PROBLEMATIC ROUND-UP 006

Every time I relax, another one emerges from the shrubbery. And what's depressing is the fact that they will continue emerging at a more or less steady rate for the entire history of comics. Here's the latest batch of Problematic Characters.

the Voodoo Man: 

When Dr Bob Warren heads to Haiti to practice medicine and "investigate voodoo", he comes into conflict with the Voodoo Man, a zombie-raising, curse-spouting, doll-pinning collection of every voodoo trope and stereotype. As compared to other headlining super-villains, the Voodoo Man's exploits are pretty one-note: he's trying to exert control over part or all of Haiti using zombies and other magics, while Warren foils him at every turn.

The Voodoo Man's finest moment is probably the time he turns an old woman into a pig to vex his enemies, but as always serving a super-villain is a dicey prospect, OSHA-wise, and the pig-woman gets a knife in the back for her efforts. (Weird Comics 001, 1940) 

For a couple of issues (Weird Comics 004 and 005, specifically), Bob Warren seems to be pilling a Thin Man and becoming the Voodoo Man, as in a man who battles voodoo practitioners. Rather than the original titular Voodoo Man, Warren takes on a very similar fellow named Boanga (above) and the Grand Zombie (below), but after that the one and only original returns for the rest of the feature's annoyingly long run.

the Grand Zombie: 

The Grand Zombie's appearance coincides with a change in the "Voodoo Man" creative team, as evidenced by Bob Warren suddenly becoming a clean-shaven blonde instead of a mustachioed brunette. There is a chance that he is meant to in fact *be* the Voodoo Man, as his modus operandi - turn people into zombies for his own enrichment - is the same, but given that he looks completely different, operates at a site on the other side of the island and is called something else I'm willing to call the Grand Zombie a different character. 

The Grand Zombie name, in addition to being a far better one than the Voodoo Man, reflects a linguistic quirk that might have been widespread but which I have only encountered in old comics, in which both the unquiet dead and their creators are referred to as zombies. Better name or not, the Grand Zombies is unceremoniously shot at the end of the story and the feature then reverts back to the Voodoo Man.

This issue also feature perhaps the least empathetic missionary character in Golden Age comics. (Weird Comics 004, 1940)

the Magic Mandarin: 

The Magic Mandarin, aka Lee Ching, importer, is an extremely typical Yellow Peril villain. Perhaps the only moment of joy I found in his entire first appearance was when he met up with his fellows in the Brothers of the Bloody Blade (above) and they kept screaming "Allegiance!" at one another.

The thing that puts the magic in the Magic Mandarin is an artifact called the Stone or Lodestone of the Dragon which is capable of such feats as paralyzing others, creating a force field, changing someone's clothing and telekinesis, but which is unable to function if swaddled in silk or affect someone who is wearing silk, which comes in very handy for the Mandarin's foes Smash Dawson and his team.

The Magic Mandarin is one of your classic "seems to die at the end of every adventure but turns out to have survived in the next" villains, and like so many of those his final appearance must be assumed to be the one that finally killed him, as he was sucked into a dam in Whirlwind Comics 003 and there was no Whirlwind Comics 004. (Whirlwind Comics 001, 1940) 

Fu Chu: 

Fu Chu is a recurring villain of Yarko the Great, and while he is so patently a Fu Manchu knockoff that he even has most of his name, his major offence is in how boring he is. Like, I don't find Yellow Peril comic book plots particularly fun to read, but at least they are usually rich with incident. Fu Chu's debut involves him kidnapping the inventor of a death ray and then completely failing to prevent Yarko from waltzing in and taking him back.

Fu Chu's second appearance, in Wonderworld Comics 016, features him as the head of a cult of the Mayan Plumed Serpent Kukulkan, for reasons that are never quite explained, as the main thrust of the episode involves Fu Chu attempting to kill explorer Doctor Mayo and his daughter and Yarko the Great intervening to save them. The whole farce ends with an earthquake destroying all or part of Chichen Itza, which is wild.

Fu Chu goes on to return at least a couple of times in 1941 but don't hold your breath - he'll have to really up his game to get an update, (Wonderworld Comics 013, 1940) 

GENERIC COSTUMED VILLAIN ROUND-UP 027

Rascals the lot of 'em. 

L-17 is a spy from an extremely unspecified foreign power who vexes pilot Wings Bordon throughout his three appearances. He is remarkable both for his longevity - three whole appearances for a simple letters-and-numbers spy is astonishing - and for the fact that he managed to get a promotion between his first appearance and his last, from field agent reporting to a shadowy Chief to being the shadowy figure whom other report to. It's possible that someone just misremembered L-17's position, but that doesn't take away from the achievement. (Whirlwind Comics 001, 1940)

Sir Neville Towse, "England's most famous explorer" has been threatened with death by a mysterious character known only as the Avenger, and it's up to Inspector Blake of Scotland Yard to solve the mystery and prevent the murder from happening.

