MINOR SUPER-VILLAIN 777: EMBER, THE EMPRESS OF FIRE

(Super-Mystery Comics v1 003, 1940)

This is a bit of a weird one. Vulcan, the Volcanic Man, has just saved both a field of gasoline tanks and a government arson inspector named Grace Horner from being incinerated by "notorious arsonist-spy" Torchy Fargo, who then retires to a nearby castle* to report his failure to Ember, the Empress of Fire. Just what is the deal with these two, you ask? We shall explore that momentarily.

*Vulcan is plausibly based out of New York City, so this is another location in the Castle District of the Northeastern United States.

Ember decides to deal with both Vulcan and Horner by the simple expedient of inviting them to her castle. It's a simple trick, but an effective one.

Ember first tries to kill Vulcan by dumping a bunch of gunpowder on him and then setting him on fire and then, once he proves to be as fireproof as his name might imply, she decides to recruit him to the cause. Why together they could dump gunpowder on entire nations and set them alight!

Sadly for Ember, Vulcan does not want to become her Emperor of Fire and so declines her offer. Stung, she dumps him and Grace into a standard-issue super-villain's death pit to rot or possibly be subjected to further deathtraps. And this is where things take a turn - everything up until now has been within the normal bounds of what on might expect in a super-hero comic: a spy who specializes in arson reports to some sort of fire-themed... cult leader? living in a castle staffed by ersatz Pacific Islanders. Regular stuff, like I said.

But then, Torchy Fargo tosses Ember down into the hole as well, because he is the real head of the (fake?) fire cult and he heard her say that she would replace him with Vulcan. Ember was just a figurehead who let the power go to her head, as she says.

But... what the hell was this arrangement? Ember isn't going on television to claim responsibility for Torchy's crimes or acting as a go-between with people looking to contract his services. Heck, the government already knew about Torchy because that's why Grace Horner was on his tail! So just why was Torchy going back to a castle filled with (fake?) fire cultists and reporting to a fake superior in a bikini top every night?

I'm going to deploy this carefully, because there are certain comic book theories and observations that are usually only trotted out by the intellectually tedious, but I think that this might have been a sex thing. We don't need to explore it further, it's just the conclusion that most fits the evidence at hand.

But speaking of sex things, as in gender, a thing happens at the end of this comic that I have noticed a fair few times in the first three issues of Super-Mystery Comics, as having brought Torchy Fargo to justice via a massive gas explosion, Vulcan just lets Ember go so that she can "devote the rest of [her] life to serving humanity." Did Ace Magazines hold the official position that women can not truly be evil? The evidence is mounting that they might have!

MINOR SUPER-VILLAIN 776: THE BLUE SPARK

(Super-Mystery Comics v1 002, 1940)

In terms of crime, the Blue Spark is ambitious but not extraordinary: a little corporate extortion, some bank robbery, a few kidnappings. Nothing we haven't seen a few hundred times by now.  When it comes to the trappings of super-villainy, however, the Blue Spark is on the cutting edge.

Just look at that costume - it's not quite the standardized super-villain getup we will eventually see on so many one-shot Batman villains but it's pretty damn close, and particularly in an era in which most villains are still pairing a mask with a suit and tie or a robe. Even more impressive and ahead of its time is the Blue Spark's choice to dress his henchmen in a simplified version of his own uniform. Just really impressive stuff.

The Blue Spark's main gimmick, a heat ray cannon mounted on a truck, isn't quite as remarkable but it is a pretty sweet bit of gear. Plus he has another one mounted on a cool-ass drilling machine!

(it is somewhat unclear if the Blue Spark has a second ray that allows him to mind control people or if his heat ray doubles as a mind control ray, and determining this is not helped by the fact that he clearly has an aesthetic fondness for that particular style of scientific greebling on the outside of the rays. It's a good clean visual on the mind control ray, I will say that)

The Blue Spark's henchmen (called the Blue Rubber Men at one point, btw) are not just well-dressed:  their costumes have  little nozzles in the chest that lets them be inflated like a balloon to render them immune to fisticuffs  - another idea that sounds like something out of a Silver Age comic, twenty years early.

Technology or no, inflation fetish suits or no, the Blue Spark vs Magno is your classic case of a villain who is so little of an even match for the hero that the plotter's concern must lie in keeping them apart for as long as possible because the instant they meet up, something like the above happens. Magno didn't even give him a chance to blow up his suit, the poor guy.

MINOR SUPER-VILLAIN 775: THE OCTOPUS

(Super-Mystery Comics v1 001, 1940)

The Octopus! Leader of a nation-wide crime wave! Keenly interested in branding! His men slap little octopus stickers on cops and burgled vaults alike! And when the Octopus talks to his men, he is represented by what appears to be an animated octopus! As far as criminal operations go, this one is pretty slick.

