NOTES - JANUARY 2025

Heaven help me, I looked forward to the 1950s issues of Planet Comics to see what the Gale Allen feature ended up like and boy oh boy do I regret it. It's one thing to only read comics from 1940, but seeing the improvements to the form after a decade or so makes it hard to go back. But I must soldier on!

Happy New Year!

Infographics:

A conceptual drawing of a spaceship and some speculative facts about space travel c.1940 (Planet Comics 009, 1940)

Ephemera:

This is a bit out of order seeing as I have a two week or so buffer of posts most of the time and I write the Notes bits as they occur to me, but a real theme that has emerged as I've read the 1940 issues of Planet Comics has been that Fiction house was just repurposing whole stories left and right, including ones that were written and drawn for characters from other comic book companies. To be clear, I don't think that this was a shady business practice or anything, just that the industry was still new and that almost every book was an anthology title that features were being shuffled in and out of constantly - it's no wonder that artists were left with finished stories that were no longer wanted from time to time - why not just slap a new name on the hero and publish it?

With that in mind, I am 100% confident in saying that this first Crash Parker story started life as a Cyclone story over at Quality Comics - the setup of colonizing a new planet after a space race and even the look of the evil Martian king are dead giveaways. Good news for fans of Cyclone, the character who appeared in 4 comics in 1940, I guess. (Planet Comics 009, 1940)

Honours:

American pilot Ted O'Neil is given an unspecified medal for bringing down an Axis superweapon. (Prize Comics 004, 1940)

REAL PERSON ROUND-UP 008

If they're real then why are they in a comic book?

Anastacio Somoza García:

The Shield meets with the President of Nicaragua and as per usual the artist did not bother to check what the President of Nicaragua actually looked like. (Pep Comics 006, 1940)

Clark Gable:

Boxer Kayo Ward stars in a movie ("Hot Lips and Hot Fists," a riff on 1933's "The Prizefighter and the Lady" starring real-life boxers Primo Carnera, Max Baer and Jack Dempsey) and the opening night crowd includes not only Clark Gable but Edgar Bergen and Charlie McCarthy, all under their real names in a wild break from comics custom. (Pep Comics 008, 1940)

FDR:

Misc minor appearances: 

Meets with the Shield (Pep Comics 006, 1940)

Shown blowing off a cabinet meeting to watch a boxing match (Pep Comics 007, 1940)

J Edgar Hoover:

He's never actually named but "the Chief of the FBI" and only person who knows the secret identity of Joe Higgins, aka the Shield, is clearly supposed to be J Edgar Hoover, and they do occasionally refer to him by his surname. (Pep Comics 001-004, 006-009, 1940)

Joe DiMaggio:

Famed baseball player Slugger Madaggio (or possibly MaDaggio) is murdered mid-game for failing to pay protection money. Two other players, Wheezy Seen and Cal Bubble, as well as a manager named Terrier are mentioned in the story but I simply do not know enough about baseball to know who they are references to, if anyone. Also, the lady in the above picture is Madaggio's wife and thus an oblique reference to actress Dorothy Arnold. (Pep Comics 007, 1940)

Joe Louis:

Boxer Kayo Ward is signed to fight Joe Louis for the heavyweight boxing championship, only Kayo is then kidnapped and replaced with a double by gamblers looking to fix the match, and when he manages to get free and fight for real the kidnapping has had enough of a negative effect on him that Louis sportingly calls the fight off rather than beat Ward to a pulp. They're supposed to reconvene in six months - will it happen in 1941? (Pep Comics 006-007, 1940)

Mata Hari:

Sent to Antwerp to extract a British general's daughter before the Nazi invasion, army hero Sergeant Boyle engages in some classic comedy of errors shtick as he accidentally brings back the wrong woman, only to find out that he has inadvertently captured the famed spy "Hatter Mary." (Pep Comics 008, 1940)

PT Barnum:

There are a lot of comic book circus mans who are some sort of version of PT Barnum but this guy, Barnham by name, really captures the spirit of the man with his exploitation of Paul Bunyan's ape-man friend. (National Comics 006, 1940)

the Seven Dwarfs:

The "Prince Buttonhead" feature in Pep Comics is from the school of one-page comic book humour strips that are best described as incoherent, with only the feeblest attempt at jokes or even a structured plot. The Five Dopes here (Block-Head, Lunk-Head, Stupid, Useless and Lame-Brain) are interesting for being so very on-model as a Seven Dwarfs parody. (Pep Comics 005, 1940)

Various Golden Age Comics Creators:

During Kayo Ward's rise to the top he fights a lot of also-rans, and compiling a splash panel of them dovetailed nicely with the grand comic book tradition of using your coworkers' names for mildly embarrassing purposes. In order (and focusing on MLJ credits because it's an illustrious group), we have: 

Butch Blezard - Okay I have no idea who this guy is. Bad start.