The Avenger turns out to be Sir Neville's butler Owens, who just wants to get ahold of the money left to him in the explorer's will without all that tedious waiting around first. He does employ a pretty sweet booby-trapped phone to do the deed, but that doesn't make up for the disappointingly callow motivation for the crime. (Whirlwind Comics 001, 1940) 

Clarence the Maniac Man is a circus sideshow wild man, one of a number of groups of people who are just a crime or two away from super-villainy (or a selfless act or two away from super-heroism, I suppose) on any given day. In Clarence's case, simple jealousy over the affection shown to Captain Marvel by Lovelia, the jerk Queen of the High Wire, drives him to release alien circus animals as revenge on society. That's toxic, Clarence. (Whiz Comics 006, 1940)

This gang boss, evocatively and simply named "Power" has taken a page out of Dr Sivana's book and is using a radio wave jamming setup to blackmail broadcasters in California. He didn't really think through the mechanics of concealing a huge compound full of guys and electrical equipment, even out in the desert, and is rounded up by private detective Dan Dare in short order.  (Whiz Comics 009, 1940)

MINOR SUPER-HERO ROUND-UP 061

Superfolk galore! 

the Buzzard: 

In an unnamed New-York-alike city, the gadgeteering mayor equips a young man with a suite of devices to help him engage in a vigilante crusade against crime. Chief among these gadgets is a gas that makes whomever it touches resemble a balding, big-nosed man in thick glasses and a tailcoat - the perfect disguise! Armed with this gas, plus some clawed gloves and a heat ray, the Buzzard begins tearing his way through the city's underworld. 

The gas also seems to allow the Buzzard to make his shadow resemble his namesake bird, an ability that is very useful for vexing the city's Buzzard-hating police chief who, it turns out, is also the father of the Buzzard's secret identity. 

I unironically love the Buzzard and his whole weird setup, and while I find most modern revivals of public domain Golden Age characters to be a pretty mixed bag, I'm pretty bummed that none of them have elevated him out of his single issue obscurity - he's got a real weirdo charm that the fiftieth version of the Nedor characters can't approach. (Wham Comics 002, 1940) 

the Cyclone: 

The Cyclone is really Peter Grant, a young man who has a fairly unique version of the Batman origin, which of course is when a tragedy inspires an obsessive dedication to training and working toward some related goal, i.e., in Batman's case the murder of his parents inspiring his eternal war against crime. The real twist in the Cyclone's case seems to be the total absence of a motivation: Grant just woke up one day and decided to turn his body into a living weapon to aim at evil.

The Cyclone is presented as being a regular human and so I had been assuming that the whirlwind patterns around his lower body when he jumps around were a stylistic choice meant to represent his fantastic leaping ability. They really are some enormous jumps, however, so it's also possible that the Cyclone is meant to have some sort of wind-assisted jumping power. He only had three adventures, alas, so we shall never know. (Whirlwind Comics 001, 1940)

Ibis the Invincible: 

Ibis the Invincible, aka Prince Amentep, is a 12th Dynasty Egyptian who just kind of spontaneously comes back to life after 4000 years as a mummy. Why? Well, it's not spelled out until the 1942 Ibis the Invincible series, but spoilers: his true love had been shot with an arrow that put her to sleep for those four millennia and he put himself in a magical sleep of his own in order to be with her again. 

Ibis achieves this state of mystic sleep with the aid of the Ibistick, a magical wand capable of very nearly anything. Much like his fellow Golden Age magical super-heroes, Ibis' near-omnipotence can occasionally seem plot-obliteratingly powerful. 

The key difference between Ibis and his contemporaries, however, is that the Ibistick is a small object that is constantly being lost or stolen. Further, it requires absolutely no special knowledge to be used and can be operated by both children and animals with ease. More than a few of Ibis' greatest foes (e.g., the Hobo-Millionaire) are simply regular humans armed with his own magic wand. The caveat to all this is the fact that the Ibistick will never harm its true owner, and will in fact inflict any baleful magic cast from it at him back on its wielder. This means that Ibis is able to defeat an evil wielder of the Ibistick by merely being annoying enough that they try to turn him into a toad or gold or ice or on on memorable occasion to mind control Taia into stabbing him to death and then wait for it to backfire on them. (Whiz Comics 002, 1940)

UPDATE 1941 

Taia: 

Taia is the 4000-year-sleeping love for whom Ibis the Invincible made his way to the future. After a bit of moping around the globe he manages to track down her mummy and revive her, upon which they kind of implicitly are a married couple. While I very much enjoy Taia and the dynamic she has with Ibis, she does get a pretty raw deal - being your own husband's de facto sidekick is bad enough, but Taia very rarely gets to be anything more than a kidnap victim/bargaining chip. The few modern versions of Ibis the Invincible try to do more with her, but they still don't do much.

