REAL PERSON ROUND-UP 025

If comics are reflections of the real world then why should we be surprised to find them so full of real people?

Adolf Hitler:

Hiller is the "mad dictator" who inspires Hercules to reincarnate and eventually become Marvel Boy. He's about as close as you get to putting a Hitler in your comic as you can get without actually saying the name. The whole name. The "t" part. (Daring Mystery Comics 006, 1940)

This otherwise-unnamed Fuehrer of a likewise nameless underground nation that vexes the America inhabited by Captain Daring in 3051 CE is a clear inspired-by-Hitler type. (Daring Mystery Comics 007, 1941)

Citizen V takes a break from his propaganda campaign in Occupied Europe to sneak into Germany and become a member of the Punched Hitler in the Nose Club. (Daring Mystery Comics 008, 1942)

This version of Hitler appears in a long dream sequence in the comedic Army Life strip "Private Rook" that appears to exist solely to make a joke about him being gay (the bit where he is the Princess Tanya's Fairy Godmother, specifically). This isn't great, but it is remarkable for being the only time I personally have seen such a thing in a Golden Age comic. (Army and Navy Comics 003, 1941)

Though Cap punches Hitler on the cover of his very first issue, it is in fact Bucky who lands the first blow on him (and Goering) in the pages of a comic. (Captain America Comics 002, 1941)

the Borgias:

Cesare, Lucrezia and the rest of the Borgia family might not actually appear in comics all that often, but they certainly do figure into their plots via the absolute piles of poisoned and poison-adjacent artifacts that are attributed to them. Borgia trinkets crop up so frequently, in fact, that I am surprised that it's taken us this long to encounter one, in the form of a hollow silver statuette that contains a deadly contact poison. (Fantastic Comics 018, 1941)

Fort Knox:

Stardust the Super Wizard's final foe, the unfortunately-named "Slant-Eye," was a classic comic book Fort Knox robber. (Fantastic Comics 016, 1941)

Francis Biddle:

Major Victory has to consult with the US Attorney General in 1941, and in 1941 the US Attorney General was Francis Biddle. The man in the panel above is not Francis Biddle. (Dynamic Comics 002, 1941)

Franklin D Roosevelt:

Seen ordering the creation of a super-soldier, i.e. Captain America, to combat domestic espionage. (Captain America Comics 001, 1941)

Fritz Kuhn:

Fritz Knoll, purveyor of domestic espionage, is probably a reference to the chief Bundist. (Fantastic Comics 021, 1941)

Henry L Stimson:

The US didn't even have a Secretary of Defense until after WWII, so I am not sure who this guy hanging out with Samson is supposed to be. The analogous position at the time this comic came out was Secretary of War, and that was Henry L Stimson, and this is not him. A true mystery man in all senses. (Fantastic Comics 023, 1941)

J Edgar Hoover:

J Arthur Grover, head of the FBI and clear J Edgar Hover stand-in, is also the man in charge of the program that would eventually be known as Project: Rebirth, aka the super-soldier program that produces Captain America later in this same issue. (Captain America Comics 001, 1941)

Tutankhamen:

Some of King Tut's grave goods are among the items stolen by the Butterfly. (Captain America Comics 003 1941)

DIVINE ROUND-UP 029

Comic book religion. Tricky stuff.

Hercules: 

The thing that really jumps out at you when you first encounter this version of Hercules is that he goes to Valhalla when he dies, which is weird. The second thing is that he is appearing in a Golden Age Marvel comic and so there might be fun storytelling ramifications considering the fact that Hercules is a moderately popular (and alive) Marvel Comics character with appearances from the mid-60s to today. Perhaps the fact that this is a pretty Roman mythology (aside from the Valhalla thing) and Hercules from  the Champions is from a Greek one can play into it.

The third thing that jumps out at you comes on maybe your third reading of the comic in question, when you pay a bit more attention to that first panel in which Hercules is dying and realize that he is not only meant to have survived until some time after the founding of the United States but that the heavy shadowing on the faces of the people in that panel kind of implies that he might have been one of the Founding Fathers? There just aren't enough clues in the art to tell for sure but I know Simon and Kirby's tricks and making George Washington Hercules is just their style.

After spending a while in Valhalla, Herc gets worried about the rise of fascism and decides to reincarnate as a mortal in order to be there to lend a hand when the US needs him (a real snub to his former fave of Rome) so he heads on back to be reborn as Marvel Boy. 

