MINOR SUPER-VILLAIN 810: MR MIDNIGHT

(The Spirit, "Mr Midnight", 14 July, 1940)

Mr Midnight is your classic police taunter, a crook who not only thinks that they have the wherewithal to pull off the perfect crime but is so confident that they decide to tip off the cops to their plans. In this specific instance, the villain is a dapper blue-skinned fellow who has not only informed the police but the Spirit as well, and further has declared that he will commit his murder in the very office of Police Commissioner Dolan. And he does it! Ellison Wright, Midnight's erstwhile blackmailer, dutifully shows up and drops dead at the stroke of midnight, and since Happy O'Day, the coroner, declares the death as due to heart failure, Mr Midnight walks right on out the door afterward.

This is where your "perfect crime" criminals often make their mistake, because while the fact that it can't actually be proven that Mr Midnight killed Wright might keep the police off of his back, the Spirit is a vigilante, and doesn't exactly have to worry about things like "the letter of the law" or "evidence" or "not showing up in someone's house unexpectedly". He just has the fact that Midnight said that he was going to commit murder to go off of, plus the knowledge that Happy O'Day just loves to call any unexplained death heart failure - not a month and a half earlier he said that Denny "the Spirit" Colt had died of heart failure, after all.

Indeed, Mr Midnight is almost comically eager to confess that he did it. Midnight, aka John Caliban, was once a stage heartthrob whose life was ruined when he fell in love with a married woman. Blackmailed into poverty by Ellison Wright and turned blue seemingly incidentally by a cosmetics mishap, Caliban murders first his lover and then Wright. 

What was Caliban's next move going to be? Impossible to say now, because though he almost gets away when he beans the Spirit with his human skull prop and sets his house on fire, Midnight is captured and dragged back to police headquarters, only to take the ultimate way out via his own poisoned fingernails. A shame - a dapper blue guy would have made a fine addition to any rogue's gallery.

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Oh so spiritual, we are.

Koli Tow: 

Hal Hazard and his brother Hoagy are adventuring in the South Seas when they get shipwrecked, which is not really an excuse for just wandering into a local temple to eat the food offerings but I guess when you're hungry a little sacrilege is easy to justify. Even so, the local worshippers of Koli Tow aren't particularly understanding about it, and given the nature of the comic there's a human sacrifice in the offing until Hal and Hoagy escape to take their brand of cultural sensitivity to another island. 

God Style: idol (Circus, the Comic Riot 001, 1938)

the Canal God: 

An adventure on Mars brings the Space Rovers to the temple of the Canal God, who basically just looks like a dude because this is a Mars populated by basic-ass humanoids. Just what persentage of Martian gods are going to turn out to be canal-related, anyway? 

God style: idol (Exciting Comics 004, 1940)

Death: 

There are a few ways that the anthropomorphic personification of death is commonly written -compassionate, dispassionate, cruel, goofy - but this particular one crops up in genre fiction a fair amount: personally offended by people attempting to extend their lifespan. This particular version of Death is both pissy about the scientist Kromo's attempt to live forever via soul transfer and willing to take a hand in preventing him from doing so. He also seems to really enjoy freaking people out, as seen in his car ride with heroic scientist Dr Hayward. 

God style: real, anthropomorphic personification. (Jumbo Comics 002-004, 1938) 

Deli-Deli: 

As is often the case I am torn between finding Malaysian idol-god Deli-Deli charmingly goofy looking and knowing that the goofiness is part of the sneering "these primitive people will worship anything at the heart of many this kind of jungle adventure.

God-style: idol (Big Shot Comics 013, 1941) 

MINOR SUPER-VILLAIN 809: GANGA LIN

(The Spirit Section, 7 July, 1940)

Our first Mr Mystic foe! Mystic's old pal Mr Cooper brings him in because he's worried about his daughter Erica's involvement with a religious group (cult) called the Temple of Lin. It's always a real toss-up whenever this kind of thing crops up as a comic book plot, between the cult being a total con job and it having some legitimate but sinister basis, and in this case it's the latter. Mr Mystic goes to the Temple of Lin and after some enhanced interrogation (i.e. partially melting local Lin Temple head Mamsa Lin) learns that Erica Cooper has been mystically transported to the Paradise of Lin, a hidden city in the Himalayas.

In the meantime, Erica has discovered that perhaps life in a cult isn't all it's cracked up to be, as she is horrified to learn that the Paradise of Lin has a kind of celestial "one in, one out" policy and that in order for her to enter requires the sacrifice of a slave girl. Also, they have slaves, which I would also call a red flag. Luckily for all the women involved in this little altercation, this is the point at which Mr Mystic appears to challenge the cult's leader, the eight-foot tall mystic Ganga Lin, to a battle to the death.

Mr Mystic and Ganga Lin engage in astral combat, much as Mystic's inspiration Yarko the Great did with his foe Shaddiba, only even more homoerotically, with their fully nude and well-muscled astral forms clad only in their signature headwear. Mr Mystic of course comes out on top with a cool astral hawk-on astral deer kill, and he and Erica head back to the US, leaving only one question unanswered: did either of them think to free that poor slave girl/human sacrifice?