Taia is said to be cousin to "Senwosri III" who is probably meant to be Pharaoh Senusret III, given that Taia and Ibis are said to be from the 12th Dynasty. So that's something. (Whiz Comics 002, 1940)

 

MINOR SUPER-VILLAIN 860: MUSKOG

(Whirlwind Comics 002, 1940)

This is Muskog, ruler of the Earth's core in the far-future year of 1980 CE and total dick. Muskog has been blasting the surface of the planet with a static electricity ray for seemingly no reason whatsoever, or at least no reason that he cares to state. This of course attracts the attention of crack science adventurer Bruce Barlow, who ventures into the molten depths on behalf of his people to ask "how come?"

There are precisely three things I want to note about Muskog's sole appearance. The first is simply to note that his name is infuriatingly close to muskeg, the Arctic/subarctic bog biome. Is this a coincidence, or did Bruce Barlow's unknown creator(s) know and love the word as much as I do?

Secondly, we must mention Barlow's method of getting to the centre of the Earth: via a capsule that is shot out of a big gun into a volcanic crater. Never has any idea so neatly conveyed how simultaneously wonderful and dumb comic books can be. And how is he going to get back, you ask? Why by means of an "upward space helmet" that will simply float him back through the fiery mantle.

Finally, as always, I must take note of any time that an alien or otherwise nonhuman species crops up in which the males are, e.g., bug-eyed green weirdos but the females are conventionally attractive human women, as seen here in the person of Muskog's rebellious daughter Eda. Ah, the wonders of evolution.

Eda frees Barlow, allowing him to destroy the irreplaceable explosion machines,  but unfortunately is unable to join him on his voyage through thousands of kilometres of molten rock because she is wounded. Barlow promises to return and is later seen trying to spin this return voyage not as a sex thing but as being in the interests of science, heh heh.

Bruce Barlow is of course honoured by the surface world for his efforts, and this gives us the opportunity to see that the US flag of 1980 has only 28 stars - what great calamity has caused 20 whole states to succeed/ be kicked out/ other? Worldbuilding!

REAL PERSON ROUND-UP 018

World leaders and others. 

Adolf Hitler: 

I'm pretty sure that the "Navy Jones" strip is set in an undefined near-future time, which makes the Dictator of Europe here a future analog of Adolf Hitler rather than a stand-in for him. I'm almost certain that that's the case. Anyway, he tries to invade the US with a fleet of amphibious tanks and gets his ass handed to him by Navy Jones and his fish men. (Weird Comics 008, 1940)

Chiang Kai-shek and Soong Mei-ling: 

Styled as Madame and Generalissimo "Kang Shy-check," the former comes to adventurer Shanghai Sheridan for aid after the latter is captured by Japanese collaborator Wu Fang. (Top-Notch Comics 005, 1940)

Clyde Beatty: 

Famous animal trainer and circus mogul Clyde Beatty had a long-running strip across several Dell Comics titles, though given that the supporting cast and premise tended to reset to zero every time the strip changed hands it might be more accurate to say that he had a sequential series of features linked only by his presence. (Crackajack Funnies 001, 1938)

Franklin Delano Roosevelt:

A fairly off-model FDR chairs an emergency meeting to discuss what to do about an alien invasion. (War Comics 002, 1940)

J Edgar Hoover: 

The Sparkler accepts an assignment from "head G-Man"/his old college roommate's dad M.L. Roover. (Wham Comics 002, 1940)

Sténio Vincent: 

I don't necessarily trust the creators of the "Voodoo Man" feature to even remember that it is set in Haiti, let alone go to the trouble to accurately represent Haiti's president on-panel, so I have to give it to them: this is an okay drawing of Sténio Vincent, the President of Haiti c. 1940. Was it done on purpose? Nobody can say. (Weird Comics 004, 1940) 

Gaius Marius & Sulla: 

It's impossible to be certain if Marius and Sulla, the Roman figures associated with the origin of super-hero the Dart, are in fact meant to be Gaius Marius and Sulla, the political figures from the late Roman Republic, but the timeline almost matches up. Plus, there really weren't that many Sullas running around Rome. (Weird Comics 005, 1940) 

Mata Hari: 

Just a notorious spy named Hattie Mary in the comedy melodrama comic strip "Hairbreadth Harry". (Famous Funnies 074, 1940) 

Winston Churchill: 

Inspector Blake of Scotland Yard is called to 10 Downing Street to talk to the Prime Minister, and it sure doesn't look like he's Winston Churchill. I do like to roast comics for not getting the appearances of world leaders right, but when it's somewhere like Madagascar you might at least have the excuse that finding a picture of the current leader of that country might be difficult in the US in 1940, but surely this not so for the Prime Minister of the UK.

The other possible defense for this, of course, is that this comic came out in June 1940 and Churchill took power in April so Neville Chamberlain might still have been PM when this was drawn, but this is hampered somewhat by the fact that it doesn't really look like him either. (Whirlwind Comics 001, 1940)