God Style: Real (Daring Mystery Comics 006, 1940)

Jupiter:

Like his son Hercules, this version of Jupiter is very concerned with personal freedom and the fate of the United States in particular. Or maybe he's just a good father who wants to support his son's little projects.

Whatever the reason, he shows up on his reincarnated son's fifteenth birthday to deliver a cool super-hero uniform before making a very cool exit via lightning storm. 

God Style: Real (Daring Mystery Comics 006, 1940)

Father Patriot:

Father Patriot is the brand-new anthropomorphic personification of the spirit of America created by an unknown comics scribe for the origin story of Major Victory. As I have already speculated behind that link, my only real guess as to why they might have done this is to avoid stepping on Quality Comics' toes by using Uncle Sam for the role. I was going to complain about them not replacing him with one the less-used personifications of America like Brother Jonathan or Columbia, but on reflection I can see why they might have wanted to go with an all-new character. If nothing else, this means that they had free reign to add as much patriotic nonsense to his design as they wanted to, like his retinue of patriotic angels or the fact that he can whale on the Liberty Bell to impart strength unto his champion. They also got to design a set of patriotic clothing for him, and while it doesn't quite match up to the classic Uncle Sam look I do appreciate his big gaudy belt buckle.

Speaking of those mysterious angelic servants: does this indicate that the glories of to American Heaven are not exclusive to the mythology of Captain Fearless?

God Style: Real (Anthropomorphic Personification) (Dynamic Comics 001, 1941)

Maloo:

No non-white and non-monotheistic group is immune to the threat of Golden Age comics just making up some random god that they supposedly worship, and the Aboriginal Australians are no exception. Maloo is a giant, vicious kangaroo who the Face is nearly sacrificed to but who ends up dead instead. Sorry, Maloo. Sorry, Aboriginal Australians.

God Style: Animist (The Face 001, 1941) 

DIVINE ROUND-UP 028

Religions of the world: you are not being well-represented in fiction.

the Dream Warner: 

While they never actually say the words "Tibetan Buddhism" in either of Thun-Dohr's two appearances, he was brought up in a lamasery in Tibet and is personally mentored by the Dalai Lama (though not the one you're thinking of), so I think that we can extrapolate and assign the Dream Warner to that religious tradition. Though it does not actually appear on-panel, the Dream Warner does give the Dalai Lama an accurate heads-up on the machinations of the villainous Sin Khaii, so me must conclude that it actually exists. It also has a very fun if on-the-nose name.

God Style: Real (Silver Streak Comics 014, 1941)

Ratzinatzi: 

In Cloud Curtis' final adventure he sets out alone to solve the mystery of some mysterious disappearances and air raids across South America, and ends up crashing his plane in the middle of the jungle. There he stumbles upon an idol to "Ratzinatzi, the Demon-God of the Ancient Incas" and is seemingly about to enter a chamber that opens up underneath it when the story ends. Sadly for all the completionists out there the story never concludes and so we never learn what kind of pseudo-Nazi air base or whatever lies below, though I think that we can safely assume that it continues to be pretty disrespectful to the Incas.

God Style: Idol (Silver Streak Comics 017, 1941)

the Devil-Flower:

Trojak the Tiger Man's friend Edith's brother is sick, and according to the nearest wise man the only thing that will aid him is the juice of the sacred Devil-Flower, as worshipped by the Gemba tribe.

Trojak and Edith brave fanatical cultists and flower-charmed animals until they are able to harvest the sacred juice and seemingly kill the plant. One can only hope that the Devil-Flower, which not only has magical powers but also seemingly some degree of self-awareness, had the foresight to do a little precautionary propagation.

God style: Animist (Real?) (Daring Mystery Comics 005, 1940)

Mars:

Seen overlooking the Axis war machine in an image I would say is meant to be purely allegorical if it wasn't from the origin of Marvel Boy, a reincarnation of Hercules in whose story Jupiter figures prominently. Were the Marvel Boy stories to have continued I'm sure that this version of Mars would have gotten a sock on the jaw in due time.

God style: Real (Daring Mystery Comics 006, 1940)

MINOR SUPER-HERO ROUND-UP 085

Welcome to "The Four Characters Least Likely to Return in a Modern Comic" Theatre.

Marvex the Super-Robot: 

Marvex the Super-Robot! Created to be a slave by a Fifth Dimensional jerk named Bolo, Marvex rejects his fate, kills Bolo and his associates and accidentally blasts himself to Earth while smashing up Bolo's lab equipment.