"Canvas-Back" Shorten - Harry Shorten, co-creator of the Shield

"Chick" Biro - Charles Biro, creator of Steel Sterling

"Biff" Zoffer - Another mystery character

"Mush" Meskin - Mort Meskin, prolific MLJ illustrator

"Flash" Ashe - Edd Ashe, illustrator of the Wizard

"Nosedive" Novick - Irv Novick, co-creator of the Shield

"50 Second" Streeter - Lin Streeter, MLJ illustrator

"Slam" Sundell - Abner Sundell, MLJ editor

"Socker" Benson - probably not a reference, as he was a boxer faced by Ward in a prior issue. (Pep Comics 005, 1940)

Pep Comics was a real hotbed of this kind of thing in 1940, as seen in this ad for "Meskin's Matzhos"  (Pep Comics 007, 1940)

Here's Charles Biro ditching work to catch a boxing match. (Pep Comics 007, 1940)

Handprints outside Grauman's Chinese Theatre, featuring "Biro W. Mouskin," "Sundell something (possibly M. Wood? as in Bob Wood, co-creator of Kayo Ward?) as well as "Mickey Looney" and "Joe E. Frown" (Mickey Rooney and Joe E. Brown, natch) (Pep Comics 008, 1940)

And finally, the movie that Kayo Ward stars in is a Sundell Production. (Pep Comics 008, 1940)

Unknown:

The specifics of Jimmie Fiddle here, with his entertainment column in the NY Reflection, and especially the detail of him rating things with orchids, ping my "this is a version of a real guy" sense quite hard, but I can't find a good thread to grab onto for a search. (Pep Comics 008, 1940)

EDIT: a list of New York periodicals of the 1930s turned up the NY Review as a possible original of the NY Reflection, but any further investigation is hampered by the popularity of the New York Review of Books. It's a dead end!

MINOR SUPER-VILLAIN 693: THE TARANTULA

(Pep Comics 010, 1940)

A vile villain known as the Tarantula is extorting the young wealthy women of London and then murdering the ones who don't pay up, and Inspector Bentley is on the case after two significant pieces of evidence fall into his lap: the latest body is left on the steps of Scotland Yard and then the latest extortion attempt is made against Deborah Morgan, whose father went to school with Bentley's boss and you can't beat the old boys' club when it comes to swinging the forces of law into action.

The usual parade of suspects that fills the pages of an Inspector Bentley story is a bit thin on the ground in this one. Don't get me wrong, the numbers are there, but at least two of them are clearly padding - they don't even say anything. The only credible suspects are BJ Morgan, his daughter Deborah (assuming some real 4D chess moves on her part), her fiance Bill Barnes and, in a big reach that the comic is not afraid to make, Bentley's boss. I'll say right now that the boss is a complete red herring set up by a walking stick.

(please take note of the Tarantula's little spider signature, which I love)

Bentley goes to meet a potential witness, at which point w get the most important revelation of the episode: the Tarantula is not just some murderer but a proper super-villain, with a proper costume and everything! Sure, some spider fans might quibble about the inclusion of antennae (not to mention the use of fairly mild tarantula venom as the murder vehicle) but it's been so long since I've seen a villain who wasn't just wearing a mask that I literally cheered when I saw this dude.

The Tarantula turns out to have about the right constitution for a basement dwelling spider breeder and goes down under the attacks of a heavily tied up Bentley. He's smashed into his case of tarantula containment orbs in a way that would usually signal a villain's ironic end via their own murder method, but I've reread the ending of this story a couple of times now and I have no clue whether the Tarantula is dead or alive at the end.

The Tarantula turns out to be Deborah's fiance Bill Barnes, who did it all because he was insecure about marrying a wealthy woman while not having much money himself. Moderately sweet, until you remember that he expressed this insecurity by extorting and murdering other young women. Wotta creep, am I right?

More importantly is the question of exactly why Bentley was suspicious of Deborah's circle: because when he went to interview his acquaintance Charlie about a possible Tarantula sighting he found him murdered and the only ones who knew about the potential witness were Deborah and her intimates. But did Bentley set a trap using the life of an innocent beggar or is he just so bad at infosec that he got a man murdered by accident?