Unfortunately for the Octopus, nothing gold can stay and that includes excellent crime setups. While he might be able to outmanoeuvre a nation's worth of police, it is somewhat harder to get by the newly-fledged super-hero Magno, who begins to eat into the profit margins of the Octopus' New York operations. Perhaps this is why he steps out from behind his octopoid avatar and dons a mask in order to participate in a dirigible-based theft of 5 000 000 dollars in gold bullion, only to be forced to abandon airship when Magno shows up yet again. This understandably goes over poorly with the lads.

Never has a villain had a more rapid transition from triumphant moment (you cannot shoot me thanks to my bulletproof suit!) to comeuppance (my bulletproof suit is the means by which I am captured by Magno thanks to the very qualities which previously protected me. Woe unto my poor soul).

The Octopus is finally unmasked! And just who is this criminal mastermind? None other than Professor Beale, the famous criminologist who was consulted on the scourge of his own alter ego earlier in the issue and who somewhat clumsily attempted to throw suspicion onto Magno! Why, I never saw that coming *head vigorously nodding to indicate that I did, in fact, see it coming*.

Beale/the Octopus takes advantage of a moment of distraction on Magno's part and makes another bid for freedom, but critically fails to grab the parachute he needs to really nail the jump and plummets to his death. Magno... pretty conspicuously opts not to save him, something that he has already shown that he can do. Sorry, hard-core Magno fans, but it's true.

MINOR SUPER-VILLAIN 774: THE TERROR

(Super-Mystery Comics 001, 1940)

The Terror is really Scar (or Scar-Face) Pontois, a gang boss who is expending a lot of effort in order to drive people away from a rich gold claim that he has hijacked but has perhaps gone a bit too far, as Corporal Flint of the RCMP, the hero of our story, is only nosing around Scar's locale because of the strange rumours he and/or his superiors have heard. Please note his giant hat.

In addition to the fearsome Terror identity, Scar's efforts include playing off of local superstitions by sending the daughter of the man he stole the gold claim from out to play the ominous Flame Maiden, but the real star of the show is the Coffin of the Mad. Based on the idea that radium can destroy the human brain (an idea that I can find no real source for, which probably means that it appeared in one Scientific American article that the comic's writer read in 1935 or so), the coffin is made out of radium-bearing pitchblende ore. Various characters in the story claim that men have been made mad after being placed in the coffin, but even taking the "radium destroys brains" thing as gospel as far as I can tell pitchblende is so much less radioactive that radium that it's more likely that they all went nuts because they were shut up in a stone coffin alive. I wouldn't bet against their chances of getting cancer at some point though.

In conclusion, the Terror probably would have been better off just killing people. Or just investing in that guy's mine through a shell company.

MINOR SUPER-VILLAIN 773: CAPTAIN DEATH

(Super Comics 027, 1940)

Pirate Captain Death comes into conflict with Jim Ellis and his brother Bud when the former, a dead ringer for Death, is shanghaied by the slightly less villainous Captain "Iron" Shard in an attempt to bluff his way onto Death's Forbidden Island headquarters and steal his treasure.

This "identical hero/villain duo" situation is hardly unprecedented in fiction, and there are broadly two ways that it plays out. In the first, the villain is not so bad as their reputation might suggest, and things play out like a classic comedy of errors. This is the other way, in which the villain is so over the top and evil that looking like him is almost a moral challenge to the hero.

After being talked up as an evil dude for a fair number of issues, our first look at Captain Death is when he sails into the comic just as Jim Ellis and Captain Shard have come to terms and are about to leave for less perilous climes. Captain Death sets the tone by immediately sinking Shard's ship and picking off the swimming survivors with a rifle. Evil stuff! Of course Jim and Bud manage to make their way to land and over the course of the next few issues Jim takes a tremendous amount of abuse but eventually switches places with Death and he and Bud skip town at the next available port. Weirdly Captain Death never returns, as far as I can tell. Maybe he's not as big on vengeance as other pirates.

MINOR SUPER-VILLAIN 772: THE BARON

(Super Comics 027, 1940)

Monocle-wearing crypto-Nazi spy and major recurring foe of war correspondent Jack Wander, the Baron is one duelling scar away from being the quintessential Axis agent. Also he looks like he was designed by Paul Grist - just look at that little sneer.

MINOR SUPER-VILLAIN 771: CAPTAIN DAVY JONES JUNIOR

(Super Comics 027, 1940)

A tough-talking femme fatale pirate captain is a pretty good foil for super magic jungle guy Magic Morro - he might be able to walk through fire and juggle three grown men like rubber balls but one thing that he definitely can't do is hit a lady, not even a pirate lady.

And speaking of her being a lady, that sure is an interesting name for a 1940s lady pirate, I wonder where she got it? My initial thought was that it was just a cheeky reference to the sea spirit with the famous locker, but then one of Jones' grizzled old pirate crew members mentions sailing with her father, which introduces the possibility that it is her literal name and that her dad performed a rare cross-gender junioring. Fun!