If you're already aware of who Marvex is then it's likely because of the Michael Kupperman strip featuring the character during Marvel's 70th Anniversary run of comics, and indeed, Marvex' propensities for cartoonish violence, shutting down romance with sudden nudity and receiving twenty dollars all make him a perfect Kupperman character.

Sadly, the nudity and twenty dollar reward system go the way of Marvex' hair in his second and third appearances, but he never stops yelling about being a robot whenever his companion Clara gets a bit too comfortable around him. (Daring Mystery Comics 003, 1940)

Categorized in: Language (Superlatives - Super), Origins (Extradimensional, Robot), Supranormal Beings (Robots)

the Falcon:

The Falcon is Carl Burgess, assistant district attorney in an unnamed city who is kind of betraying the spirit of his office by meting out vigilante justice when he feels like the legal system isn't working. Though he is a pretty average costumed vigilante, the Falcon has precisely four interesting things to note. The first is that his name is weirdly close to that of Carl Burgos, the creator of the Human Torch. This might be a coincidence, but still. The second is of course that he is the original Marvel Falcon but by far the least-known of the half dozen or so Marvel characters to share that name.

Like the Eagle, the Falcon is a bit of a fashion plate or at least someone who adjusts his costume on every adventure and for the same reason: a different artist on every one of his appearances.

Finally, the Falcon has been retroactively assigned an accessory based on an assumption, just like his fellow Daring Mystery Comics alum the Fiery Mask and his morning star. In this case, it's that his suit gives him the ability to glide. I assume that this is because of a stylistic choice on the part of his various illustrators to have him dive down on his enemies like a falcon stooping on prey, because the suit does not come up in his handful of Golden Age appearances. (Daring Mystery Comics 005, 1940)

Categorized in: Animals (Falcons), Day Jobs (Assistant District Attorneys)

Marvel Boy:

Up until about 2012 I'd have confidently said that "Marvel Boy" was one of the most commonly-shared super-hero identities in the Marvel Universe, but it seems that the concept of the legacy identity has gone through a weird mutation in the last decade or so and I am now regularly surprised to find that there are way more Wolverines or Captains America than I had previously imagined. With that in mind, we'll revise my statement to be that there are more Marvel Boys than you might expect, like Starmans over at DC.

This particular Marvel Boy is the Earthly reincarnation of Hercules, come down from Valhalla (?!) to aid a world threatened by fascism. His human form is named Martin Burns and like a veritable Silver Age Superboy he is born with so much physical strength that he must constantly hold himself back lest he endanger those around him and out himself as something strange and different.

On Martin's fourteenth birthday a mysterious stranger (who is implicitly the Roman god Jupiter) delivers a package containing his heroic costume to him and then somewhat redundantly also appears in his bedroom to really spell out his whole deal and charge him to uphold democracy etc.

Marvel Boy is super strong, very agile and fast enough to run from New York City to Washington DC and back - carrying three grown men on the first leg of the trip - in the course of a night that also includes the aforementioned visit from Jupiter and busting up two fifth column cells.

Both this Marvel Boy and his successor (coming up in 1942) never returned after making a single appearance, and while I can't say just why they didn't have further Golden Age adventures, the lack of a modern appearance for either of them is almost certainly down to the fact that their origins both revolve around a dead Hercules, who is in fact more often than not a very living second- or third-tier hero in the Marvel Universe. They're also both named Martin Burns for some reason, which means that later handbook writers have felt compelled to differentiate them by giving them middle names based on their creators, making this one Martin Simon Burns.

Frankly, I think that the fact that the two Marvel Boys have origins that are incompatible with both Marvel Comics continuity and also one another is terrific fodder for comic book storytelling. Both of them should be BRUNG BACK immediately, preferably in a comic that also has Hercules in it. (Daring Mystery Comics 006, 1940)

Categorized in: Generica (Boys), Language (Superlatives - Marvels), Origin (Reincarnated God) 

the Flying Flame:

The Flying Flame is a red fighter plane flown for the RAF by the two-fisted American pilot Captain Red Ruff, who is also known as the Flying Flame due to his shock of red hair. During his brief comic book career, Ruff battled the Black Ace and ferreted out some spies at an airbase. (Daring Mystery Comics 006, 1940)

Categorized in: Activities (Flying), Elements (Fire), Team Membership (RAF)