ALIENS AND SO FORTH ROUND-UP 036

Once again we bring you some aliens.

the Tribe of Gurban:

The Tribe of Gurban come down out of "the upper valley of the Nile" and clash with the ancient superhuman Dynaman in his one Golden Age adventure, and there's a part of me questions whether it's even worth noting groups like this who are just humans but bigger (about eight to ten feet tall if I'm any judge). But no: giants in caveman singlets who attempt to conquer Egypt c. 2500 BCE and who use sauropods as beasts of burden always deserve recognition, particularly when they're very technically canon to the Marvel Comics Universe.

Dynaman doesn't have too much trouble sending Chief Ribur and his compatriots packing, but not before they unleash their ultimate weapon: the Wild War Beasts. (Daring Mystery Comics 006, 1940)

Inhabitants of Phobos:

I didn't really cover them in the entry on Spacehawk's Martian enemy Glork, but his plan to smash Phobos into Mars in revenge for him losing an election wasn't just bad news for the Martians but also for these adorable little dudes. They're just trying to live on a very small moon, Glork! Why are you hassling them? (Target Comics v1 009, 1940)

Insect-Men:

Not two issues after his adventures with the Serviles and their enemies the Heidites, Flip Falcon is hopping back into his all-purpose machine and heading back to Mercury for a little aimless exploring. There, he is confronted by a completely different group of aliens than the two he had already met, and while the out-of-universe explanation for this is simply that the "Flip Falcon" comic was nobody's baby and had a very loose relationship with internal continuity, it is fun to imagine that the sun-blasted surface of Mercury is just teeming with weird life forms. 

Though the Insect-Men are huge cool-looking bug-men who communicate using long warbling cries (and are able to break the strand of energy that tethers Flip to his machine, a strand that can restrain Lucifer himself), by fat the most interesting thing about them is their unnamed queen, who shows up soon after her followers capture Flip and reveals that she is the child of a similarly-unnamed human man and an Insect. This raises an enormous number of questions: just who is this human? How did he get to Mercury? When did he decide to make love to an enormous humanoid bug? How is it possible to produce hybrid Earth mammal/ Mercurian insect offspring? Is it just her feet that are weird looking or does she have insectoid legs? None of these questions are in fact answered in the text.

The Queen of the Insect-Men is, it seems, a more picky lover than her father, and so falls for Flip Falcon the instant she lays eyes on him. After watching a little light gladiatorial combat she is ready for the marriage to commence, and the only thing that saves Flip from a lifetime of caring for weird little grubs with baby faces is that his faithful assistant Adele reinstates the connection between Flip and his machine in time, which fries the wedding party and allows him to fly on home. (Fantastic Comics 007, 1940)

Insects:

Like Flip Falcon, Stuart Taylor has a time-space machine and a penchant for blasting himself into the void to see what is there. In this instance, Stuart has flung himself randomly forward in time and fetched up on the shores of the year 9250 CE to find that while humanity yet endures they are at the mercy of a species of giant intelligent insects. After helping to repel an Insect attack on one of the remaining human settlements, Stuart offers to infiltrate their capitol, where he is quickly captured and taken to the Insects' long-winded ruler.

Stuart jumps the ruler while it is busy manning the city's defenses against an attack by the humans, and I must say that I really like the image of it in its little console chair. It really looks like the artist (Lou Fine) really sat down for a minute and thought about how that would work. Though the Insect ruler outclasses Taylor physically, it is undone by its own prowess, as it throws him into a control console and causes an electrical overload that leads to its own death (Taylor is fine). (Jumbo Comics 013, 1940)