GENERIC COSTUMED VILLAIN ROUND-UP 017

Buncha mooks this time.

The ship that picked up scientist-adventurer Dean Denton and his pals from the island of Baron Blood just so happened to have a pseudo-Nazi spy (fake name Lieutenant James, code name K-192, real name unknown) committing murders on it for unclear reasons. Despite composing a crime scene to contain nothing but clues pointing to other members of the crew Denton rounds him up pretty quickly. (Masked Marvel 003, 1940)

Pilot Prop Powers has to defend his ship and his cargo of gold bullion from this air pirate and his scurvy crew, and the story ends up glossing over his huge flying aerodrome a bit. Well, I think it's cool, unnamed air pirate captain. I'm sorry they blew it up. (National Comics 001, 1940)

Klotz, aka the Master Spy, has the distinction of being the first foe to battle the Shield. His greatest moment is pictured above, as the Shield is so absorbed in reading spy files that he doesn't notice approximately fifty boxes of TNT being piled up behind him. Klotz also returns in the 1984 series The Original Shield because there's nothing like battling an extremely old man to make for an exciting comic experience. (Pep Comics 001, 1940)

This bunch of clowns work for a mysterious figure who has been murdering Hollywood stars in connection with a jewel-smuggling ring. They're not in the story for very long before their employer murders them all with mustard gas - the henchman's greatest occupational hazard is, as always, the boss. Why do all these murders over some simple smuggled jewelry? Because the mastermind is Biff Crossley, himself a famous actor, and he wants nobody who can possibly tie him to the crime left alive, that's why. (Pep Comics 008, 1940)

THE SUPER-VILLAINS OF HOLLYWOOD PODCAST: The super-villainy might be a bit generic but this story is fodder for a whole season of tSVoHpod: Crossley murders two other stars (one of them inside Grauman's Chinese Theatre, using a bullet-firing compact) and tries to frame a third by pretending to be a target himself, he bumps off his own men, the Shield is there, and the whole thing ends with Crossley's defiant suicide. Sensational! This is podcasting, baby!

MINOR SUPER-VILLAIN 692: THE MASTER

(Pep Comics 008, 1940) 

It's an old story, even this early in the history of comics: someone has developed a method for mass murdering people and is attempting to use it to extort money from a city, or else. In this case that person calls himself the Master and that method is some sort of electrical wave.

The Comet of course is not cool with this kind of blatant super-villainy, particularly as he is still trying to rebuild his reputation after murdering dozens of people while hypnotized that one time. Lucky for him, the Master's electric wave is vulnerable to the Comet's disintegration ray for some reason - maybe it's a Rock Paper Scissors situation and there's a third form of energy that counters the Comet but can be defeated by the Master.

Not content to admit defeat, the Master tries another classic gambit: he captures newswoman Thelma Gordon after correctly surmising that her repeated Comet-related front page scoops might indicate that she has some sort of connection to the man himself. And it works! The Comet is lured to a selected location and trapped in a glass net (because glass is the only material left unharmed by the Comet's deadly eye beam and the Comet has had zero success in keeping that information under wraps). Unfortunately for the Master, catching someone in a glass net is not quite the checkmate move he assumed it was and he ends up on the wrong end of a death ray blast.

MINOR SUPER-VILLAIN 691: THE CLAW

(Pep Comics 007, 1940) 

The Press Guardian's only recurring villain, the Claw has what can only be described as an eclectic career: In his first appearance he's a sort of freelance spy chief working to aid the I-assume-European country of Shironia in its attempt to conquer neighbouring Lanfia by committing acts of sabotage in the US and framing Lanfia as the perpetrator, so that America will withdraw its support of Lanfia. The Press Guardian exposes the scheme and sends the Claw and his henchmen to a presumed watery grave.

Pep 008 drops a bombshell: the Claw could, in fact, swim. Instead of drowning, he made his way to the Central City docks and set up an insurance scam whereby he and his crew of rowdy sea dogs sunk their own ships for a tidy profit. The only flaw in the plan: the Claw kept on murdering nosy reporters who got too interested in all the shipwrecks going on, and you know that the Press Guardian is going to show up to check something like that out. The Claw ended up in the drink again, presumed dead but with more of a question mark than before.