MINOR SUPER-VILLAIN 808: THE BLACK QUEEN

(The Spirit, "The Black Queen", June 16, 1940)

We first meet the Black Queen as the otherwise-unnamed defense lawyer in the murder trial of gangster Slot Gorgan. She already has a reputation for being brilliant, and that reputation proves to be accurate, as Gorgan is acquitted despite the evidence against him.

Upon returning to the Black Queen's penthouse, we learn that she is in fact the very first in the Spirit's long line of female villains, as it turns out that she is the brains behind Gorgan's gang. Unfortunately for Gorgan and the Black Queen, the Spirit has been engaging in the long-standing comic book tradition of getting mad about not-guilty trial results, and so has preceded them to the apartment. Now he knows about about the Black Queen's crime ties and that Slot was actually guilty.

The Spirit manages to wrangle a confession out of Slot in the presence of the District Attorney, which results in a retrial for the same murder he was originally accused of (and while I am not even remotely a lawyer I reckon that this is exactly what double jeopardy is supposed to be about? Or is it one of those things where he was tried for second degree murder the first time and first degree the second?). This time, the Black Queen's brilliant legal mind is merely able to get his sentenced reduced from death to life imprisonment, but importantly she herself is still running the gang when the episode concludes.

The Black Queen returns a few weeks later having made the astonishing decision to move from being the secret head of her gang (smart, secure) to personally leading them in a raid on the New York Sub-Treasury building* (dumb, risky). Why do this when her prior setup was so good that she got to the end of a "crime doesn't pay" comic with her crime career still intact? Since she talks about taking 25 million dollars for herself and splitting town, I can only assume that she has grown tired of the admin of running a gang while being a successful attorney and just wants to retire.

*this might be the fifth time I have read a story in which crooks try to rob the New York Sub-Treasury, and having looked it up to see if it was a thing I have found that a) it was - the US used to keep stores of cash and gold in a few major cities, presumably due to longer travel times in the past and b) the sub-treasury system was phased out in the 1920s. The Black Queen and her fellows are actually trying to break into a building now known as Federal Hall, administered by the National Park Service, and in 1940 occupied by exhibits relating to the New York World's Fair. This raises the question: is the major divergence of the various super-hero universes from our own in fact the passing of the Independent Treasury Act of 1920?

Though the Black Queen's gang are captured before they can get away with either fifty million dollars or some dioramas about the history of finance, she alone manages to escape in her private yacht. Thanks to a timely intervention by the Governor's island defense batteries, the yacht is disabled (a very rare artillery-based entry in my collection of cops shooting fleeing suspects), but the Black Queen herself remains at large for a second appearance in a row thanks to a frankly amazing hand grenade throw that disables the Spirit's flying car. 

The Black Queen's third and final appearance is also the one in which she makes the jump to being a full-fledged femme fatale in the (eventual) grand Spirit tradition, and I say that not just because she has started wearing hot pants and a bustier as her everyday outfit.

No, what really puts the fatale into this femme is the fact that she is going around giving men the literal kiss of death via some poisoned lip gloss. I'm not even sure why she kills this guy - just for the hell of it, I suppose, as he seems to be totally okay with working for her.

But just what was that guy killed for? Why a formula for creating artificial diamonds, which means that along with the sub-treasury thing from earlier, the Black Queen has engaged in two of the biggest non-crimes in comics history!

The Black Queen has also seduced a jeweller named Abner Ames into acting as a fence for her. The Spirit goes pretty far out of his way to rescue this guy from getting the Kiss of Death and make sure that he isn't held criminally responsible, and while I commend him for being nice to Ames' poor wife in this way I would humbly suggest that she would be better off without him.

(the above panels also reveal that the Black Queen's calling card is the queen of spades, and as someone who loves categorizing things I am just pleased as punch to have confirmation on exactly which black queen she was going for with than name) 

Ames having been saved, there is a thrilling chase that culminates in a fight on the superstructure of a bridge. Though the Black Queen almost gets him, the Spirit manages to take her in. Sadly for those of us who enjoy her style, the Black Queen chooses to take her own life rather than face trial, even though she might have been the first person in history for whom self-representation was a good idea.

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Just look at them go.

This gang has hit upon the very effective technique of faking an appearance by the Arrow in order to steal other crooks' takings when they intelligently run away from a potential ass-kicking by a seven-foot-tall vigilante. 

The important corollary to any plan to impersonate a super-hero, of course, is that that hero will eventually get wind and show up to see just what they are supposedly doing, which leads to, yes, a collective ass-kicking by a seven-foot-tall vigilante. (The Arrow 002, 1940)

I'd probably make more of this "ring of big shots" and their plan to take over NYC by blowing up the various dams that contain its water reservoirs (for instance: is a flooded New York without a fresh water supply really worth taking over?) but Phantasmo really torpedoes their whole plan by literally torpedoing their leader as he's trying to torpedo the New Croton Dam, so the whole plot fizzles before it can really get off the ground. (The Funnies 047, 1940)

He may be an extremely generic Central American revolutionary leader who bungles things spectacularly enough that his entire force is destroyed before they actually get around to doing any revolution, but I do find the name "El Tiger" to be as charming as it is linguistically nonsensical. (The Funnies 050, 1940)

Is Eldas Thayer, a cranky old terminally ill miser who stages his own murder in order to frame the Spirit, yet another example of me possibly straying a bit too far from the concept of the "generic costumed villain" that this round-up supposedly exists to showcase? Probably, but that doesn't matter because I am in charge here.