In addition to having a dynamite name, Captain Davy Jones Junior just generally rules. She and Morro's crew come into conflict over a treasure map that has been split into thirds and that they each have part of. They agree that whoever finds the third piece will get the whole treasure, at which point Jones begins trying to double cross Our Heroes: trying to steal their portion of the map, trying to seduce Magic Morro over to her side, preparing to steal the treasure anyway after Morro finds it, etc. Ultimately the question of just who is going to get the treasure is decided by a third party, a crazed hermit who blows up the island rather than let the others get their filthy hands on his precious gold. We last seen Captain Davy Jones Junior as she is stranded, presumed dead, on the smouldering wreckage of what was once a tropical paradise, but fret not! A little bird (in the form of me reading ahead) has informed me that she returns in 1941!

MINOR SUPER-HERO ROUND-UP 045

Ah the super-hero.

Ace Buckley: 

Ace Buckley is a time traveller, a subgenre of comic book hero mostly notable for the fact that they have no one to blame for their troubles but themselves. Like most of his peers, Buckley (along with his intriguingly-named companion Toni Stark, whose role in the stories is to get captured and then swan around in minimal clothing while waiting for Buckley to rescue her) flings himself willy-nilly into the hotspots of human history and then murders his way free with barely a though to such things as "causality" or "the grandfather paradox" or "the integrity of the timestream". (Startling Comics 003, 1940)

Magic Morro: 

Some time around 1922, young Jack Morrow and his father are shipwrecked on an uncharted Atlantic island. Proclaimed to be the next prophesied leader of local inhabitants the Utangos, Jack is raised to be a superhuman white jungle guy in the classic Tarzan style, only with all kinds of magical knowledge imparted to him by the former ruler, Tanta Talu. As Magic Morro, he is super strong, immune to fire, possibly bulletproof, can turn himself invisible and move objects with his mind, and those are just the abilities that he demonstrated in his first year worth of adventures!

(Bonus Parenthetical: despite having a fully magical ruler who can do prophecy and summon lightning and stuff, the Utangos also have a standard issue treacherous witch doctor, who is named Mango! What's with all the evil Mangos?) (Super Comics 021, 1940)

Vulcan: 

Vulcan, the Volcanic Man is the descendant of the Roman god of the same name and shares with him a broad dominion over fire, if not an inclination toward metalworking. He generates heat, can pick up and manipulate flame, is immune to heat and flame and also the forces involved in being blasted out of a volcano in the South Pacific and landing in the United States, is bulletproof in the sense that bullets melt before they can injure him, etc. He also has a radical fire-themed haircut.

Like a lot of fire-based super-heroes, Vulcan ends up fighting a lot of hapless arsonists who waste all of their best fire-based deathtraps of a guy who can't shut up about how he used to live in a volcano. (Super Mystery Comics v1 001)

Magno:

Control over magnetism is one of the classic comic book powers and Magno here (not our first Magno and certainly not our last) has the bargain basement version of it: he can pull things toward himself or pull himself toward things, a version of flight that requires enough admin work on the part of the artist that it is eventually rounded up to his just being able to fly outright. He also eventually gets a magnetic anti-bullet force field for a similar reason, I reckon: it's no fun having to do the admin of Magno disarming every crook in every room he enters individually.

Also unfortunately falling by the wayside over time is Magno's power to project his face onto solid objects to vex and annoy crooks and cops alike. Was this meant to be an aspect of his magnetic abilities somehow or just a cool thing he could do? It is never specified.

Finally, I must note that the somewhat abstract design on Magno's chest is a representation of a bar magnet, in one of its few victories over the horseshoe magnet on the battlefields of graphic design. (Super-Mystery Comics v1 001, 1940)

MINOR SUPER-VILLAIN 770: GOLI

(Startling Comics 004, 1940)

We open on a world in turmoil! The tides are going crazy! New York City is trashed!

The world's leaders turn to the mysterious Dr X for help, and he immediately recognizes that the problem must be Moon-based, and further that the solution will require his niece's fiance Bob to go beat someone up. This is the second and final Dr X story of the Golden Age, and I really wish that there were more. Wizened scientists sending burly aides to beat up crooks is entirely in my wheelhouse

Bob and Cynthia are promptly teleported to the Moon in their finest protective beachwear, and Bob gets to fight an excellent moon-beast.

Bob and Cynthia are captured by Moon-Man forces who do indeed turn out to be the ones messing up the tides. This Moon-aggression is technically happening under the command of the unnamed Moon King and his tall horny daughter, but it becomes clear that the real architect of the plot against Earth is the Head Scientist, Goli. Never one to waste a couple of good prisoners, Goli has plans to stick some Moon-Man brains in Bob and Cynthia's bodies in order to use them as spies in the post-apocalyptic Moon-Man invasion of Earth.

In a lucky turn for Bob, Cynthia and the Earth, the Moon Princess is so horny for Bob that she sets the prisoners free. Goli is killed by Bob in a move that also smashes the tide machine, and one short teleporter ride later everyone is safely back in Dr X's secret laboratory in the Andes.