And that question mark was justified! Pep 009's Press Guardian adventure begins with he and his aide Cynthia Blake investigating an extremely suspicious want ad for "young, healthy women with no living relatives" and wouldn't you know it, it was the Claw again. He's been turning people into beast-men using animal hormone injections and he's decided to finally branch out into making beast-women. The Press Guardian is even less into this scenario than the others and wastes little time in beating everyone up and forcing the Claw to reveal the antidote to beast-manism. When last seen the one-handed villain is being chased down by a mob of former beast-men, with murderous intent. Surely the Claw has finally met his end?

No dice. The Claw returns one last time, in Pep Comics 010, with a knife-wielding green-skinned weirdo named the Goon in tow. The Goon and the Claw have been kidnapping women from a bit of cottage country called Rocky Point - has he gone back to making beast-women? Is he trying to ruin the Press Guardian's home paper, the Daily Express, who are involved in the development of the region somehow? No, he's trying to drive people off so that he can steal a radium deposit that's located on the land.

The Claw suffers a fairly ignominious defeat in the face of what can't have been a very hard kick from Cynthia Blake. For all that he's been tenacious, he's also always been very easily defeated and while in a real-world way I know that that is because the Press Guardian was a second-tier character with a smaller pagecount than a headliner like the Shield, in my heart of hearts I prefer to believe that he's just a scrawny little wiener. Or maybe it's because he hangs out in radium-filled caves all the time, who can say.

Though the Goon is captured, the Claw just scampers away, and since he isn't in what turns out to be the Press Guardian's final outing in Pep Comics 011, he's just... at large when all is said and done (though again: radium cave. The Claw might not have been troubling humanity for much longer after this particular escapade)

MINOR SUPER-VILLAIN 690: VULCAN

(Pep Comics 006, 1940)

A man working in a London steam plant dies by falling into an industrial furnace. A horrible thing to happen! Why am I showing you this horrible thing?

I am showing it to you because it is not in fact a horrible accident but a horrible murder, and we know that because the murderer left a horrible little bit of doggerel in order to crow about what he did, and he signed it "Vulcan."

Our old pal Inspector Bentley of Scotland Yard is brought in on this case, and it's a lucky day for him because there are only four possible suspects: the four men who were in the immediate area when John Baker was killed, including his father, his brothers Rex and Bob and his romantic rival Barney Reyman. Like I said: lucky for Inspector Bentley because I'm beginning to suspect that he isn't a particularly astute detective when he doesn't have a guy in a rubber mask to hit with his cane.

Am I saying this because Bentley's only idea is to have everyone go back to where they were when the murder took place with the foreman standing in for his son and Pa Baker is basically instantly murdered too? Kind of, but it's more of an observation that his investigations are a bit brute force. For instance, once this second member of the Baker clan is bumped off, Bentley arranges for another one to stand in front of the open furnace.

Did Bentley know what he was doing? Was he calling Bob Baker's bluff in order to force him to confess by dodging the deathtrap he had set up for his family members (a button-activated swinging pipe, fyi)? It's possible, but I personally think that the "Vulcan = hatred for father and brothers" clue is some bullshit. Does Vulcan have more than his share of family drama? Absolutely, but no more than any other Greco-Roman god and frankly I would peg a guy named Vulcan as a potential matricide, if anything.

So was he right or just trying to winnow down the suspect list a bit? Inspector Bentley will never tell.

MINOR SUPER-VILLAIN 689: THE MAN-MONSTER OF LONDON

(Pep Comics 005, 1940) 

The Man-Monster of London, aka Monk, doesn't actually play that big a part in the plot of this Bentley of Scotland Yard story. I mean, he's in a lot of it, but he doesn't have a lot of volition of his own. In brief, the Rajah of Inrak (which is probably meant to be an Indian province or kingdom and not a whole country of its own) is in London to discuss some sort of treaty with the government of the UK and a fellow named Remek has been hired to prevent this meeting from taking place and the Man-Monster works for him. He's very much the most spectacular part of the whole affair but he's not really driving the action.

The Man-Monster and Remek both end up being gunned down in self defense by Inspector Bentley and it's honestly more sad than anything else - we never really get any idea of what Monk is exactly (some sort of mutant? a member of some isolated community of superhumans? just a big strong guy dyed green?), but whatever he is he clearly cares for Remek and doesn't seem like he really chose to be a superhuman goon.

ADDENDUM: If you bothered to read that text panel above you might have noticed that one of the potential suspects was the Prime Minister, as in the Prime Minister of England, who I assume was included purely because they were short on named characters for the suspect list this issue. This is him: not precisely Sir Neville Chamberlain (who would've just resigned as this issue was being put together) but close enough.