Though the reason for this plot is ultimately "this is a more interesting comic if the Spirit is wanted by the police" (which is why the Spirit is never actually exonerated for this crime), I do really appreciate Thayer's forthright statement that he is doing this because he is an evil old man. Not enough villains have the guts to own up to that kind of thing, you know? (The Spirit, "Eldas Thayer", 21 July, 1940) 

ADDENDUM: I have made a proverbial fool of myself. The Spirit was cleared of the murder of Eldas Thayer like three months later. 

MINOR SUPER-HERO ROUND-UP 054

Whoops there are two more super-heroes in the Spirit Section. Should have included them with the Spirit himself, tsk tsk. 

Lady Luck: 

The Spirit's home, the "Spirit Section" of newspaper comics also included two other Will Eisner-created but not -written or -drawn characters, the first of whom is Lady Luck. In actuality wealthy socialite Brenda Banks, Lady Luck is a costumed vigilante out of boredom with the day-to-day of high society. She is wanted by the law and specifically by her civilian life love interest Police Chief Hardy Moore, a cop so dumb that not only is he about to send a woman to the electric chair for the murder of her still-living husband in the above set of panels but he also is unable to recognize the object of his affections under the brim of a big hat (in fairness to him he does mention that Brenda and Lady Luck are very similar looking but then turns out to be cartoonishly easy to fool). Lady Luck does a bit of globetrotting here and there, but her focus is mainly on high society crimes. Her adventures are a bit lighter than the Spirit's, but not by too much. (The Spirit Section, 2 June, 1940) 

Mr Mystic: 

The thing about the Spirit Section is that people love the Spirit and so his two companions tend to be overshadowed, particularly when it comes to widely-available archival work: the Spirit was reprinted while Lady Luck and our new friend here Mr Mystic languished in obscurity, and while Lady Luck's adventures were eventually reprinted in Smash Comics, the archival record of Mr Mystic is much spottier.

Mr Mystic is supposedly a retooling of Eisner's prior effort Yarko the Great, and I can see it - luckily for him he got the look of Yarko rather than the terrible naming sensibility. Mystic is (or was, presumably) an American diplomat who, like so many characters before and after him, acquired great mystical powers from the mysterious and spiritual residents of Tibet, specifically a "council of seven Lamas," and brought them back to the US to be put to use in beating up ne'er-do-wells. 

Mr Mystic is a magic-using super-hero, which means that he is a nigh-omnipotent force of nature only occasionally slowed down by a lucky bop on the bean from a crook. His major mark of distinction from his peers is a literal one: a mystic tattoo on his forehead, which would mean that he's almost certainly the first person to have to field a lot of well-meaning concern over the effect that that sort of thing would have on his employability. (The Spirit Section, 2 June, 1940)

ADDENDUM:

After all my talk about how a lot of the non-Spirit related parts of the Spirit Section were unavailable I thought to double check, and I had forgot that yes, they are. Granted, it's as medium-quality photocopies, but that's better than nothing, right?

Having rediscovered that fact, I went back and read the first Mr Mystic story, and was shocked and surprised to learn that rather than being a student of the occult who spent long years studying in Tibet, our unnamed hero is a cultural attache serving somewhere in presumably-Eastern Europe when he is blown very off-course while fleeing an Axis invasion force. He crashes in Tibet and is given the forehead brand/tattoo that I did not realize was the sole source of his power while still unconscious. The whole thing is a pretty far cry from what I had imagined his origin to be!

MINOR SUPER-VILLAIN 807: DR COBRA

(The Spirit, "The Origin of the Spirit", June 2, 1940)

Poor Dr Cobra. He goes to all the trouble to put together a sewer lair and develop some weird green slop that puts people into a state of suspended animation and he doesn't even get to lay out what his plans for the stuff were. No, PI Denny Colt has to show up and get doused in slop and become the Spirit and now that's all that anyone ever remembers about the affair. 

Dr Cobra ends up being the first collar by the newly-disinterred Spirit, with a little help from Police Commissioner Dolan. Oh the ignominy. 

Unfortunately for Dr Cobra, he knows that the Spirit is Denny Colt, and so the laws of narrative demand that he be tied up as a looses end. In the second installment of "the Spirit" he escapes by bamboozling Dolan's daughter Ellen, but of course he is immediately tracked down by the Spirit and ends up exploding.

This all feels a bit thin, and that's because there's not too much to Dr Cobra beyond being an origin catalyst. It's a terrible thing to happen to a villain. He has a handful of appearances over the years, but I'm 90% certain that every one of them is a retelling of the Spirit's origin story, and though I can't find an example I am certain that there's at least one of those in which Cobra is replaced with the Octopus. It's no way to treat a criminal scientist, I tell you.