reconnect with his daughter Elsa who he had entrusted to Dr Egel to take care of following the death of his wife and I guess just... never really communicated with after that? I say this because Dr Egel has used her as the subject of another of his experiments and regressed her to a wild ape-woman, and maybe Hoyd would have known that something was up if he was in regular contact with his kid.

Dr Hoyd, broken-hearted, is prepared to take the law into his own hands and murder Egel for his actions, but is talked out of it by the Spirit. He is then immediately murdered by Egel, using Elsa as his weapon.

Simultaneously, Orang has some sort of mental break when it dawns on him that he has human reasoning but is not human and determines that he must kill Egel in revenge for his now tormented existence, and while I don't agree with the philosophical underpinnings of Orang's reasoning, it is about time for Dr Egel to get his comeuppance, so I'll allow it.

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Orang slays Elsa and then tracks Dr Egel to the docks, where he kills his creator and then ends his own life. A sad end.

OR IS IT? No it is not, as Orang turns out to have a thick skull or a shaky hand and survives his own suicide attempt. After seeking out medical treatment he ends up in the care of Police Commissioner Dolan. I quite like the Orang/Dolan dynamic, which is an odd couple-type relationship founded on an argument about whether you can arrest someone for being a talking ape, but Orang eventually spoils it by kidnapping Ellen Dolan and running off to Borneo to be with his people.

The Spirit of course sets off in hot pursuit and catches up to the two of them just as Orang has finally worn out his welcome with the group of orangutans he set up house with in Borneo. It seems that "meeting a sad and lonely end" was always his destiny, as he ends up being killed by rival ape Aaka whilst being dramatically silhouetted against the Moon.

ALIENS AND SO FORTH ROUND-UP 005

We got your aliens, plus some so forth. 

Moon Men: 

The Moon Men of 2050 CE seem to be just another part of the future Solar System society until they enter an alliance with magic super-crook Sarku so that their Moon King Tan Tan can meet his historical crush Elena. This of course brings them into conflict with Mr Mystic, as Elena is his fiance and he's just not that into her being kidnapped into the future. 

The Moon Men also have very upsetting feet. (The Spirit Section, 1 September, 1940)

the Alligator-Men: 

A lot of the Earth-based entries on the big list of aliens and such that I refer back to to while make these could best be described as "human offshoots," little pockets of humanity that have developed in isolation until they are something other than regular. I had a little debate about whether to include the Alligator-Men because they didn't seem other enough, but then I came to my senses. A whole society of guys who live in a cave somewhere in Brazil and dress in what must be wildly smelly lizard man costumes 24/7? Even if in-story they turned out to be a bunch of cosplaying accountants (spoiler: they didn't) that's worthy of comment. (Amazing-Man Comics 017, 1940)

Ape Men: 

And speaking of isolated populations of weirdos, ape men/ape-men/apemen and other missing link-style hominids are some of the most common. This particular group are from Malaysia and seem to be reasonably chill until Dr Fung and his pal Dan show up while following rumours pointing to the location of a lost heiress. Things get a bit too macho (and the old question of just what "white" means in 40s comics rears its ugly head once more) and Dr Fung and Dan have to shoot their way out. It's all very rude, frankly. (Wonderworld Comics 005, 1939)

Ape-Men & Lizard-Men: 

The Diamond Empire is a hidden civilization probably somewhere in Asia, located in an improbably large inaccessible region hemmed in by mountains - there's a reason that so many hidden kingdoms are underground, after all. It's a bit more plausible to have an implausibly large area underground and hidden than as a conspicuous blank spot on a map.

In any case, the lands around the Diamond Empire are like most other terrae incognitae in genre fiction, in that they are populated with a variety of humanoid civilizations, including Hawkmen, Batmen, and today's focus, warring nations of Lizard-Men and Ape-Men. The Lizard-Men sadly get the short end of the stick characterization-wise, being sneaking, cowardly ambushers with a uncomfortably horny king, but at least they have very cool faces - just love a black eye with a white pupil. 

The Lizard-Men get beaten up and pushed in a river by their ancient foes the much less cool Ape-Men who then themselves capture the the Rocket and the Queen of Diamonds. These Ape-Men are just what they are billed as: apelike humans, though the yellow heads and weird dents on top of their skulls set them apart slightly, even if they look dumb. 

There's a lot of malarkey involving the Rocket taking on an Ape-Man named Ungar for the role of tribal chief, and we get a glimpse of the Ape-Men's idea of how a trial by ordeal should work as the Rocket is made to enter the Cave of Horrors to prove his mettle, but eventually the majority of the Ape-Men just end up dumped into a chasm to their dooms. I assume that the Lizard-Men, merely damp, were very smug about this. (Pep Comics 004-005, 1940)